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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
580154CF4207-8ABC-4F14-9800-AD30D1417F0BR01159Lyric Scene
580254D38326-2AA7-4EE2-95E8-8245C13570C0ST225ReverieThis beautiful reverie for euphonium and piano begins with a ephemeral interplay between the soloist and piano that, with the constantly changing meter, suggests no pulse, but creates a constant sense of rubato. This opening is followed by a more strident section in 4 with a very clear sense of time, though the rhythmic elements in the melody and accompaniment alternate between duple and triplet feel before it returns to the more relaxed beginning. This solo was written for Roger Behrend, euphonium player with the U.S.C.G. Band.Euphonium and Piano
580354D5371C-F1FC-42A7-A82D-2082B5452F7ASC383Sigh No MoreUIL Sight Reading Selection for Classes CC and C Middle SchoolSab
580454D6EED9-503D-425E-9654-712D35AFEE9A50250176Two Points of LightThese two contrasting works, Dancing Sunlight and Laser Beams, are perfect for achieving different sounds from your orchestra. Dancing Sunlight is in 6/8 and floats dreamily between major and minor modes. Laser Beams is much more direct, with running 16th-note passages for everyone and much more counterpoint between the sections. First violins will use 3rd position and solid counting skills are a definite plus!String Orchestra
580554DB0636-351D-4112-8271-2E68245BD9F7SC176Three Madrigals for Male VoicesTbb
580654DEF783-6861-4618-BC53-F72A22BF0B03M194991Fantasy Pieces, Op. 3MORCEAUX DE FANTAISIE (FANTASY PIECES), Op. 3 is a set of five solo piano pieces by Sergei Rachmaninoff (1873-1943) composed in 1892. Each title reflects the pieces’ imagery rather than their musical form. Rachmaninoff dedicated the work to his harmony teacher, Anton Arensky. Movements: Elegie, Prelude, Melodie, Polichinelle and Serenade. Reprint editionPiano Solo
580754DF521D-1ECE-4051-9299-CBC05502D5F0R00922Overture: In Praise of FollyWritten as a portrayal of Erasmus's character named Folly, OVERTURE: IN PRAISE OF FOLLY begins with much seriousness, though becomes increasingly playful and teasing with satire and the sardonic to the fore. Hints of American tunes come and go, tunes from different origins, for example “Joshua Fit De Battle of Jericho” and “America the Beautiful”. It was premiered by the New York Philharmonic in 1981 under the baton of Zubin Mehta.2(+Picc).2(+EH).2(+BCl).2(+CBn): 4.4.3.1: Timp.Perc(5): Piano(+celeste).Harp: Str
580854E0C57A-B6DA-4C7F-9137-EE7FB809F2FCSS773Sonata for TubaThis sonata for the advanced tuba player is in three movements. The first movement, Allegro con moto, allows the player to display great technical facility, while the 2nd movement, Allegretto con grazioso e espressivo, gives the player the chance to play in a more lyrical style. The third movement, Allegro con brio, offers a bit of both to players and audiences.Tuba, Piano
580954E14C09-A602-4EC2-B4C4-94122AE7C436A814602Cinq Melodies Populaires Grecques (Five Greek Folk Melodies)Maurice Ravel (1875-1937) wrote the first of his CINQ MÉLODIES POPULAIRES GRECQUES (Five Greek Folk Melodies) in 1904 at the urgent request of Pierre Aubry, who wished to illustrate a lecture he was giving on Greek folksong. Initially given five folksongs from which to choose, Ravel supplied a piano accompaniment for them in only thirty-six hours. Having impressed those who supplied the original five, three more were produced, which Ravel also quickly set to piano accompaniment, in a style imitative of the Mediterranean lands, but remaining distinctly French in its execution. The five melodies in this collection were selected from those eight. Ravel had started orchestrating all five as well, completing two, leaving Manuel Rosenthal to complete the the remaining three. Songs in the collection: I. Le Réveil de la Mariée (Wake Up, My Dear), II. Là-bas, vers l'église (Out There, Where the Church Tower), III. Quel galant m'est comparable (Which Gallant Can Compare With Me?), IV. Chanson des cueilleuses de lentisques (Song of the Lentisk Gatherers), and V. Tout gai! (Be Gay!). These Ravel/Rosenthal orchestrations have been here edited by Clinton Nieweg. Instrumentation: 2(dPicc).2(2dEH).2.2: 2.1.0.0: Timp.Perc(3): Hp.Clst: Str (9-8-7-6-5 in set): Solo Voice (available separately).2(dPicc).2(2dEH).2.2: 2.1.0.0: Timp.Perc(3): Hp.Clst: Str (9-8-7-6-5 in set): Solo Voice
581054E1CC85-2E40-4C89-B48F-0B2350DBE182X103001Reflective ImageOboe, Soprano Saxophone, Tape
581154E50203-BE08-40BF-8B3E-BEC63B6C30ADSS944Fanfare and ProcessionalThis Fanfare and Processional by Gregorio Turini was arranged for four trumpets (or clarinets) in Bb by E.A. Wienandt.4 Trumpet (or Clarinets) in Bb
581254E77B24-F017-497D-8FF8-F468765B4460R100TEXAS TRIBUTE (CHRL-PT
581354E8061E-4AF7-4C0E-8B18-74ED6A22F45DA889402Esmeralda, La: Pas De DeuxInspired by the ever-popular 1831 novel Notre-Dame de Paris (The Hunchback of Notre-Dame) by Victor Hugo, La Esmeralda is a three-act ballet that follows the story of Esmeralda, the beautiful Romani woman from the story. With choreography by Jules Perrot and music from Cesare Pugni (1802-1870), the ballet was first performed in March of 1844 by the Ballet of her Majesty’s Theatre. The ballet is commonly performed in its entirety to this day in Russia and Eastern Europe. This edition, orchestrated by William McDermott, is of the movement Pas de Deux, which is a favorite performance piece in ballet competitions world-wide. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp.Perc(1-2): Hp: Str (4-4-3-3-3 in set).2(2dPicc).2.2.2: 4.2.3.0: Timp.Perc(1-2): Hp: Str (4-4-3-3-3 in set)
581454EA3141-696A-482C-801A-91067D739FB8M981190Orpheus in the Underworld: Galop (Can-Can)Full Orchestra
581554EE8601-33F8-4F9D-8D13-F3F276D3BCC2R00367Pacific RimCommissioned for the Los Angeles Chamber Orchestra, the St. Paul Chamber Orchestra, and the Hudson Valley Philharmonic by the National Endowment for the Arts2 Picc(1d Flute).2(+EH opt).1+Eb Clar..2: 2(+2 opt).2.2.0: Perc(1): Str (min. 7.6.4.4.2) (Tuned cowbells available on rental)
581654F15794-0B4F-4774-B891-506909277844R01579Waking DreamWaking Dream for Flute and Chamber Orchestra was dedicated to and premiered by Christina Jennings and the UW Chamber Symphony, James Smith, Director. Duration ca. 11 minutes.Flute Solo: 1(dPicc).1.1.1: 1.1(in Bb).0.0: Perc(1).Clst.Hp: Str
581754FD3049-C127-48F6-85C6-BC06D019B683X641801Gladly, The Cross-Eyed Bear for Clarinet, Trumpet, Xylophone and Piano(not set)B-flat Clarinet, Trumpet, Xylophone, Piano
581854FF3C2C-1533-467E-A814-16DD85646A6ETC742Deus Misereatur Nostri (O God Be Merciful Unto Us)(not set)Four-Part Chorus of Mixed Voices with Piano
58195506CB0C-70C6-42CF-A2EB-27D35AB44881M300991Clairieres dans le cielComposed in 1913-1914, this collection of thirteen songs sets poems by Francis Jammes from "Tristesses" (1905) for high voice and piano. Lili Boulanger (1893-1918) directed that, "all of these melodies should be sung with the feeling of evoking a past that has remained full of freshness." Dedicated to Gabriel Fauré, like most of her small output, the work was first published posthumously in 1919, a year after the composer's tragically short life ended. Reprint edition. Songs included: 1. Elle était descendue au bas de la prairie, 2. Elle est gravement gaie, 3. Parfois, je suis triste, 4. Un poète disait, 5. Au pied de mon lit, 6. Si tout ceci n'est qu'un pauvre rêve, 7. Nous nous aimerons tant, 8. Vous m'avez regardé avec toute votre âme, 9. Les Lilas qui avaient fleuri, 10. Deux Ancolies, 11. Par ce que j'ai souffert, 12. Je garde une médaille d'elle, 13. Demain fera un an.High Voice and Piano
5820550B5C5A-8EA4-4201-9A2B-23F573D20DF152711048Hymns of PowerNow includes optional viola and cello parts for the second violin. Intermediate level. All Creatures of our God and King; All Hail the Power of Jesus' Name; God of Our Fathers; I Sing the Mighty Power of God; Lead On, O King Eternal; O God, Our Help in Ages Past; Onward, Christian Soldiers; Rise Up, O Men of God.Violin Duet and Piano with optional Viola and Cello