Titles
Showing 5,721-5,740 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5721 | 538FF6DC-290D-461C-AC6D-AEB78353D7C5 | A722690 | Adeste Fideles (O Come All Ye Faithful) for Full Orchestra | This timeless setting for orchestra is part of Kalmus Music's Arthur Harris Christmas Series, several of which offer the option to add chorus. | 2+1, 2+1, 2+1, 2+1 - 4, 3, 3, 1, timp, perc, hp, str | |
| 5722 | 5391c212-9e3c-11f0-a418-0022482c9682 | W713791 | Three Sonatas, Op. 21 | THREE SONATAS, Op. 21 by C.P.E. Bach (1714-1788) is here edited for solo piano by Hans Fischer and Fritz Oberdoerffer. The sonatas Included in this opus number are Sonata in A-major (Wq. 89, No. 3), Sonata in E-minor (Wq. 89, No. 5), and Sonata in C-major (Wq. 91, No. 4). | Harpsichord (or Piano) Solo | |
| 5723 | 53934503-855D-4395-B213-C25BD7997B42 | M397891 | Album of Songs, Vol. 1: Twenty Songs, Book 1 (20 Songs) Low Voice | A reprint edition of these important vocal works by the turn-of-the-century French composer, Cécile Chaminade (1857-1944). Affiliating herself with nationalist composers such as Saint-Saëns and Gounod, her style was very much rooted in both Romantic and French tradition. Her tuneful and highly accessible works were also tremendous favorites in the United States. Chaminade's Album of Songs was originally published between 1892 and 1893 and included thirty-seven total songs across two volumes, with versions for both high voice and low voice made available. LudwigMasters has made all thirty-seven songs available, with three books for each volume, totaling six books each for both high and low voices. Included in Volume 1, Book 1: Ritounelle (W265, 1886); Madrigal (W266, 1886); Les rêves (W280, 1891); L'idéal (W269, 1888); Voisinage (W270, 1888); La fiancée du soldat (W267, 1887); Plaintes d'amour (W281, 1891). Rosemonde (W298, 1878) was originally included in this collection, but was later replaced with Voisinage. Rosemonde is available separately from the publisher (60852004). | Low Voice and Piano | |
| 5724 | 539B6632-9316-44A3-8C3D-DB66C028BF0E | M231591 | Libro de Tientos: Vol. 6 | Francisco Correa de Arauxo (1584–1654) was a key figure in helping transition Baroque techniques into Spanish composition. Regarded as the finest Spanish organist of his generation, his works were regrettably long neglected, despite constituting a peak of organ literature in Spain and an exceptional bridge between the Renaissance and the Baroque, although interest continues to grow. His compositions, 69 works all for organ and progressively more difficult to suggest a pedagogical purpose, were published in 1626 in a single volume under the title Libro de tientos y discursos de música practica, y theorica de organo, intitulado Facultad organica. This edition, transcribed and edited by Santiago Kastner, has been released in eight volumes. | Organ | |
| 5725 | 539BC115-01C4-40F7-B588-FB0C6E926961 | TC834 | Hosanna to the Son of David | This choral setting of the Biblical text has been completed by Robert Edward Smith for SSATB mixed chorus. | Five-Part Mixed Chorus a Cappella | |
| 5726 | 539C3174-A94A-40AD-896B-12340A6ECC72 | M376491 | Puccini Rediscovered: Six Songs for Solo or Duo Voice(s) and Piano | The PUCCINI REDISCOVERED series, performing editions edited and annotated by Michael Kaye, are based on the most authentic sources, many of which have not been considered in other editions on this wide range of music spanning the composer's entire career. Includes solos and duets of lesser-known Puccini vocal literature, including the first publication of the following: LA PRIMAVERA - CANZONETTA; BEATA VISCERA; AVE MARIA LEOPOLDA; final version of the beautiful song AD UNA MORTA!. It also includes CASA MIA, CASA MIA (revised and corrected) and SOGNO D'OR. | Voice And Piano | |
| 5727 | 539D147C-3D97-46C5-A42F-63E00DEC75B5 | E9 | Omea 1995 District Sight Reading | Choral | ||
| 5728 | 539E9299-3531-41B4-B9DF-19225F1473E3 | X503004 | Romance | (not set) | Violin, Cello, Piano | |
| 5729 | 53A6C473-7817-420C-A253-4A2BF3498763 | LV444MB | White Horse | (not set) | Marching Band | |
| 5730 | 53AFF500-DD91-4429-A7AD-1C0DB68033A8 | SC435 | The Colors of America | (not set) | 3 part Children's chorus accompaniment tape | |
| 5731 | 53B1E04C-145E-4ED8-9072-BC776D89A814 | SC246CO | Jazz Waltz | (not set) | SATB, Pno | |
| 5732 | 53B43EE8-AAA7-406A-9C08-4E43B28B5B58 | SU164 | Ragtime Brass | Brass Quintet | ||
| 5733 | 53C1D177-810F-4A62-9E97-FDB7F0477441 | R152.9 | Sketches of a Sunday: 9. Thought (Pensamiento) | Thought (Pensamiento) is excerpted from Jacob Datshkovsky's 14 movement suite entitled Sketches of a Sunday (Bosquejos de un Domingo). | 2+1.2+1.2+Bcl.2+1: 4.3.3.1: Timp.Perc(2).Hp: Str | |
| 5734 | 53cda9d9-9e3c-11f0-a418-0022482c9682 | W717591 | Three Trio Sonatas | These THREE TRIO SONATAS, originally thought to be all by Johann Sebastian Bach (1685-1750) when this edition was released by Friedrich Hermann, now is known to only include two works by Bach. The first Sonata, spuriously attributed to Bach as BWV 1037, is now thought to be by Johann Gottlieb Goldberg (1727-1756) as DürG 13. The remaining two trio sonatas, BWV 1038 and BWV 1079h, are by Bach. The sonatas may be played by either 2 violins and keyboard or violin, flute, and keyboard. Reprint edition. | 2 Violins (or Violin and Flute) and Keyboard (Piano/Continuo) | |
| 5735 | 53D538DE-4301-4898-995C-9FD5EB722BFA | O43JB | The Ten Minute Jazz Improv Vol. 3 | Lesson 3 of the Ten Minute Jazz Improve emphasizes major ninth chords. Includes bonus chart "The Major's Bossa". | Jazz Band Method | |
| 5736 | 53D7B788-866A-4A88-8000-55D50008B135 | M394191 | Trio Op. 87 | 3 Horns | ||
| 5737 | 53D94E1C-A46F-4720-94CA-F1561BDC0B07 | A209402 | Liebeslieder Walzer (Waltzes), Op. 114 | Written by the "Waltz King" Johann Strauss II (1825-1899) in 1852, Liebeslieder Waltzes (Liebeslieder Walzer) is essentially a love serenade written in 3/4 time, consisting of seven sections: an Introduction, five different Waltzes, then a Coda. Written at a time early in the composer's career, Strauss' works did not receive much attention when this piece was published, though that certainly did change later. The premiere took place at Vienna's Volksgarten by the composer's own Strausskapelle on June 18, 1852. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.1.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): CS (Pno-Cond) in set. | 2(2nd dPicc).2.2.2: 4.2.1.0: Timp.Perc(1): Hp: Str (9-8-7-6-5 in set): CS (Pno-Cond) in set | |
| 5738 | 53DAE33E-66EE-46D8-A06C-5E5E3E2B668F | S487CB | Suite Royale | (not set) | Concert Band | |
| 5739 | 53E65B68-677C-444C-9333-9C90BC0EE4F2 | R00709 | Before Webern, Op. 6 | Composed for the Cincinnati Philharmonica Orchestra. | 3.2.3.2: 4.4.4.1: Timpani.Percussion(3): Strings | |
| 5740 | 53E74CBE-C22D-456D-B3CA-09150094968A | R01564 | Concerto for Violin | The Concerto for Violin was written in early 2012 for Philip Ficsor. The four movements, conceived separately, are intended to have the feeling of a suite rather than a verbose, heavy interpretation of the concerto form. The 1st movement, "A Little Parlour Music", carries the subtitle "after Poulenc" in a reflection of the lightness and charm of that composer's work. The 2nd movments, "Remembrance of Things Past", is the most expressive of the movements. The 3rd movement, "Santa Barbara Rag", is full of syncopated rhythm and humor with even a slight reference to another well-known rag. And the 4th movement, "John Adams Light", looks back at the early minimalism of Adams with its repitition and constant motion. The concerto is available with piano reduction and for rental with the full orchestra accompaniment. | Violin Solo: 2+Picc.2.2+Asax+BCl.2+CtrBsn: 4.3.3.1: Timp.Perc(3).Harp.Pno: Str |