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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
574153EB1FE1-F7D0-46E8-BE12-315D3A50900DST728The Girl With the Flaxen Hair (La fille aux cheveux de lin)This famous composition (the eighth piece in Debussy's first book of Preludes) is named after the eponymous poem by Leconte de Lisle. It is known for its musical simplicity, which contrasts from Debussy's style at the time. Originally written for piano, Arthur Ephross has arranged this beautiful melody for flute with piano accompaniment.Flute and Piano
574253EB50F2-D464-4CAC-A7FD-0F6DB9A69D8C50760007Two Pieces, Op. 17: A Tale, Witches' Dance(not set)Piano
574353F13202-E2F3-4886-99AC-5C274B03AB5BSC393Sailor's Life, ATtb
574453F349C2-D341-426E-975B-EB689D90F253M125191Seven Scottish Airs, H. 93Gustav Holst arranged these SEVEN SCOTTISH AIRS for piano quintet in 1906. Not too difficult technically, this work serves as a wonderful introduction to the string music of Holst. The Scottish songs used are: 1. The women are a'gane wud; 2. My love's in Germany; 3. O how could ye gang, lassie; 4. Stu mo run; 5. We will take the good old way; 6. O gin I were where Gowdie rins; 7. Auld Lang Syne. Reprint edition.Piano Quintet: Two Violins, Viola, Violoncello and Piano
574553F51D47-C62E-46E1-B041-126CB99455FEA4Concerto No. 1, K412 (out-of-print)Full Orchestra
574653F594C9-2579-4532-ACF3-6D7CC993206352720003I Can Play BachEasy solos for viola and piano with clear fingerings and bowing for the beginning violist. These do not duplicate anything in Suzuki books. Contents: March, Air, Musette, Polonaise, Bourree, Gavotte No. 1, Sheep May Safely Graze, Gigue, Aria.Viola, Piano
574753F95BF6-4D93-4A2D-BDCF-4C7E1BC6F561M276891High School of the Violin, Bk. 2(not set)Violin and Piano
574853FF8A2B-B770-4552-A3B2-8D8D48B7BFFD20250472Trumpet Voluntary(not set)String Orchestra
5749540373bd-9e3c-11f0-a418-0022482c9682W720091Collected Songs, Vol. 1This collection of songs by Gabriel Urbain Fauré (1845-1924) for high voice include the following in Volume 1: Le Papillon et la Fleur; Mai; Danse les ruines d'une Abbaye; Let Matelots; Seule!; Sereande toscane; Le Chanson du pecheur; Lydia; Chant d'automne; Reve d'amour; L'Absent; Aubade; Tristesse; Sylvie; Apres un reve; Hymne; Au bord de l'eau; La Rancon; Ici-bas!; Noel.High Voice and Keyboard
575054077FF3-02EC-45D9-9E27-82F5EF29DDD9R01509Concerto for Flute, Percussion and StringsIn memory Oleg Kyva. (2008) ca. 22'Flute Solo: Perc(2): Str
5751540E27EC-B111-4E68-B72D-30604A7D79FAV24Tolling Of The Mission Bells (out-of-print)Piano/vocal
5752540EBC96-2E2F-44FD-9448-DF955746F536A214202Morning, Noon and Night in Vienna Overture (Ein Morgen, ein Mittag, und ein Abend in Wien)2d1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str
5753540F971D-9519-4E7E-8443-A8EA33B9A53C50250128Meadows Under a Spring SkyDiatonic D major provides easy notes so students can concentrate on bowing challenges such as hooked bowings and two-note slurs. Longer note values reinforce the concept of subdivision of the beat. The work is in alla breve (cut time) and the upper strings have the opportunity to switch between using open strings and covering with the 4th finger.String Orchestra
5754541196A8-AD4B-458D-833A-6DE174BDC826A21POP out of print: Academic ProfessionalsFull Orchestra
57555412221D-D239-4855-930F-295266F7B1C5POPST856DUP SEE 3779172 BLUE HORNS
57565412A5FC-A493-469B-BB96-777B9A2FA9E7A541390Five Pieces for Cello and Orchestra: IV. GhazelOriginally written by Irish-born American composer Victor Herbert (1859-1924) as a piano character piece, GHAZEL is the fourth movement in a collection of works arranged by Sam Dennison and orchestrated by Lynn Harrell called FIVE PIECES FOR CELLO AND ORCHESTRA. Instrumentation: Solo Vc (in set): Str(8-8-5-5-5 in set).Solo Vc (in set): Str (8-8-5-5-5 in set)
57575417C5A4-7A6F-47B0-968F-33893A4039D3SS297SONATA NO. 6 (OUT-OF-P
57585417FF7C-78C9-4EC2-8E0F-198D536A8E3CSS20UNROLLY PERMUTATION (O
575954181922-3569-43BF-B760-CCB01BBBD00AS005201Hungarian Dances Nos. 5 and 6Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms’ most popular works today, and they were the most profitable for him in his own lifetime also. In 1850, Brahms was introduced to “gypsy-style” music through Hungarian violinist Ede Reményi, including the csárdás “Bártfai emlék” (Memories of Bártfa) by Hungarian composer Béla Kéler, which became the basis for Hungarian Dance No. 5. Arranged for many different instruments and ensembles over the years, the 1885 orchestration by Albert Parlow of Hungarian Dance No. 6 moved the key from the original D-flat to D major, though the key for No. 5 remains the same as the original piano version. This edition includes both tenor and bass clef parts for the trombones. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Str(9.8.7.6.5).1+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Str(9.8.7.6.5 in set)
5760541cdea8-9e3c-11f0-a418-0022482c9682W721391Gianni SchicchiGianni Schicchi is a one-act comic opera by Giacomo Puccini (1858-1924). The final and most popular opera in a trio known as Il trittico (The Triptych), each one dealing with the concealment of a death, the work premiered at the Metropolitan Opera on December 14, 1918. It tells the story of four family members anxiously discussing the contents of their very recently deceased family member, Buoso Donati, only to discover to their horror that he had left everything to a monastery. Gianni Schicchi, not related to the family, arrives and concocts a scheme to have a new will written as nobody but the family knows Buoso is dead. But when the notary arrives Schicchi, pretending to be a Buoso on the mend, dictates that his house, mule, and mills should be left to Gianni Schicchi, which allows him to offer marriage between his daughter Lauretta and Donati family member Rinuccio. Lauretta's soprano aria, O mio babbino caro (Oh, my dear papa), is among the most well known in opera and is frequently sung as an encore in recitals or concerts. Vocal score. Reprint editionVocal soli (15 roles, SSSAATTBBBBBBBB): Keyboard or Orchestra accompaniment