Titles
Showing 5,761-5,780 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5761 | 541EB54E-0A04-40D5-915E-5A74CD8CF7CC | X141002 | Three Pieces for Bassoon and Piano | Bassoon, Piano Reduction Reduction from: Bassoon Solo 1+Piccolo.1.3+Alto Clarinet+Bass Clarinet.1.AATB Saxophone Ensemble: 4.3.3.Euphonium.1: Timpani.Percussion(3): Double Bass | ||
| 5762 | 542474A2-21C2-45E0-A633-4D18CE35740B | ST58 | Sonata | This advanced flute sonata employs exotic scales and a meterless approach to rhythm that rather emphasizes a freer approach to the interpretation of the rhythm. | Flute and Piano | |
| 5763 | 5424FC33-5BE4-401B-93A4-634F923A0830 | X412018 | Invariably Paganini | |||
| 5764 | 5443630E-5E50-408C-94F3-98922DE2FA1E | X511030 | Three Secret Stories | Written for Ida Kavafian. Length ca. 15'. | Violin, Piano | |
| 5765 | 5445d709-9e3c-11f0-a418-0022482c9682 | W723091 | Fantaisie No. 2, Op. 101 | Camille Saint-Saëns (1835-1921), while most well-known for his chamber and orchestral works, also composed much for the organ, having himself been appointed organist at both Saint Merri (1853-1857) and Madeleine (1857-1877), the latter post he held for 20 years. He is one of the 19th century's most important composers and performers for the organ, counted together with other greats such as Gigout, Guilmant, and Widor. Saint-Saëns wrote this FANTAISIE No. 2, Op. 101 in D-flat Major for organ in 1895. Reprint edition. | Organ Solo | |
| 5766 | 5448660A-F610-45BC-9FE5-2F3F509C60E2 | R01205 | Aus Schwanengesang | Aus Schwanengesang draws its inspiration from Schubert's six "Heine Lieder" which comprise the second part of the song cycle "Schwanengesang". Commissioned by the North Carolina and Canton Symphonies. Length approximately 18 minutes. | 3(1d Picc).3.3(1d BCl).3(1d Cbsn): 4.3.3.1: Timp.Perc(3).Harp.Pno: Str | |
| 5767 | 5448F8B7-6698-4B71-A5D9-EFAB194A0A6D | 50100147 | Slidin's Sam | A trombone smear in ragtime style, this is a delightful find. Written for a jazz band in 1918, it sounds as modern as if it had been written today.It is fresh, exciting, and quite playable. | Concert Band | |
| 5768 | 5454D0DF-2C96-4F7D-B954-F029F123BB9F | W712291 | Album of Piano Pieces | Album of Piano Pieces is a compilation of piano music by Ignaz Moscheles. It includes six pieces: 1. Sonata Mélancolique, Op. 49; 2. La Tenerezza; 3. Gigue, Op. 58 (Jadis et aujourd-hui, une Gigue et un Quadrille: Rondeau for Piano); 4. Pastorale im Orgelstyle, Op. 135; 5. La Petite Babillarde, Op. 66; Grande Étude de Concert, Op. 126. Reprint edition. | Piano Solo | |
| 5769 | 54587408-708A-4E96-8077-466F5F4C9122 | S424CB | Back Talk March (out-of-print) | Concert Band | ||
| 5770 | 54594FCF-5837-41FC-8EBB-89853B3C590D | R00965 | American Accents | Composed for the Los Angeles Chamber Orchestra and the New York Chamber Symphony with a grant from the NEA | 2(1d Piccolo).1+English Horn.1+Bass Clarinet.2: 2.2.0.0: Percussion(1): Strings | |
| 5771 | 5459B0E2-6CF4-41B7-A1AF-35880854EC6B | R00802 | Octagon | Commissioned by the University of Oregon | 8 Percussion | |
| 5772 | 5461AD62-138F-41C7-9F9D-679C133EF979 | RCST143 | Sonata No. 7 in E Flat K. 481 | Flute, Piano | ||
| 5773 | 5463E463-D443-4281-AB04-58A234292734 | R00970 | Night Vision | Night Vision is scored for the now-classic combination of 'Pierrot plus percussion' with the addition of an oboe. Many nocturnal moods & colors are exploded during its 13 minutes. | Flute(d Picc, Alto Flute), Oboe(d EH), Clarinet(d BCl), Piano, Perc(1), Violin, Cello | |
| 5774 | 5465CAD3-18EA-4AFC-B9E2-5F4DD7E36A40 | 10540116 | Scene de Concert for Euphonium and Piano | Baritone B.C. Solo and Piano | ||
| 5775 | 5477B247-4585-40B9-9112-9FCCE839821C | 50250173 | Confluence | This piece is the confluence of J.S. Bach and South America. A lively, Brazilian-influenced tune in C minor uses a chord progression, suggested by Bach, in jazz form. Confluence begins with a passionate cello solo and brief violin solo. All instrument groups (or student solos) have an opportunity to shine in the suggested solo section after the presentation of the tune, first by the violas. | String Orchestra | |
| 5776 | 54789528-36D7-4993-8F97-43DF6430144E | SU363 | 4 Some | Edward Solomon's "4 Some" is a great contest piece for your beginning percussionists. This piece features two snare drums, crash cymbals, and bass drum. | Percussion Quartet | |
| 5777 | 547C3D23-6651-406C-8902-651F8181EB2A | LV105CB | Band Plays Purcell | (not set) | Concert Band | |
| 5778 | 547D2C77-9878-4A89-B018-DFF794499B1E | SO148 | Waltz from Masquerade Suite (transcription) | Masquerade was written in 1941 as incidental music for a play of the same name by Mikhail Lermontov, however the music is better known in the form of a five-movement suite, which Khachaturian extracted in 1944. The famous Waltz theme in particular gave Khachaturian much trouble in its creation. The composer later described his "strenuous search" for the appropriate style and melodic inspiration, when finally the second theme of his waltz came to him, which acted "like a magic link, allowing me to pull out the whole chain. The rest of the waltz came to me easily, with no trouble at all." This complete transcription by Lynne Latham for string orchestra is the first of its kind, perfect for more advanced ensembles. An easier, shorter arrangement is also available from the publisher. | String Orchestra | |
| 5779 | 54808324-8F3D-4FBB-A964-6078F3AB766A | S499CB | The Spirit of Christmas | This medley of Christmas tunes include: 1. Hark the Herald Angels Sing, 2. The First Noel, 3. Joy to the World, 4. Angels We Have Heard on High, 5. Silent Night, 6. O Come All Ye Faithful. The score was dedicated to Lacey Powell, first band director of the University of South Alabama. | Concert Band | |
| 5780 | 54852023-F2ED-4B18-B06D-AEB8968AF296 | A627002 | Manon Lescaut, Act II Aria: In quelle trini morbide (soprano) | (not set) | 2+1, 2+1, 2+1, 2 - 4, 3, 3, 0, timp, perc, hp, str |