Titles
Showing 5,841-5,860 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 5841 | 55687AED-39AC-4224-9A8B-DC36041496C9 | 10611174 | Duo for Drums | With piano accompaniment; published with individual duet parts and piano accompaniment. | Drum Duet and Piano | |
| 5842 | 5569416E-D179-4085-8E76-8D102E88BC44 | SS981 | Three Folk Dances | These easy AATB folk songs with explicit dynamic and articulation markings are a great way to introduce young players to small ensemble playing. | Sax Quartet: AATB | |
| 5843 | 556BC71F-1BBB-4546-9435-15DDB92BEFA2 | X504099 | Aksak: Calligraphy No. 3 | CALLIGRAPHY NO. 3 is based on an asymmetrical rhythmic cycle (called AKSAK), which is found in the folk music of Iran, Turkey, and other countries across the Near East. It is part of an ongoing series of chamber works composed by Reza Vali since 2000. The series explores the Persian modal system called the Dastgah-Magham. | String Quartet | |
| 5844 | 55706A05-E5C4-446A-BFC0-E405D4073B51 | M950990 | Take Me Out to the Ball Game | This arrangement for full orchestra of the famous National Pasttime tune has been completed by Steven L. Rosenhaus, and includes an optional narrator part for those who wish to work on their ball park announcer's impression. Instrumentation: 2+Picc.2.2.2: 3Sax(AAT): 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 3Sax(AAT): 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set) | |
| 5845 | 5572415F-B742-4321-A8EA-5C9BBE1DA685 | S176MB | Cougar Victory March, A | (not set) | Marching Band | |
| 5846 | 557406FD-8B68-48CD-82F5-C2CD77F76AC0 | A234902 | Lohengrin, WWV 75 (complete opera) | Finished in 1848 and premiered in 1850 in Weimar, Germany, Richard Wagner's (1813-1883) LOHENGRIN tells a story of a tragic medieval German romance in the Knight of the Swan tradition. Elsa, a princess in Brabant, is rescued and wedded by a knight in shining armor who insists on remaining nameless. Most are familiar with the famous wedding march from the opera (commonly referred to today as "Here Comes the Bride"). Instrumentation: 3(3rd dPicc).3+EH.3+BCl.3: 4.3.3.1: Timp.Perc(3): Hp.Org: Str (4-4-3-3-3 in set): Vocal Soli (14 roles, SSSAAATTTBBBBB): Chorus: Banda (3.3.3.3: 4.11.3.0: Perc: Hp). | 3(3rd dPicc).3+EH.3+BCl.3: 4.3.3.1: Timp.Perc(3): Hp.Org: Str (4-4-3-3-3 in set): Vocal Soli (14 roles, SSSAAATTTBBBBB): Chorus: Banda (3.3.3.3: 4.11.3.0: Perc: Hp) | |
| 5847 | 557673A5-A8A1-4AD6-816D-5E3DE7BA963D | A414502 | Serenade in C Major for String Orchestra, Op. 10 | Ernst von Dohnányi (1877-1960), composer, pianist and conductor, left his native Hungary after World War II. From 1949 until his death, he was Professor of Piano and Composition at Florida State University in Tallahassee. The Serenade, Opus 10, for Violin, Viola and Violoncello follows the precedent of the classical serenade and cassation which begins and ends with a march. The work is witty, romantic and dramatic. The integrity of the phrasing and articulation of the urtext edition has been respected in this setting. It is hoped that this string orchestra version enhances the rich sonorities of Dohnanyi's Serenade. A count of 8-8-5-5-5 strings are included in the set. | String Orchestra (8-8-5-5-5 in set) | |
| 5848 | 55795968-4A0D-43B6-89F0-21F69AD746DA | A888502 | Napoli - The Flower Festival in Genzano: Pas de Deux (attributed to E. Helsted and Paulli) | Danish choreographer and ballet master August Bournonville (1805-1879) created several well-known ballets, including NAPOLI, OR THE FISHERMAN AND HIS BRIDE (1842) and THE FLOWER FESTIVAL IN GENZANO (BLOMSTERFESTEN I GENZANO; 1858). Whereas Bournonville used the composers Edvard Helsted (1816-1900) and Holger Simon Paulli (1810-1891) exclusively in the composition of THE FLOWER FESTIVAL OF GENZANO, they were only two of several contributing writers to the music of NAPOLI. The most famous selection to come from these ballets is the pas de deux long (and falsely) attributed to THE FLOWER FESTIVAL IN GENZANO and to its composers Helsted and Paulli. That is not the pas’ origin, however. The music was actually written for an 1842 staging in Vienna of NAPOLI, where the principal danseur playing Gennaro created the pas de deux for Act III and asked Austrian composer Matthias Strebinger (1807-1874) to write the music for it. Following this, Bournonville decided to include this pas de deux in his newer ballet, THE FLOWER FESTIVAL IN GENZANO, and Paulli orchestrated it to suit this purpose, resulting in the future assumption that the pas de deux was composed by Helsted and Paulli rather than the insertion that it was. The original ballet disappeared shortly after its premiere, though Bournonville saved the pas de deux by incorporating it into an 1875 divertissment that he made for the Vienna Festival of Flowers. This fragment of THE FLOWER FESTIVAL OF GENZANO is all that survives, and because the pas de deux was originally written for NAPOLI, it is often also included in productions of that ballet. Despite the spurious attributions of both the ballet and the composer, this pas de deux is an extremely popular part of the repertory and is considered one of Bournonville's most perfect works, often performed to show the Bournonville style. This edition has been completed by William McDermott. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set). | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (4-4-3-3-3 in set) | |
| 5849 | 557F82CB-240A-4CBE-9133-E9CF46757FEB | M803690 | Dido's Lament from Dido and Aeneas | The most well-known aria from English Purcell's (1659-1695) three-act tragic opera Dido and Aeneas, Dido's Lament (also "When I am laid in Earth") is sung by the title character near the end of the opera as she prepares to die of a broken heart. This arrangement for string orchestra by William Ryden is perfect for an ensemble seeking the opportunity to showcase their expressive playing. | String Orchestra | |
| 5850 | 558118eb-9e3c-11f0-a418-0022482c9682 | W744091 | Bartered Bride, The, B. 143: (Prodana Nevesta) | With THE BARTERED BRIDE (PRODANÁ NEVESTA), B. 143, Bedrich Smetana (1824-1884) put Czech opera on the international map. Composed between 1863 and 1866, it was not immediately successful following its 1866 premiere at the Provisional Theatre in Prague on May 30. Performed in its final version, four years later, it achieved worldwide popularity. Set in a country village, the plot follows Jeník and his lover Marenka, opposing her parents who have a scheme to marry her off to the son of a rich landowner. This vocal score, edited by Paul Csonka, is in German and English, with the English text by Paul Csonka and Ariane Theslof. Reprint edition. | Vocal soli (11 roles: SSAATTTBBBB): Chorus: Keyboard or Orchestra accompaniment | |
| 5851 | 5581DAEE-2A5B-4DDA-B13C-6A501F2EA937 | M331591 | Two Compositions, Op. 54 | The two compositions of Op. 54, "Scottish Legend" and "Gavotte Fantastique" were composed in 1903. "Scottish Legend" is an original melody inspired by Celtic fold music, while "Gavotte Fantastique" is based on the "Gavotte" from Beach's Children's Album, Op. 36. Reprint edition. | Solo Piano | |
| 5852 | 5586C71D-5C42-44D6-AFE1-7CC85B87C654 | W107491 | Christmas Day (Choral Fantasy on Old Carols), H 109 | Written by Gustav Holst (1874-1934) in 1910 for the music students of Morley College, this work for soloists and SATB chorus may be accompanied by keyboard or orchestra. Subtitled "Choral Fantasy on Old Carols," it includes the following carols: 1. Good Christian Men Rejoice, 2. God Rest You Merry Gentlemen, 3. Come Ye Lofty, Come Ye Lowly, and 4. The First Nowell. Orchestra score and parts are available separately from the publisher. | Vocal Soloists, SATB Chorus, and Piano/Organ | |
| 5853 | 5589B546-AA5F-4750-AE8D-E7908801383F | X632508 | Music is a Dream for Oboe, Cello and Piano | The title is a quote from Alice Herz-Sommer (1903-2006), to whose memory this piece is dedicated. Alice Herz was born in Prague to Jewish parents who ran a cultural salon, giving her the opportunity to meet luminaries such as Mahler, Freud, and Kafka, among others. At age five, alice began to study piano and became a concert pianist, but her career was cut short by the Nazis, who did not allow Jews to perform or teach non-Jews. In 1943, she, with her husband and son, were sent to the Czech city of Terezin, which was setup as a Nazi propaganda site to show how well Jews were treated. Inmates were allowed, then, to stage concerts in which Alice frequently starred during her two-year stay. Bruce Adolphe, inspired by a YouTube video of Alice Herz-Sommer playing Chopin's Waltz in c-sharp minor, Opus 64, No. 2, included some quotes of the waltz in MUSIC IS A DREAM. | Oboe, Cello and Piano | |
| 5854 | 558BFAC8-99FB-472A-8019-0951DDF6B57C | R00908 | Address for Orchestra | Dedicated to the composer's parents, this major piece of great energy and thrust contains three movements that culminate in a moving passacaglia. Movements: I. Poco adagio II. Molto adagio III. Drammatico | 3+Picc.3+EH.3+BCl.2+Cbsn: 4.2.3.1: Timp.Perc(3).Hp: Str | |
| 5855 | 558D6C61-348B-4E74-9E02-157B393CB114 | M355491 | Four Songs, Op. 51 for Low Voice | (not set) | Low Voice and Piano | |
| 5856 | 5592032F-7D45-4732-A480-134FFD4A44EF | M226691 | Schelomo (Solomon) | (not set) | Cello & Keyboard | |
| 5857 | 5592DD9A-B3BE-41DB-826E-08E82712AE06 | LV130CB | Doodletown Drummers | This piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort to maintain and increase interest in beginning programs. | Concert Band | |
| 5858 | 5596A7BF-DA85-4E75-A5FE-16FF6073B193 | W749591 | POP - See A273091 - Requiem (Messa da Requiem; Totenmesse) | |||
| 5859 | 5598099C-BAE4-4283-B6FE-4570DB63FECB | 10611226 | Two of a Kind | This duet features a 2nd part solo accompanied by a long roll in the 1st part. | Drum Duet | |
| 5860 | 55999111-7CF5-4598-A415-CBBE580A9AC9 | 50341003 | Classical Solos | A full range of contest solo books, featuring Play-Along audio, written for each of the twelve principal wind instruments and mallet percussion. Hear demonstrations by professional soloists on one track and then play along with the piano accompaniment on the next track. A separate piano accompaniment book will work with any solo book of the same title. The Piano Accompaniment book includes some solos in two keys and will work for any instrument in each compilation. | Flute or Oboe |