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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
57015357A311-99D4-4CBE-B32A-A6DF0012B7DAX504073Zand: Calligraphy No. 2 for Persian Oud and String TrioSecond movement from "Calligraphies (Nos. 1-3)". Also available for string quartet or cello quartet.Barbat (Persian Oud), Violin, Viola, Cello
57025357F6BC-7507-408A-88B4-008B87B99749LV440MBRailroad March(not set)Marching Band
57035359121A-9FDA-42F6-8B8D-90A18FF04F4CR00212Fanfare Overture2.2.2.2: 4.3.3.0: Percussion(3): Strings
570453612C4E-AB5A-4772-B91B-C4B906BF90CB50100337Perspective ShiftA minimalist approach makes this a unique work well-suited for teaching of chromatic fingerings. It is clever, tongue-in-cheek, and features interesting but not difficult percussion parts. Have your students put on their counting shoes!Concert Band
5705536362D6-A567-4EB5-985A-32D17531FB8ESS215Two Sets of 3 Cadenzas for Flute Concerto in D Major, K. 314(not set)Flute Unaccompanied
57065366AB07-BBD6-4A26-9788-57AE655B33EFM216291Italian Songs and Arias of the 17th and 18th Century, Set 2While the song text remains in Italian, loving translations of these songs have been created by Giovanna Jackson to aid in a singers interpretation.Three songs are included in this second set: Il mio bel foco (Marcello); Se tu m'ami, se sospiri (Pergolesi); Come raggio di sol (Caldara). Each song has been arranged by Albert C. Vinci and edited by Mary Sue Hyatt to be performed with a string quartet or string orchestra. Both the string quartet and string orchestra versions are available from the publisher.Voice and String Quartet
57075369BCB2-0F8E-4C0A-A0C1-39C7B055E364B134335 Selected Melodious, Progressive and Technical Studies for Horn, Bk. 1One collection of studies that is a must-have for every serious french horn player/student. Created by two of the finest virtuoso horn players of all time; Max Pottag, Chicago Symphony Orchestra and Albert Andraud, Cincinnati Symphony Orchestra. The studies were chosen from the works of renowned teachers the world over. Additional studies may be found in Book 2 (03770622 ISBN 1-58106-074-2)Horn
5708536A090B-A1BB-41BC-A891-49D3F5F5CBE1MP944010May-Day
5709536C63E7-D75E-4D1F-A818-7F03E918566CSS239FLIGHT OF THE BUMBLE B
57105372D677-6B6E-4DF4-98AD-F500365B2C86M326391Italian Songs Book 1(not set)One and Two Voices and Piano
571153757784-E041-46C6-985B-CD4358818272M808990National Emblem MarchWith or without percussion, this arrangement will feel and sound full and exciting, and will fill you and your audience with joy.String Orchestra
5712537AE2EC-8EE3-4887-9CD4-8BEEA426534CEBM0630011Psalm No. 13Psalm No. 13 (1859) by Johannes Brahms, for SSA Chorus, Organ and String Orchestra. Duration ca. 5'SSA Chorus, Organ, String Orchestra
5713537E1055-3BC8-4D6E-81B9-511BC7A6C5E7ST603La Mi La SolHeinrich Isaac was a Netherlandish Renaissance composer of south Netherlandish origin. He wrote masses, motets, songs, and instrumental music. A significant contemporary of Josquin des Prez, Isaac influenced the development of music in Germany. This arrangement of Issac's La Mi La Sol was written by Norman Weinberg for a quartet of xylophone and three marimbas.4 Mallets: Xylophone, 3 Marimbas
571453814baa-9e3c-11f0-a418-0022482c9682W713091Sonata No. 1 in D minor, Op. 28Sergei Rachmaninoff (1873-1943) completed his Piano Sonata No. 1 in D minor, Op. 28, in 1908, and it is the first of three "Dresden pieces," the others being his Symphony No. 2 and part of an opera. Although he eventually abandoned the idea, the sonata was originally inspired by Goethe's play Faust, which has inspired so many works of the 19th and 20th centuries. The premiere took place on October 17, 1908, in Moscow, with Konstantin Igumnov at the piano.Solo Piano
57155382103B-A2DA-4C51-82F3-28AB203E5398SC33My Heart Is Yours to Keep Alone(not set)Satb
57165386FD41-DD91-43C4-9D97-621AE19EAB94SU185Three By Four By4P
571753873E0B-BD2B-42F3-8203-215617824759SC472A BenedictionSatb
571853886BD5-FB2D-4ECA-AD7C-6095009E7E50X511025Sonata for Violin and OrganCommissioned by the Institute for American Music in celebration of the millenium and in honor of Abbot Marcel Rooney, Abbot Primate of the International Order of the Benedictines.Violin, Organ
57195388E9A2-58E0-471A-AA4F-5459200585EFA787102Symphony No. 4 in D minor, Op. 13/B. 41 (critical edition)Composed by Antonín Dvorák (1841-1904) in the first few months of 1874, SYMPHONY NO. 4 IN D MINOR, Op. 13/B. 41 displays the unmistakable influence of Wagner in its thematic development. A paraphrase of the opening material in the overture to TANNHÄUSER appears in the second movement. Bedrich Smetana conducted the premiere of the third movement on May 25, 1874 at a concert of the Academy Readers’ Society in Prague. Due to his own dissatisfaction of the work’s merits, Dvorák decided to cancel the planned 1888 premiere by the London Philharmonic Society. Subsequently revised, the symphony was finally heard in its entirety on April 6, 1892, performed by the National Theatre Orchestra under the baton of the composer. It was published posthumously in 1912. This critical edition, based on the composer’s manuscript, was edited by Frantisek Bartos, Antonín Pokorny, and Karel Solc. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edition.2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str (9.8.7.6.5 in set)
5720538C9017-F6F5-4D09-BB73-E1A4728C478EM199391Wind Quintet in B-flat, Op. 88/5Known primarily for his wind quintets, Anton Reicha was also a music theorist and teacher whose pupils included Berlioz and Liszt. His Quintet in Bb, Op. 88/5 is a particular gem among the twenty-four that he wrote. Reprint edition.Flute, Oboe, Clarinet, Bassoon, and Horn