Titles
Showing 1,821-1,840 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1821 | 19999392-C352-4383-A502-7E90DE025E2C | S504010 | The Pegasus Quartet | |||
| 1822 | 199A3B42-79B0-4E2B-8EFB-61EFE7C0F088 | SC291 | To Thee O Lord | Sab | ||
| 1823 | 199BF20E-1128-4D68-98C9-E373226C34E0 | SC28 | Hie Away, Hie Away | This jaunty piece uses text by Sir Walter Scott. | Tbb | |
| 1824 | 19A2D719-257B-4D21-85D2-2BE01EA49A4E | B150802 | The Star Spangled Banner | (not set) | Concert Band | |
| 1825 | 19A5DAE8-6920-4203-979E-90D0C8EC6D61 | SC779 | Song Of The Earth | (not set) | SA | |
| 1826 | 19A69814-335C-4F88-8200-018AB8A27D6B | 50730009 | O Canto Do Cisne Negro | In the key of A-minor, an arpeggiated piano part underscores an expressive, singing cello line in tenor clef. Accessible to an advanced intermediate cellist, however the piano part never stops and will require an experienced pianist, even though the tempo is Adagio. | Violoncello And Piano | |
| 1827 | 19AB29E5-CCEA-4B26-B73B-D99CB57B1A9F | 18803012 | I'll Have My Love | This setting of a 17th century anonymous text describes a woman's love leaving her and her insistence that he will return. It is written for SA choir with either a flute/recorder and guitar accompaniment or piano accompaniment. | SA Chorus with Flute (or Recorder) and Guitar or SA Chorus with Piano | |
| 1828 | 19AD7A56-2147-448A-8380-34A8C0C455A7 | ST513 | Larghetto and Allegro | This intermediate clarinet trio offers an exploration contrasting stylistic qualities for the young player and challenges players to match style and articulation. | Bb Clarinet Trio | |
| 1829 | 19B56A3D-8466-49E3-9CBD-F22412389B7A | ST591 | Bells Of Dunkirk | "Le Carillon de Dunkerque" is a traditional dance tune which has been popular in the Flemish area of France for over 200 years. It is reportedly heard from the belfry of Dunkirk every hour (on the half hour) and is still danced throughout the region during carnivals. The form of this version is AaAbAcAdAeA (capital A representing the refrain) which is similar to the "rondeau" of the trouberes. This form affords an opportunity for various players to be featured. Instrumentation: Piccolo, 4 Standard Flutes, Alto Flute, and Bass Flute. | Flute Choir: Piccolo, 4 Standard Flutes, Alto Flute, Bass Flute | |
| 1830 | 19B79853-D033-4EF9-BCD7-EBB16FB2AA1E | A762702 | Orfeo, SV 318: Sinfonie e Ritornelli (Malipiero) | ORFEO, SV 318, by Claudio Monteverdi (1567-1643), is the earliest regularly-performed opera. It was composed for the court of Vincenzo Gonzaga, in which he had gained experience in writing music for the theatre over the course of his employment. Its innovative blend of songs, recitatives, choruses and dances has borne a powerful influence on the traditions and elements associated with opera performance. The libretto by Alessandro Striggio tells the story of Orfeo and Euridice. Their blissful marriage is tragically cut short when Euridice suffers a snake bite. Orfeo descends to the Underworld in search of her. His grief-filled songs stir King Plutone to release Euridice, but only on the condition that on the return journey he refrain from looking back at her. Failing this request, he returns alone to grieve until Apollo grants him the chance to ascend to heaven where he will see her likeness in the stars. The opera premiered on February 24, 1607 at the Ducal Palace in Mantua. The opening prologue, the dramatic Sinfonie e Ritornelli, is here arranged by Gian Francesco Malipiero. Instrumentation: String Orchestra (3-3-2.3.2.2 in set). | String Orchestra (3-3-2.3.2.2 in set) | |
| 1831 | 19BEDFAD-67FF-46E1-B45F-790564D8ED6D | 52730327 | Fiddling for Classical Stiffs, Cello | This will have any classically-trained cellist sounding like an authentic bluegrass or Celtic "fiddler" in no time! Includes audio with all 22 tunes played slow and fast! The music includes chords for accompaniment. Teaches various forms of shuffle bowing. Fiddling is all about the style! | Cello and Audio | |
| 1832 | 19C5B078-3C15-4610-BA1B-F051F25CC29A | B306 | Three Duets | Bassoon Duet | ||
| 1833 | 19D3513A-5341-4741-8F6D-82306E85A1E8 | R00832 | Elegy | Composed for the First International Conference of Children of Holocaust Survivors. | Viola, Piano | |
| 1834 | 19DBED59-3AEC-43A2-90E7-B153A46FD53A | SS583 | Wonder Boy (only-in-b167/futuristic) | Snare Drum Unaccompanied | ||
| 1835 | 19E2DA5D-3801-4256-8292-37E73B3D6979 | SS522 | SCHERZO (OUT-OF-PRINT) | |||
| 1836 | 19E41F4F-4301-4D6E-BD76-0B2925C1D28F | M286091 | Three Preludes on Gregorian Melodies | (not set) | Solo Piano | |
| 1837 | 19E451E2-986F-416D-8DB7-3A216746BECC | R00987 | String Set | (not set) | String Orchestra | |
| 1838 | 19E7D80F-A324-467F-9CA5-B6AF01C62010 | SJ690507 | Lea's Blues Sc/Pts | |||
| 1839 | 19F40AAD-C275-4B90-A788-B877CDB2C70F | R01254 | Singing the Blue Ridge | Mezzo-Soprano, Baritone 2(1d Piccolo).2.0.2:2.2.2.1: Timpani.Percussion(3):Strings electronic playback CD | ||
| 1840 | 19F518FB-8738-49AF-8195-4CB71CA2796A | 50250164 | Slip and Slide | Teachers will find this a fun and easy way to teach glissandi to your young players and prepare them for shifting. Pitch bends are also used, to mimic techniques in bluegrass fiddling. There is no worry if players don’t quite make the pitch at the end of the slides, as that pitch is considered approximate. Brief double-stop and pizzicato passages give the piece color and variety. | String Orchestra |