Titles
Showing 1,781-1,800 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1781 | 18E2768D-DE17-4215-A4C9-1E906563233B | X530029 | A Gentle Breeze | This singing two-minute encore for solo cello evokes, as suggested by the title, a breeze with soaring melodic lines punctuated with brisk staccatos and murmuring silences. | Solo Cello | |
| 1782 | 18E46F9A-0A7E-4F7B-9AE3-78F2EC6B1F08 | 10450462 | Spirit of Victory: Petite Grand March | Also included in the COMPETITION SOLOS, Book 2 offered by the publisher, this march for alto saxophone and piano is a perfect contest or recital selection for the developing musician. | Alto Saxophone and Piano | |
| 1783 | 18E89D57-8EAE-4657-8E2B-B3B30D6CEA71 | MP410001 | Dead Moth Tango (in Three Dance Portraits) | |||
| 1784 | 18F4197C-696D-4870-BD07-696F21024B81 | MP794002 | Sicut Erat from Magnificat | From Niccola Porpora's Magnificat, "Sicut Erat" is the sixth and final movement of this Baroque masterwork. This edition for organ and string orchestra has been skillfully edited and arranged by Ralph Hunter. The full Magnificat score, organ and string parts are available on rental from Edward B. Marks thorugh Keiser Southern Music. Duration: ca. 2:00. | SSAA, Organ, String Orchestra | |
| 1785 | 18F90DED-7F79-472D-87AC-E397AE1A2D57 | 20548450 | Waltz and March | The melodies and harmonies of this work are original, but written in a traditional manner so that they sound like you might have heard them before. This makes Waltz and March an excellent piece for beginning players. The dedication to Dale Schubert is out of respect for his accomplishments as a music educator. he has served as adjudicator for a number of junior high ensembles who have performed the composer's ensembles in manuscript form many times throughout the years. | Euphonium 1 (Trb. or Horn), Euphonium 2 (Trb.), Euphonium 3 (Trb.) and Tuba | |
| 1786 | 18FA25FA-7FD5-4B88-9CDD-01F8DB0B6D04 | M143391 | The Castle Album, Part 2: from Peches de Vieillesse (Sins of Old Age), Vol. 8 | While best known for his operas, Gioachina Rossini (1792-1868) did compose other music, among which is the large collection, PÉCHÉS DE VIEILLESSE ("SINS OF OLD AGE"). Composed of 150 vocal, chamber and solo piano pieces, the collection is grouped into fourteen albums, with the ordering of the works in each album not reflective of the dates or sequence of composition. Written as salon music, intended for performance in the privacy of Rossini's own drawing room, the entire collection was sold by Rossini's widow following his death in 1868. Vol. 8, titled ALBUM DE CHÂTEAU (THE CASTLE ALBUM), was written for solo piano and includes twelve total pieces. Six of those works are available from the publisher across two books: M143291 and M143391. These constitute the pieces included in QR xvii. The remaining six pieces are from QR ii and QR x, and those are not available from the publisher. Included in Book 2: Valse Anti-Dansante, F; Prélude Semipastorale, A; Prélude Soi-Disant Dramatique, F#. Reprint edition. | Piano Solo | |
| 1787 | 1908A96E-7967-40F3-A8E0-7644A5123751 | M379891 | Puccini Rediscovered: Arias and Ensembles, Vol. 1 | The PUCCINI REDISCOVERED series, performing editions edited and annotated by Michael Kaye, are based on the most authentic sources, many of which have not been considered in other editions on this wide range of music spanning the composer's entire career. Volume 1 of 3 of ARIAS AND ENSEMBLES for soprano, tenor, and baritone voices and piano. Original versions, variants and alternative arias from LE VILLI, MANON LESCAUT, LA BOHEME, TOSCA, LA FANCIULLA DEL WEST, SUOR ANGELICA, and IL TABARRO. Contains preface, chronology, and some information on Puccini's revisions. | Soprano, Tenor, and Baritone Voice Collection with Piano | |
| 1788 | 190E8893-3AB2-4F6E-B55B-EAC65921F5E9 | ST469 | Amazing Grace: Jazz and Blues Variations | This jazz and blues variations on the famous melody is a great selection for intermediate players wanting to add some variety to their recital. | Trumpet and Piano | |
| 1789 | 19128CC9-853E-43A1-AACF-D79D30D28B18 | M905402 | Concertpiece, Op. 94 | A superb upper level showpiece for horn or euphonium. Transcribed and orchestrated by Donald Miller. Band M; Horn MA. | Solo Horn or Euponium with Concert Band | |
| 1790 | 19173AF9-C26A-47E4-AFFD-08FF388CF930 | M316491 | Einfache Lieder, Op.9 | (not set) | Voice and Piano | |
| 1791 | 19184B69-1AAC-4B3F-9A72-1B51C6D5314E | S474MB | Ay Jalisco No Te Rajes! | (not set) | Marching Band | |
| 1792 | 1918710E-7D34-4BB2-B7D0-14CE8E0B4484 | A746890 | Songs Without Words (Lieder Ohne Worte): Suite II | SONGS WITHOUT WORDS (LIEDER OHNE WORTE) is an eight-volume collection of short lyrical piano works, written by Felix Mendelssohn (1809-1847) between the years 1829 and 1845. Each volume, five of which were dedicated to women including his friend Clara Schumann, consists of six songs of varying mood and character. The first volume was published in London in 1832 under the title ORIGINAL MELODIES FOR THE PIANOFORTE. Bavarian composer and music teacher Max Burger (1856-1917) arranged for string orchestra two suites of these songs by Mendelssohn. SUITE II includes the following: 1. Jagdlied (Op. 19b, No. 3); 2. Moderato (Op. 19b, No. 4); 3. Trauerlied (Trauermarsch; Op. 62, No. 3); 4. Adagio ma non troppo (Op. 30, No. 3). String count of 8-8-5-5-5 included in set. | String Orchestra (8.8.5.5.5 in set) | |
| 1793 | 191DFA85-33CA-497D-8DE2-7924E5253A4C | ST333 | Invocation | Clarinet | ||
| 1794 | 1920F9EF-8B53-4D29-BFEC-CBB21361B0B3 | S410009 | Les Cinq Doigts | A collection of eight short pieces completed in 1921 by Stravinsky. Designed to develop beginning players using various five-finger positions while still being musically interesting. | Piano Solo | |
| 1795 | 1928BACE-2B18-4124-86EC-A661A93062FD | SS895 | Three Asiatic Dances | This collection of Three Asiatic Dances is written for six players. Instrumentation: 2 triangles, 2 suspended cymbals, orchestra bells, chimes, five automobile brake drums (cow bells, steel drums, iron pipes, or coffee tins may be used as substitutes), three high tom-toms (roto-toms suggested), 2 low tom-toms, wood block, tambourine, four temple blocks, bass drum, tam-tam, and vibraphone (celesta or piano may be used as substitue. Dance titles: I. Temple Dance, II. Po Chung and Te Chung, III. Sacrifice. | 6 Mixed Percussion | |
| 1796 | 192D2938-83B6-4D3F-8288-8F022101DA95 | A152002 | Norwegian Dances, Op. 35 [arrangement] | Edvard Grieg (1843-1907) drew material for his NORWEGISCHE TÄNZE, Op. 35 (4 NORWEGIAN DANCES), originally scored for piano and four hands, from an 1853 collection of Norwegian folk tunes compiled by Ludvig Mathias Lindemans. He published a two-hand version a few years later. In 1888, Czech violinist Hans Sitt transcribed the work for full orchestra. The first dance is based on a Scottish tune. The last three dances, folk dances known as hallings, come from the Hallingdal region of Norway and are often performed by two or three males to show off their agility and strength. The current Kalmus reprint edition does correct a few errors, particularly in the horns and tuba parts. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Hp: Str (9-8-7-6-5 in set) | |
| 1797 | 19328121-E0C1-4810-94A7-42D810F5BD87 | V75 | Daddy and Me | Lyrics by Sally O’Rear evoke memories of a father and daughter set to music by Barbara Perkins. | Medium Voice and Piano | |
| 1798 | 19328227-B1DB-4E1D-993B-BA57178912C8 | ST430 | Sonatina | This is three movement sonatina is wonderful recital of contest selection for the intermediate to advancing player. Versions for horn in F, Trombone/Euphonium, and Tuba are available from the publisher. | Trombone and piano | |
| 1799 | 1934C7A1-6E38-494E-85C3-F3C8ED752B36 | S815002 | Iglesia Abandonada for Soprano and Violin (performance score) | Subtitled "balada de la gran guerra", the text is from Federico Garcia Lorca's "Obras Completas". Commissioned by the Jorge de Sena Center for Portugese Studies and the Department of Spanish and Portugese at the University of California Santa Barbara. | Soprano Solo and Violin | |
| 1800 | 1935CCF1-A20D-49D7-8BC4-B3323DF34A0C | M120391 | Suite Bergamasque, CD 82/ L 75: Three Pieces | Claude Debussy's (1862-1918) first began writing the SUITE BERGAMASQUE (CD 82/ L 75) in 1890, then revised it significantly just before it was published in 1905. Debussy was reluctant initially to see these early piano works published at all as they were written before he developed his mature style, but a publisher convinced him that they would be successful given the fame Debussy had achieved since he first wrote them. The third movement, Clair de lune, is one of the most famous works in classical music and certainly among Debussy's best-known pieces. This transcription of three of the movements (omitting only the first movement, Prélude) has been completed by early 20th Century French violinist Louis Carembat. Movements: 1. Menuet; 2. Clair de lune; 3. Passepied. Reprint edition. | Violin and Piano |