Titles
Showing 1,741-1,760 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1741 | 18656836-6B67-4BB6-8207-7419AEC6FB58 | F50 | Music Note Game (out-of-print) | Games | ||
| 1742 | 1865B8DF-894B-45F6-A2BB-CED1BCB8A799 | SS975 | Introduction and Dance | This famous French work, originally for trombone/baritone, is a wonderful contest or recital piece for the advanced player. Editions for baritone (B.C.)/trombone and tuba are available from the publisher. | Tuba, Piano | |
| 1743 | 186918F8-3A37-4ED5-825C-2A7943785954 | X221010 | Three Intermezzi for Trumpet and Piano Pno Sc/Pts | Three Intermezzi (2005) for trumpet and piano was written for and is dedicated to trumpeter Chris Gekker. The three movements are lyrical and song-like. Includes solo trumpet parts in both B flat and C. Ca. 5'. | Trumpet, Piano | |
| 1744 | 18735A29-CC22-4759-A8A9-5A97963DF2EF | 10250230 | Bohemian Suite | Vaclav Nelhybel brings the flavor of his homeland's folk music to this four-movement suite for string orchestra. He utilizes a wide array of styles, dynamics, tempos and moods to great effect. The original work has been re-engraved with a full score and separate parts for all instruments. | String Orchestra | |
| 1745 | 1874E0B5-5D0F-4B97-8B56-D4CA7FED5FCF | B373202 | Sicilian Vespers, The: Overture | Giuseppe Verdi's opera, The Sicilian Vespers, was completed in 1855, with the premiere taking place on June 13th of that year in Paris. Telling the historical tale of the massacre of the French at the hands of the Sicilians, the subject was strange choice for an Italian composer to the Parisian opera goers, though the French public did appreciate the music. Alternatively, the premiere of the opera in Italy, taking place under a different libretto and title (Giovanna di Guzman) as the Austrian censors did not allow a poem that glorified the revolt of Sicily against opressors, succeeded, though the Italian public did not appreciate to music to the same extent as the French. This arrangement of the overture for Military Band has been completed by Dan Godfrey. | Concert Band | |
| 1746 | 18782668-C28D-4212-94C0-698ABA894D8C | SS409 | Flute Fresco for Flute and Band | Fl.: Woodwind Solos & Ens | Flute Solo; Band | |
| 1747 | 1880437D-7C54-42B5-AFF6-B32D957DFD0E | 52730082 | Buffing the Gut-Cello | (not set) | Cello Solo | |
| 1748 | 1883B9B8-91C7-4C36-9F1E-1EB954D07F0A | SU261 | Im Tiefsten Walde | Heinrich Kaspar Schmid (1874-1953) was a German composer (student of Ludwig Thuille), pianist, and educator. A prolific composer of the neo-Romantic style, his works include masses, choral music, piano pieces, chamber music, and lieder. He also concertized on the piano throughout Europe, and became director of several prestigious conservatories. IM TIEFSTEN WALDE (In the Deepest Forest) is one of five tone poems originally written for solo winds that comprise Schmid's Opus 34. It was composed in 1920, and was dedicated to Josef Suttner, solo hornist at the Music opera, and teacher of horn at the Munich Hochschule. Edited by Thomas Bacon, versions for horn, cello, trombone/euphonium/bassoon, tuba, and tenor saxophone are available from the publisher. | Cello | |
| 1749 | 188553A6-4199-4079-92A7-49337591D570 | 10300170 | Technical Growth for the Bassoonist | This book is intended for serious bassoon students, instrumental music teachers, and conductors of orchestras and bands. Basic principles of fingering and basic facts regarding the mechanical peculiarities of the bassoon are presented in a form which hastens the technical progress of the student or is a convenient reference source for the conductor and teacher. Included: a basic fingering chart; special fingerings to make 'impossible' passages more playable; a trill chart; eleven etudes to address technical problems confronted in the standard literature, various rhythms, articulations, keys styles, scales, arpeggios, phrasings, meters, and tenor clef. | Bassoon | |
| 1750 | 1885651f-9e3b-11f0-a418-0022482c9682 | M274391 | Selected Works Bk. 1 | Reprint edition of ten pieces for organ by this 17th-century master. Edited by Max Seiffert. | Organ Solo | |
| 1751 | 1886194C-5295-430D-8BCF-294D068E20E4 | A130702 | Symphonie Fantastique, Op. 14/H 48 | Hector Berlioz (1803-1869) composed Symphonie Fantastique (Fantastic Symphony), Op. 14/H48 in 1830. Tt is often described as remarkable for a composer's first symphony given its large scale, wide range of emotions, deep program, and the fact that it constituted a musical revolution. The program, which Berlioz instructed must be to the audience at every performance, tells the story across five movements of a gifted artist who falls in love with a woman, but despairs when his love is unrequited, driving him to poison himself with opium. During the opium fueled dream, he imagines that he has killed his love and watches as he is marched to the scaffold for execution before the work concludes with his watching himself at a witches' sabbath. The work was deeply personal to Berlioz as he himself fell deeply in love with actress Harriet Smithson after seeing her play Ophelia in Shakespeare's Hamlet. Her having ignored his love letters and Berlioz himself for two years, the composer wrote Symphonie Fantastique as a way to express his obsession. The work was premiered on December 5, 1830, in Paris by the Société des concerts du Conservatoire, François Antoine Habeneck conducting. Movements: I. Rêveries – Passions (Daydreams and Passions); II. Un bal (A Ball); III. Scène aux champs (In the Country); IV. Marche au supplice (The Procession to the Stake); V. Songe d’une nuit de sabbat (The Witches' Sabbath). Instrumentation: 2(2nd dPicc).2(2nd dEH).2(1st dEb).4: 4.2+2Crnt+CrntOblgto(opt).3.2: Timp(4):Perc(5): Hp(2): Str (9-8-7-6-5 in set). | 2(2nd dPicc).2(2nd dEH).2(1st dEb).4: 4.2+2Crnt+CrntOblgto(opt).3.2: Timp(4):Perc(5): Hp(2): Str (9-8-7-6-5 in set) | |
| 1752 | 18876D11-FA15-4254-9E92-60EDD8E6B753 | SS577 | Deep Night | Snare Drum Unaccompanied | ||
| 1753 | 1888F419-9803-4E45-A41D-EFBDC0866A21 | EBM0630059 | Mass In G (School Version) for SATB and Chamber Orchestra | This orchestration for school performances with SATB and Chamber Orchestra is by E.M. Rygleweicz. | SATB Chorus, Soprano, Tenor, Baritone: 1.1.1.1: 2.0.0.0: Str | |
| 1754 | 188C2942-8B0D-41A7-AD0C-9217C895A184 | SU470 | Danse Des Bouffons from "The Snow Maiden" (formerly c23) | The "Dance of the Buffoons" is one of the choreographic interludes form the opera "The Snow Maiden", founded upon Ostrovsky's poetic legend of springtime, and an opera which is regarded by many as being most characteristic of the composer. Like many operatic interludes, this has found a distinguished place in literature of the concert hall. This arrangement demands from all players a musical sensitivity and technical proficiency which will provide a challenge to the finest of clarinet choirs. Instrumentation: Ab Sopranino Clarinet (opt.), Eb Clarinet, 3 Bb Clarinets, Basset Horn in F (opt.), Eb Alto Clarinet, Bb Bass Clarinet, Eb Contra Alto Clarinet (opt.), and Bb Contrabass Clarinet (opt.) | Clarinet Choir: Ab Sopranino Clarinet (opt.), Eb Clarinet, 3 Bb Clarinets, Basset Horn in F (opt.), Eb Alto Clarinet, Bb Bass Clarinet, Eb Contra Alto Clarinet (opt.), and Bb Contrabass Clarinet (opt.) | |
| 1755 | 188D6632-AD31-4DEE-8746-730B01E12C66 | ST60 | Centone Buffo Concertante | This piece for intermediate to advanced players features many chromatic passages and includes quintuple subdivisions. Versions for bassoon, baritone/trombone, and tuba are also available from the publisher. | Baritone (B.C.) or Trombone and Piano | |
| 1756 | 1894002C-0040-42CE-AFCC-13FAC831E99E | R00321 | Down to a Sunless Sea | String Orchestra (minimum for divisi: 4 Cello, 3 Double Bass) | ||
| 1757 | 189AD7CF-8263-4601-8FD2-537428CD0F67 | R01358 | Bad Rap | Written for electric violin solo with string orchestra and percussion accompaniment. | Electric Vn Solo: 0.0.0.0: 0.0.0.0: Perc (1): Str | |
| 1758 | 189C1B17-CB28-4A08-BFBC-E849BBFCA266 | X502014 | Lovebirds for Violin and Harp | (not set) | Violin, Harp | |
| 1759 | 18A76581-83D3-4338-852B-348EA3B6E414 | D511046 | Lensky's Aria from the opera Eugene Onegin | Violin, Piano | ||
| 1760 | 18B36280-2526-40A3-928E-30DB8ABF370E | R00143 | Song of Innocence: Choral Cycle after Blake | From William Blake's "To Spring," "Spring," "Lamentation and Moral," and "To the Evening Star." Also available in version with 4-hand piano accompaniment. | SATB Chorus, SATB Chamber Chorus, Mezzo-Soprano, Tenor Soli2(1d Piccolo).1.2.1+ContraBassoon: 4.1.1.1: Timpani.Percussion(2).Celesta: Strings |