Titles
Showing 1,801-1,820 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1801 | 193796D5-BE5F-47E3-BC7D-5D39F6C38DC5 | 50100102 | Flowing Pens From Concord | A commission from The Concord Band in commemoration of their fiftieth season resulted in this four-movement work that explores the literary masterworks inspired by the Concord area. Mr. Cichy treats Nathaniel Hawthorne, Louisa May Alcott, Henry David Thoreau, and Ralph Waldo Emerson with the dignity and respect their works demand. | Concert Band | |
| 1802 | 1939A50B-8576-4311-9ED0-D5EF8AD0214C | M981490 | Eugene Onegin Waltz | Full Orchestra | ||
| 1803 | 193C8F5E-F766-49B5-81E4-99C5E99E805A | M220391 | Organ Trios | (not set) | Organ | |
| 1804 | 19455362-BA3E-4FC3-8687-AC4307A2AA0F | SU821 | Alto Saxophone Concerto (solo/ piano reduction) | Jaromir Weinberger, a noted Czech composer, achieved sudden fame in 1927 with the production of his opera, Svanda dudâk (Schwanda, the Bagpiper), written in a popular Bohemian style, at the Czech Opera in Prague. Weinberger fled Europe under the growing Nazi threat and took up residence in New York in 1939, where he enjoyed a number of major orchestral performances and commissions of all kinds. One of these came from renowned saxophonist Cecil Leeson, who asked Weinberger to compose a concerto for alto saxophone and orchestra. Due to the outbreak of World War II, the premiere would not happen until 1946, six years after the completion of the concerto in piano score. The work was revised following the premiere, and it is only now that those revisions have been incorporated into the solo saxophone and piano reduction with this performance edition by Weinberger scholar, publisher and saxophonist Tristan Willems. | Alto Sax, Piano reduction from: 2.2.2.2: 2.2(Bb).0.0: Perc(1): Str | |
| 1805 | 1946277F-93FB-48CA-B56C-3A2BDDCCD032 | EBM0610226 | Discover the Wild for Orchestra | <div>DISCOVER THE WILD is cast in the form of a three-part orchestral overture. The principle musical elements of the composition include a motive based upon the interval of the perfect fourth robustly stated in unison at the outset by four French horns. A lyrical theme follows, characterized by the interval of the perfect fifth. These musical elements are taken up in various melodic and harmonic combinations by the entire ensemble and form the basis for musical development throughout the remainder of the composition. Version for orchestra and band are available from the publisher.</div> | 3.2.2.2: 4.2.2.1: Timp.Perc(3): Hp: Str | |
| 1806 | 194C03F7-BBEB-4537-8320-3B00D53C3B39 | 10375101 | Renaissance Music for Guitar | Transcribed from original works for lute and harpsichord by Don Swanson. | Guitar | |
| 1807 | 1951958F-4A4B-4905-97CD-09B04C4BA3D6 | X504026 | String Quartet No. 3 | Resplendent with sweeping and deeply personal emotional gestures. The third movement has a playful nod to Hendrix, with subtle motives from "Foxy Lady." | String Quartet | |
| 1808 | 19546F08-E76B-475B-A6DB-E3FE75CA7851 | M380591 | Anthology of Spanish Organ Music Bk 3 | This ANTHOLOGY OF SPANISH ORGANISTS OF THE SEVENTEENTH CENTURY comes in eight volumes, and is transcribed and edited by Higinio Angles. | Organ | |
| 1809 | 195709DE-E63B-42F6-A36A-1C1B94456F5A | 52702512 | Elementary String Trios | Perfect for those first-year students in Suzuki Book 1, this collection of original works teaches basic skills like slurs and hooked bowings, all in first position. The score and all parts are included. | Violin 1, Violin 2 /Viola and Cello | |
| 1810 | 1968F676-99C9-4687-86B5-365BD67E3609 | SC144 | Go Where Your Heart Goes | Satb | ||
| 1811 | 196BB960-A1F6-4F3E-976E-6FCC4660B43C | S905 | Two Folksongs from the British Isles | (not set) | (not set) | |
| 1812 | 19703A22-85B8-4725-8C72-377DBE3328EA | X800040 | My Lost One | Soprano and Piano | ||
| 1813 | 1973bab5-9e3b-11f0-a418-0022482c9682 | M278991 | Selected Works Bk. 3 | Reprint edition of over twenty-five selected organ works by Pachelbel. Edited by Max Seiffert. | Organ Solo | |
| 1814 | 1975EBD9-13B1-4274-9416-0D79F377064D | SU257 | Concerto in G Major | Oboe | ||
| 1815 | 197793DB-BB74-483B-8990-2EB451104307 | X151020 | Go for Two | Go for Two for alto saxophone and piano consists of two contrasting movements: "Warmly" is a lyrical andante followed by a fast rhythmic second movement titled "Driving". | Alto Saxophone, Piano | |
| 1816 | 197F1555-9441-4708-80CD-6315CCCBFED5 | A649890 | Sobre la Olas (Over the Waves) | 1, 1, 2, 1 - 2, 2, 1, 0, pf cond sc in set, str, drum | ||
| 1817 | 197FD745-A2CD-410B-B209-5964CF2FFAAC | 10540555 | Big Jolly Jake | This whimsical, fun piece tells a story, following Jake through his three happy moods in 3 movements. A great piece for intermediate solo Euphonium (included T. C and B.C) for competition or recital, with piano accompaniment. | Baritone or Trombone Solo and Piano | |
| 1818 | 19805DDD-D88D-42F0-B200-6AA30C06511F | R01572 | Nonet | Premiered by the Chicago Chamber Musicians. A Fromm Foundation Commission. On Centaur CD: CRC 3098 | Flute, Oboe, Clarinet, Violin, Viola, Cello, Horn, Piano and Percussion | |
| 1819 | 198A802A-D6EA-4F1F-A274-052245007F93 | LL108 | Letter to Mother | Satb | ||
| 1820 | 19921FE4-5E75-4F16-A6AB-842748BE86A2 | MR00495 | South American Suite (Suite SudAmericana) | Osvaldo Nicolás Ferraro Gutiérrez (1934-1977), better known as Waldo de los Ríos, was an Argentine composer best remembered for his knack for making pop music our of European classical music. His South American Suite (Suite SudAmericana) is in four movements: 1. Paraguay (Nanduty; Jungle Night; Epic), 2. Argentina (Los Colorados; The Shadow of the Tiger; The Tryst), 3. Peru (Cuzco Ruins; Lima; The Giants), and 4. Uruguay (The Wagon; Gaucho Song; Carnival). | (not set) |