Titles

Create Title

Showing 1,861-1,880 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
18611A36CC76-63D3-4AA5-8DF7-95F8953A38ECR01463Festive Christmas Overture (with Optional Chorus)Ott's most frequently performed work, this sparkling gem makes an excellent opener or closer for any holiday concert. Although it carries no traditional Christmas carols, its spirit is in the joy of the festive holiday season. Optional choral part available separately from the publisher.Opt. SATB Chorus: 3(Picc).2.3(BCl).2: 4.3.3.1: Timp.Perc(3).Hp: Str
18621A38822B-2F37-4DC5-A1C7-658CCC4EEC4ESU240FantasyViola
18631A3ED59E-8A9C-4A25-8508-78F763257ECAX203003Three’s a CrowdWritten for and premiered by B3+, Composers Concordance, NYBrass Trio (Tpt, Hn, Btbn)
18641A46957F-4837-4D6F-B4FA-7C4085866FE4S772CBA Child's Embrace"A Child's Embrace" was written to commemorate the birth of the composer's first child, Katherine Anne Young, who was born on January 18th, 2000. It has been scored in such a way as to permit performances by bands with less than complete instrumentation. (The oboe and bassoon parts may be omitted if players are not available, and the vibraphone part may be substituted by bells with rubber mallets.) It was commissioned by the Traverse City East Junior High School Band.Concert Band
18651A4ABBD1-72F8-4732-861E-BCD2F22D1D83S12Rhumbana (out-of-print)Concert Band
18661A4AFC38-4FA5-417C-A62A-2075BC06FB40SS526CanzonaBass Clarinet
18671A4B884D-AA0C-4561-80DE-93C9057DDFDFSS572Singleton (only-in-b167/futuristic)Snare Drum Unaccompanied
18681A4E0AE2-8DEE-4FD0-AE24-B2BA722B4C8AX240001ElegyTuba Solo
18691A4EBA34-1682-48DE-A7BA-E9ACC864DD4650100268Atlantic City Pageant“In the late 1920’s it became increasingly difficult for professional concert bands to find employment at amusement parks or expositions, even for a few days. As the engagements at Philadelphia’s Willow Grove Park were coming to an end, the Sousa Band was happy to extend its regular tour by playing at the Steel Pier in Atlantic City, New Jersey. They began regular seasons there in 1926, and Sousa penned this almost-forgotten march to celebrate their second annual engagement. The march was reportedly written at the suggestion of Atlantic City’s mayor, Anthony M. Ruffu. Sousa probably had the Miss America Pageant in mind; at that time, it was known as the Atlantic City Beauty Pageant.” -Paul E. Bierley, website of the U.S. Marine Corps Band. This premiere edition for the modern concert band was prepared by the Library of Congress senior musicologist and foremost Sousa scholar, Loras John Schissel.Concert Band
18701A4ED1BE-7A5D-4A1E-B3F1-6318E23E8910X540009Tropes and CollectsInspired by two ideas from sacred music: "troping" (adding new music to existing music, or using existing music as the basis for further explorations) from Medieval music (especially plainchant), and secondly from the "collects", the short prayers of the church. Commissioned for Stephen Gilewski with a grant from the Broeker Fund for New Music.Double Bass Solo
18711A5AE529-59A8-49B1-9EFC-72D2D5EE853C20712101Sarabande and March(not set)Violin 1, 2 and 3
18721A5C8B3F-D8D4-4359-995F-3129254CD74950404001New Mexico Woodwind QuintetThis dynamic quintet is a rhapsodic setting of five melodies collected by John Donald Robb from the Hispanic communities of New Mexico. The melody Lupita begins a series of melodies in a light, compound meter, including Al Pie de la Ladera and Mi Unico BiFlute, Oboe, Bb Clarinet, F Horn and Bassoon
18731A5E8AED-02B4-4F16-A104-5CEA2DC696A3A395502Siegfried: Act I, Scene 3: Schmiederlieder: Ho-ho! Ho-heil! Schmiede, mein Hammer (Hammer Song) (tenor) (excerpt)Based on Norse heroic legends, the sprawling operatic drama DER RING DES NIBELUNGEN took Richard Wagner (1813-1883) over twenty-five years to complete. Through a vast web of leitmotifs, melodic fragments which represent a character, place, or concept, the Ring cycle weaves a story of greed and betrayal as the coveted gold, snatched from the depths of the Rhine, sets into motion a thread of events that will ultimately consume the realm of the gods. SIEGFRIED, the third opera in the tetralogy, features the titular hero who forges Nothung from its broken fragments and slays Fafner the dragon, consequently winning the Reingold. Accidentally drinking its blood, he gains the ability to understand birdsong. A bird tells him to seek the Valkyrie Brunnhilde, sleeping eternally on the top of a mountain protected by magical fire. The opera received its premiere at the Bayreuth Festpielhaus on August 16, 1876, during the first complete performance of the Ring Cycle. In the galvanizing finale to Act I, our hero sings the SCHMIEDERLIEDER (HAMMER SONG) as he repairs the sword that will lead him on his quest to discover the sensation of fear. Instrumentation: 2+Picc.2(2nd d. EH).2.2: 4.2.3.1: Timp. Str (4.4.3.3.3 in set): 2 Soli T.2+Picc.2(2nd d. EH).2.2: 4.2.3.1: Timp. Str (4.4.3.3.3 in set): 2 Soli T
18741A5F0E10-98FE-4B8E-9D45-ACDFF226DE88M175791Two Piano Pieces(not set)Piano Solo
18751A61A10F-A287-4EF4-A740-C47998E642E6S428CBThesis(not set)Concert Band
18761A638DFA-93E2-48BA-B987-300D607A0B72X530026Empathy for Solitude(not set)Solo Cello
18771A646027-070F-49A6-AE10-C0E484C158B0A268102Exsultate, Jubilate, K. 165/158aIn 1773, Wolfgang Amadeus Mozart (1756-1791) was in Milan during the production of his opera LUCIO SILLA. A castrato named Venanzio Rauzzini, who had played the part of the primo uomo Cecilio in LUCIO SILLA previously, impressed Mozart with his technical excellence, resulting in the young composer writing this religious solo motet, EXULTATE, JUBILATE, K. 165 for the singer. The premiere occurred on January 17, 1773, at the Theatine Church, Rauzzini singing the solo while still singing for Mozart's opera in the evening. Today, the work is customarily sung by a female soprano. Instrumentation: 0.2.0.0: 2.0.0.0: Org: Str (4-4-3-3-3 in set): Solo Sop.0.2.0.0: 2.0.0.0: Org: Str (4-4-3-3-3 in set): Solo Sop.
18781A676CD6-4090-4225-B49F-9A1AFC408918M271991Sonata for Clarinet, Op. 167Reprint edition of this clarinet sonata by the celebrated French composer in 1921. One of Saint-Saens' last works, the Sonata for Clarinet in E flat was the second of three sonatas composed for wind instruments, as the composer devoted his "last reserves on giving rarely considered instruments the chance to be heard." This neoclassical work for the advanced clarinetist is replete with lyricism, elegance and humor.Clarinet and Piano
18791A698E90-5B61-4F9E-9AD9-C749D6A1FF75A459402Anna Bolena2+1, 2d1, 2, 2 - 4, 2, 3, 1, timp, perc, str (2.2.1.1.1)
vocal soli (7 roles SAATTBB), chorus
18801A7049E2-A11D-45CC-B488-1D19201CF92BS664CBThrough Countless Halls of Air(not set)Concert Band