Titles
Showing 1,921-1,940 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1921 | 1B298833-5F3F-4856-ADD8-DF1D6534A928 | 50344002 | Solo Standards | A full range of contest solo books, featuring Play-Along audio, written for each of the twelve principal wind instruments and mallet percussion. Hear demonstrations by professional soloists on one track and then play along with the piano accompaniment on the next track. A separate piano accompaniment book will work with any solo book of the same title. The Piano Accompaniment book includes some solos in two keys and will work for any instrument in each compilation. | Bb Clarinet | |
| 1922 | 1B322B93-2B50-4EA5-BA52-15BDA144007C | R00724 | Looking at Orpheus Looking - study score | Dedicated to the composer's parents and premiered by the Los Angeles Philharmonic Orchestra, the composer conducting. | 4.4.4.4: 4.4.3.1: Percussion(3).Electric Harpsichord.Electric Organ.Harp: Strings | |
| 1923 | 1B366B3A-E8CA-45DC-B9FF-900292D0A207 | ST293 | Kinesthesia | 4P | ||
| 1924 | 1B367B3A-6280-4B7A-A749-47D6BAFF9727 | SU78 | Skip Two | 2M, 4P | ||
| 1925 | 1B387AF9-DDF4-45B8-AA25-EAEA0B4836F7 | R00136 | A l'Ouest de la lune [West of the Moon]: After Paul Verlaine | |||
| 1926 | 1B3C5D47-BD8B-44B4-A94B-68132F9DBF56 | S105CB | Study in Lavender, A | Eric Osterling (1926-2005), sometimes referred to as the "Schubert" of the band world due to his unusual give for melody, was a noted band composer and Director of Music for the Portland, Connecticut Public Schools. He will be remembered by many as the composer of the very popular "Nutmeggers March," "Waltzing Winds" and many other equally delightful selections for band. The "study" is written in modern style with lush harmonies and pleasing tonal effects. Listening to the work, one almost has the sensation of being "bathed" in sound! It is as the title indicates, a "study" in harmonic and bandstration color. Containing no programmatic elements of lofty ideals, it is music written from the heart to the heart. Versions for clarinet choir and band are available from the publisher. | Concert Band | |
| 1927 | 1B3D8D88-67D8-4C3B-B9DE-3714663EC38D | ST100 | Trigger Treat (Bass Trombone) | This fun piece for the advancing bass trombonist offers players the opportunity to stretch into both the low and higher register and is a wonderful selection for recital or contest. | Bass Trombone | |
| 1928 | 1B3F89B2-9231-4B39-8678-1E312FCC8EFA | R00468 | The Sea and the Honeycomb | Soprano Solo Flute(d Piccolo), B-flat Clarinet(d Bass Clarinet), Percussion(2), Piano | ||
| 1929 | 1B4301AC-CCA7-4145-87CD-BBA7FF8C4983 | X241006 | Beloved Bass | Written for Tubist Jay Hunsberger, "Beloved Bass" explores the lyrical, powerful, and expressive qualities of the instrument in three movements: 1. Buoyant and Bright, 2. Beautiful Waves, and 3. Brimming with Energy (A Soft Shoe). | Tuba, Piano | |
| 1930 | 1B54FC6D-D2EC-4E5B-9740-03853FE3F098 | M341891 | Seven Pieces, Op. 71 | (not set) | Organ | |
| 1931 | 1B5581F7-AC96-46A0-BC6A-7E223A667CE7 | 50100060 | Trumpets Galore | No one understands the beginning band better than Andrew Balent. This bright offering gives your trumpet players an opportunity to shine and ensures their success with few technical demands, conservative ranges and simple rhythms. | Concert Band | |
| 1932 | 1B59ACA9-3F78-4B8B-A0D2-8249FE2FFB74 | 20100335 | Gazebo Fanfare | Here is a useful fanfare for the opening of your next concert. Optional fermatas allow for announcements to be added as 'voice-overs.' Placed in the most central social spot in small towns all over the country, the gazebo 'on the square' is where we go to see our friends and neighbors on a warm Friday night to share some good old American band music. | Band | |
| 1933 | 1B5A5BC9-33F9-4665-9F73-DE4F006A018A | SC99 | Spring | Ssa | ||
| 1934 | 1B5AB0D1-F431-4367-B4FC-F4EE6F3AB571 | B338 | Christmas Music for the Church Pianist | Piano | ||
| 1935 | 1B5B487E-1517-499B-A695-1682DAAF236E | SU125 | Divertissement, Op. 39 | Originally written for English Horn (or Alto Saxophone), this version of Bozza's Divertissement, Op. 39 was transcribed for flute by Arthur Ephross. The original for English Horn and a transcription for Alto Clarinet by Arthur Ephross are also available from the publisher. | Flute and Piano | |
| 1936 | 1B6300B4-3C15-4C4F-BED7-BC1AFF7CB87E | R01272 | Symphony No. 6, Op. 112 "Semper Reditus" | (not set) | 2+Piccolo.2.2+Bass Clarinet.2: 4.2.3.1: Timpani.Percussion(2): Strings | |
| 1937 | 1B64F60B-4946-481B-B3B3-63DDD90B5EAB | SC784 | And So Did I | Choral Music | Ttb | |
| 1938 | 1B64FDE2-1EE7-4576-984A-DAA065767384 | R00595 | Palabras de Don Quijote, Op. 66 for Baritone and Chamber Ensemble | (not set) | Baritone Solo: Flute, Oboe, B-flat Clarinet, Bassoon, 2 Horn, Percussion(1), Harpsichord, Guitar, Harp, 2 Violin, 2 Viola, 2 Cello, Double Bass | |
| 1939 | 1B6903C6-34DB-4EA6-BACF-CEE6F796E832 | 52710043 | An Afternoon in a Striped Ballon for Violin and Piano | Violin and Piano | ||
| 1940 | 1B6B8F69-1C82-4A18-9393-40D7AC067EDB | LL116 | Come Ye Disconsolate (out-of-print) | Satb |