Titles
Showing 1,981-2,000 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1981 | 1C032B32-F336-4C3A-8BCC-D69150A81659 | ST44 | Frame | Flute Choir | ||
| 1982 | 1C06EE31-52CF-40AE-BCC5-4F66736FD84E | LV179CB | Chorale and Canon | (not set) | Concert Band | |
| 1983 | 1C0B1748-E759-4C90-83FA-D0486159CC06 | SC538 | Alleluia! Christ Is Risen | (not set) | Ttb | |
| 1984 | 1C0D1695-746C-4BD8-8D34-2566E9906432 | S609CB | Northstar Overture | Dedicated to and commissioned by the Moravian College Wind Ensemble, Peter Loel Boonshaft, Music Director. | Concert Band | |
| 1985 | 1C13C780-F2F4-4355-A6D3-FE7DAD05DA65 | LV711CB | Greensleeves | (not set) | Woodwind Choir | |
| 1986 | 1C1693BD-52CD-4668-9DB3-8F3742DDCC38 | S308 | POP out of print: Autocrat (out-of-print) | Marching Band | ||
| 1987 | 1C1A7A44-05FF-4C82-B729-3A4F4FF467F9 | TC53501 | The Star-spangled Banner | |||
| 1988 | 1C20D911-311C-4A7B-ACDF-4C4AE705BF43 | R00332 | Ode from Serenade for String Orchestra | Daniel Boico, who conducted the St. Petersberg Conservatory in a performance of Gerber's Serenade reflected on the experience: "The performance was wonderful. Steven's Serenade was heard by an international audience, and received with great enthusiasm!" | String Orchestra | |
| 1989 | 1C230B91-A8D6-476C-9BFF-F40660053D39 | X530001 | Sonata for Solo Cello | Recorded by Edward Laut, CELLOFIRE, LAS CD 21793. | Cello Solo | |
| 1990 | 1C231EF5-07A1-4F92-AFA4-6ECE85745460 | 50100227 | Sleighridin' | Riding in a sleigh across snowy fields and roadways seems hard-wired into our consciousness. Even if we've never experienced it, it seems as real as anything! The snap of the cold, the crack of the whip, the sound of bells on horses ...all are captured in | Concert Band | |
| 1991 | 1C27287D-2239-4681-9824-448A793E50B8 | 10503632 | Marche Militaire, Op. 51, No. 1 | This arrangement for brass quartet of the famous march is perfect for intermediate players to take to contest or a recital. Arranged by Floyd Harris, it may be played by two trumpets, a trombone or horn on the third part, and a trombone or baritone on the fourth part. | Mixed Brass Quartet (2 Tpt, 1 Tbn or Hn, 1 Trn or Bar) | |
| 1992 | 1C28423E-B268-4373-BFC7-08B6BE4B9D0C | SC730 | To the Evening Star | Text by William Blake. Duration is approximately 5:00. The key is D Major. | Ssa | |
| 1993 | 1C2AF59D-9D92-41DE-8571-0BBB67E7C0CA | A222702 | Concerto for Violin No. 22 in A minor, G. 97 | 1, 2, 2, 2 - 2, 2, 0, 0, timp, str, solo violin | ||
| 1994 | 1C2F48EA-D830-425B-8D22-6C226DBA1DDB | 10440236 | Osteria Bolero | Giuseppe Lillo, an Italian composer primarily known for his Rossini-style operas, also wrote a number of chamber works which have often been unfairly neglected. "Osteria Bolero" for clarinet and piano showcases colorful dance rhythms and virtuosic flourishes. | Clarinet and Piano | |
| 1995 | 1C3E84A5-6F25-4611-B9F6-CDF597665AA2 | S503 | Kaddish | The Kaddish is the Jewish prayer for the dead, said by the bereaved each morning and evening for eleven months, then on each anniversary of the death thereafter. The composition was written as a memorial for James Clifton Williams, beloved teacher of the composer of this work. Commissioned by and dedicated to Howard Dunn and the Richardson High School Band of Richardson, Texas. | Concert Band | |
| 1996 | 1C48BE7D-9A45-4893-BE33-CFC55E144C6F | A799902 | Six Epigraphes Antiques | Six épigraphes antiques was originally written in 1914 by Claude Debussy (1862-1918) for piano duo. While the composer himself transcribed the work for solo piano the following year, the first orchestration for a large ensemble was completed by Swiss conductor Ernest Ansermet in 1939. This version for a wind ensemble of 14 instruments was first arranged by a Graham Sheen in 1994 and has been revised in 2022. Movements: 1. Pour invoquer Pan, dieu du vent d'été ("To invoke Pan, god of the summer wind"), 2. Pour un tombeau sans nom ("For a nameless tomb"), 3. Pour que la nuit soit propice ("In order that the night be propitious"), 4. Pour la danseuse aux crotales ("For the dancer with crotales"), 5. Pour l'égyptienne ("For the Egyptian woman"), and 6. Pour remercier la pluie au matin ("To thank the morning rain"). Instrumentation: 3(3dPicc).1+EH.3+BCl.2+CBsn: 2.0.0.0. | 3(3dPicc).1+EH.3+BCl.2+CBsn: 2.0.0.0 | |
| 1997 | 1c4a4bb9-9e3b-11f0-a418-0022482c9682 | M300691 | Sonata in B flat, Op. 121 | Reprint edition of this work for flute and piano by the distinguished German organist and composer Sigfrid Karg-Elert (1877-1933). | Flute and Piano | |
| 1998 | 1C4B9E60-0D65-49BD-AA98-0CE5D98F0351 | A138302 | Les Sylphides | Les Sylphides is a ballet blanc set to the music of Frédéric Chopin (1810-1849) by Russian composer, teacher, and conductor Alexander Glazunov. Described as a “romantic reverie” by dance historian and critic Olga Maynard, the ballet has no overarching plot but conveys mood and emotion through dance. Some of the music had been set by Glazunov for his orchestral suite Chopiniana, Op. 46 prior to its use in Les Sylphides, a fact that makes identifying the premier performance of the ballet a challenge. It may have premiered in 1907 at the Mariinsky Theatre in Saint Petersburg, or possibly later by Sergei Diaghilev’s Ballet Russes in 1909. This edition was orchestrated by William McDermott. Instrumentation: 2(2dPicc).2.2.2: 3.2.2.0: Timp.Perc(1): Hp: Str (4-4-3-3-3 in set). | 2(2dPicc).2.2.2: 3.2.2.0: Timp.Perc(1): Hp: Str (4-4-3-3-3 in set) | |
| 1999 | 1C4E55D0-C719-4D63-B820-255AFFB17467 | 50100339 | Across This Land | Using only the first six notes taught to beginners, ACROSS THIS LAND is suitable for performance midway through the first year of instruction. It is surprisingly sophisticated, with subtle hints of SHENANDOAH and THIS LAND IS YOUR LAND (listen closely!). | Concert Band | |
| 2000 | 1C5845F5-B361-441B-9417-7B151D0E90B2 | 10100038 | Allan a Dale Overture | In English ballads, Allan-a-Dale was a youth who, aided by Robin Hood, broke up the wedding of his sweetheart to an old knight and married her himself. This work was originally accredited to Eric Hanson until research exposed the original manuscript by R. E. Hildreth. This classic edition features a newly-engraved score and parts. | Concert Band |