Titles
Showing 2,021-2,040 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 2021 | 1C9AAD3B-1A99-4E14-88CE-E6807A24E70B | S454MB | Pancho De Bull | (not set) | Marching Band | |
| 2022 | 1CA63437-8AC5-4B04-9353-2B5265C24F88 | 52730609 | Three Pieces for Cello and Piano | Cello, Piano | ||
| 2023 | 1CA7EE98-E235-4F58-BD04-59F6D2A15B15 | M411791 | Six Suites For Violoncello | Zuill Bailey Signature Edition | Cello | |
| 2024 | 1CA9BDB2-FA34-4E35-8289-41A0547AF40C | 10200104 | Star Spangled Banner, The (Full Orchestra) | This is a dramatic arrangement of our national anthem. This is an appropriate setting for a wide variety of events. Not for the faint of heart, but rewarding writing. Instrumentation: 2+Picc.2+EH.2.2+CBsn: 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set). | 2+Picc.2+EH.2.2+CBsn: 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set) | |
| 2025 | 1CB19DFF-1958-42B1-8A7E-4C1FC331F8FA | X505014 | Tableaux Funebres for Piano Quintet | Tableaux Funèbres provides musical commentary on four haiku texts of rather dark imagery. The work seeks not only to reflect the moods suggested, but also to amplify the implied meanings present in each haiku. | Piano Quintet | |
| 2026 | 1CB33091-6781-499F-B3F0-A221CEFA4223 | SC198 | Psalm 150 | Satb | ||
| 2027 | 1CBA55D0-1813-40AF-87B1-250818AB77D6 | S131006 | Sea of Reeds | Amplified Clarinet and Effects Processor | ||
| 2028 | 1CC3C9AF-9801-489E-AAA2-9CFB25F3AC6E | 10370113 | Duets for Two Cellos, vol. 1 | This collection of unaccompanied duets for two cellos comes in two volumes, and has been compiled and edited by former cellist with the Cleveland Orchestra, Francis Grant. Duets in volume 1 include 13 works by M. J. Gebauer, J. F. Mazas, Jacques Offenbach, and Bernhard Romberg. | Violoncello Duo | |
| 2029 | 1CC44478-83AE-4324-8A79-3438A81E272C | 52250475 | Progression | Progression for string orchestra will challenge students with its wide assortment of mixed meter and add rhythmic excitement to the beginning or conclusion of a concert. M.L. Daniels, five-time winner of the NSOA Composition Contest and highly-sought composer and festival adjudicator, created it "for the Pine Forest High School Orchestra, Nathan Artley, director." | String Orchestra | |
| 2030 | 1CC6C99A-47E8-4FDD-B5CB-2A12029C4971 | A182502 | Divertimento No. 11 in D, K. 251 | (not set) | 0, 1, 0, 0 - 2, 0, 0, 0, str | |
| 2031 | 1CCD5B20-A953-4C11-B54F-F13C99677D97 | 60761001 | Escales (Ports of Call), IJI 18 for Piano 4 Hands | When Jacques Ibert (1890-1962) won the Prix de Rome in 1922, he was asked to send back musical fruits of his residency. As a result, he devised a three-movement musical voyage, Escales (Ports of Call) for orchestra. The piece captures the route he took during his honeymoon with his wife Rose-Marie Veber, but in reverse: Rome to Palermo, then Tunis to Nefta, then finally, the port of Valencia. The piece premiered on January 6, 1924 with the Orchestre Lamoureux under the direction of Paul Paray. It remains his most frequently performed work. This version for piano 4-hands was transcribed by the composer. Reprint edition. | Piano 4-hands | |
| 2032 | 1CD62F66-E169-4CF8-953A-78416B0BB639 | B538 | Three Grand Artistic Duets | Ernesto Cavallini was not only the preeminent clarinet virtuoso of his day, but he was also a significant composer of solo clarinet music. In addition to his many solos, most of which are based on opera themes, Cavallini composed these "Three Artistic Duets" and another set of "Six Grand Duos" (also available from the publisher.) These duets fall neatly under the fingers and are florid and musically substantial, with difficulty and interest divided equally between the two parts. This edition by David Hite remedies issues in earlier versions such as errors and inconsistencies in articulation and very limited dynamic and metronomic indications. It also alleviates crowding and difficult page turns, making the music easier to read. You will find these duets a pleasure to play, either as a reading challenge or as music for more in depth study, and they are entertaining for both the performers and the listener. Certainly, they would be a welcome addition to any recital program, with each duet lasting approximately 20 minutes. | Clarinet Duet | |
| 2033 | 1CDA5A21-05A0-45ED-B86E-100C79DA8300 | A386802 | Traviata, La: Act II, Coro di Mattadori Spagnuoli (Chorus of Spanish Matadors): Di Madride noi siam mattadori (excerpt) | La Traviata (The Fallen Woman) is based on La Dame aux camélias (1852), a play adapted from the novel by Alexandre Dumas fils. The opera was originally titled Violetta, after the main character. Piave and Verdi wanted to follow Dumas in giving the opera a contemporary setting, but the authorities at La Fenice insisted that it be set in the past, ca. 1700. It was not until the 1880’s that the composer’s and librettist’s original wishes were carried out and “realistic” productions were staged. La Traviata has become immensely popular and is among the most frequently performed of all operas. This excerpt from Act II is from The Chorus of Spanish Matadors. Instrumentation: 2.2.2.2: 4.2.3.1: Timp.Perc(3): Str (4-4-3-3-3 in set): Mx Chor (or Piano Accompaniment). | 2.2.2.2: 4.2.3.1: Timp.Perc(3): Str (4-4-3-3-3 in set): Mx Chor (or Piano Accompaniment) | |
| 2034 | 1CDD11AC-32F1-4184-A1C1-066D7B726BB0 | A933490 | Lark Ascending, The for Violin and Orchestra | Ralph Vaughan Williams (1872-1958), ever fond of poetry, found creative impetus for his beautiful romance THE LARK ASCENDING, IRV 38, in an 1881 poem by George Meredith. Marie Pauline Hall, to whom the work was dedicated, gave the first performance of the original violin and piano version at Shirehampton Public Hall on December 15, 1920, beside pianist Geoffrey Mendham. Later Vaughan Williams expanded the work for full orchestra and it was again premiered by Hall on June 14, 1921. This has become the version most familiar to listeners. The violin, lifting its silvery tones above the stage, captures the soaring nature of Meredith’s couplet: “Till lost on his aerial rings/In light, and then the fancy sings.” This version can be played by full orchestra or chamber orchestra by reducing the winds to one per part. Instrumentation: Solo Vn: 2.1.2.2: 2.0.0.0: Perc(1): Str (9-8-7-6-5 in set). Reprint edition with transposed clarinet parts also included. The violin and piano reduction is available from LudwigMasters (60710008). | Solo Vn: 2.2.2.2: 2.0.0.0: Perc(1): Str (9-8-7-6-5 in set) | |
| 2035 | 1CE36E94-1B6C-42F3-9E4C-358FECBB7F34 | 20502420 | Civil War Songs | "Aura Lee" and "Dixie" are well-known tunes from the 19th century that still have popular appeal. Legato playing is necessary for the proper interpretation of "Aura Lee," and "Dixie" should be played in a light but energetic staccato-marcato. An excellent piece for concert of contest! Versions for Woodwind Trio and Brass Trio are available from the publisher. | Bb Trumpet, F Horn and Trombone (Euphonium) | |
| 2036 | 1CE3A758-8B34-40CD-A759-71482F1648AD | B328702 | Wine, Women and Song | (not set) | Concert Band | |
| 2037 | 1CE68416-E596-4AE0-AC41-B8FD167CE247 | ST994 | Canon | This gorgeous setting of Pachelbel's famous Canon in D for violin quartet is one of many arrangements available from the publisher. It is part of the Andrew Gurwitz Memorial Series of music for srings. | Violin Quartet | |
| 2038 | 1CEA6F58-2C1F-4C7D-8BBF-5BE8D016DB7D | X302008 | Double Bars for Vibes and Marimba | Recorded by Jude Traxler, Vibraphone and Brett Dietz, Marimba; Cat Crisis Records (2011). | Vibraphone, Marimba | |
| 2039 | 1CF07A52-B309-4E59-B486-F9EA11E938B7 | 10461168 | A Waltz Dream | Saxophone and Piano | ||
| 2040 | 1cf86d41-9e3b-11f0-a418-0022482c9682 | M304291 | Trente Chants (30): Suite 1, Op. 38, No. 1 (Recueil de Chants) | French composer and virtuoso pianist Charles-Valentin Alkan (1813-1888) composed thirty one piano works as suites under the title TRENTE CHANTS (also RECUEIL DE CHANTS) across four opus numbers. These have been published by LudwigMasters in five volumes. Suite 1, Op. 38, No. 1 includes six titles: 1. Assez vivement (E major); 2. Sérénade (A minor); 3. Choeur (A major); 4. L'Offrande (A major); 5. Agitatissimo (F? minor); 6. Barcarolle (G minor). Reprint of the edition by Elie Miriam Delaborde and Isidor Philipp. | Solo Piano |