Titles
Showing 1,641-1,660 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1641 | 170E5C0F-B481-4303-A984-DEE208ADE4BE | ST933 | Adagio and Allegro Vivace | Flute | ||
| 1642 | 171222BE-A6BF-413E-870F-9B54D23C5D00 | R01596 | Il regalo di Fornaio: from Yet Another Set of Variations (on a Theme of Paganini) | From the larger collaborative work Yet Another Set of Variations (on a Theme of Paganini) written by number composers to celebrate Leonard Slatkin's 75th birthday, this string orchestra work was commissioned by the St. Louis Symphony Orchestra, the National Symphony Orchestra, and the Orchestre National de Lyon in celebration of Leonard Slatkin's 75th birthday. | String Orchestra | |
| 1643 | 171593FF-347E-4284-8305-13A82B0BEF67 | S838CB | Highland Rocks | (not set) | Concert Band | |
| 1644 | 1716476A-A702-4061-A7EA-89EEFDFDD8A2 | LV443MB | Snappy Snares | (not set) | Marching Band | |
| 1645 | 171880F7-6F93-43B3-8239-8EA4F3F47553 | B399602 | Star Spangled Spectacular | George M. Cohan had a deep-seated patriotism, as evidenced in such songs as Over There, Yankee Doodle Boy, and You're a Grand Old Flag. His greatest song, Over There, was written in 1917 and was the most stirring song to come out of World War I. It was immensely popular and has become a classic among popular songs. For his patriotic songs, he was awarded the Congressional Medal of Honor by President Franklin D. Roosevelt. Arranger John Cacavas (b. 1930) was chief arranger of the U.S. Army Band and twice won the Freedom Foundation’s George Washington medal for his contributions to American music. He has taken a number of Cohan’s greatest songs and put them into this “Spectacular” arrangement. | Concert Band | |
| 1646 | 1718AB81-04C4-4C3A-94E3-AF968305A64E | MR00449 | Swantewit for Orchestra | |||
| 1647 | 171A763B-DEBB-46CA-AD9D-15351607EDCB | SU480 | This, That and the Other for Soprano Sax, Piano, Bass and Percussion | Commissioned by the National Association of College Wind and Percussion Instructors. | Soprano Saxophone Solo, Piano, Amplified Acoustic Bass, Percussion | |
| 1648 | 171b20d2-9e3b-11f0-a418-0022482c9682 | M265891 | Old Masters of the Organ, Book 4 | This collection for organ of 29 CHORALE PRELUDES BY OLD MASTERS comes in six volumes. Book 4 includes: 1. Canticum: Te Deum laudamus (Dietrich Buxtehude); 2. Choralvorspiel: Lobt Gott, ihr Christen, allzugleich (Dietrich Buxtehude); 3. Tiento del Cuarto Tono (Antonio A. Cabezon); 4. Canzona (Girolamo Frescobaldi); 5. Toccata (Johann Jakob Froberger); 6. Capriccio (Johann Jakob Froberger); 7. Ricercare (Johann Jakob Froberger); 8. Toccata per li Pedali (Johann Kaspar Kerll); 9. Canzona (Johann Kaspar Kerll); 10. Toccata Duodezima (Georg Muffat). Reprint edition. | Organ Solo | |
| 1649 | 1720C348-D69B-4E5E-BADB-D8A24F4DA8D3 | S300 | Lone Star | Concert Band | ||
| 1650 | 17269593-323E-460E-880D-51B9A39576F3 | X510033 | Blue/s Forms | Three-movement solo violin work fusing blues harmonic language with classical sonata form, recorded by Sanford Allen. | Violin Solo | |
| 1651 | 1728C55A-E45F-4F73-B8D4-3308B38156FD | B222 | 40 Technical and Melodious Studies, Bk. 1 | (not set) | Sax | |
| 1652 | 172b03ab-9e3b-11f0-a418-0022482c9682 | M266091 | Symphonie Gothique, Op. 70 | French composer and organist Charles-Marie Widor (1844-1937) composed the organ work Symphonie Gothique, Op. 70 (Organ Symphony No. 9) between 1894 and 1895. It was dedicated to the Abbaye Saint-Ouen de Rouen, whose large (Gothic) organ recently installed in 1890 also inspired the work. While the first three movements were first performed from manuscript in Lyon, at Église d'Écully by Louis Vierne, the full premiere performance took place on April 28, 1895, at Saint-Ouen de Rouen, the composer at the organ. | Organ Solo | |
| 1653 | 17319077-45B7-4547-8C6A-1681CA07048F | SU805 | Concerto in G Major | One of the gems of Baroque flute repertoire. Features newly engraved flute part, edited by Sir James Galway. | Flute and Piano | |
| 1654 | 174686DC-0255-46ED-AC63-82DCA7B0188B | 10605299 | Bridge | (not set) | Multiple Percussion Sextet | |
| 1655 | 17497B3E-3AD4-44F7-AB79-1FB21F42E979 | SU67 | Just a Closer Walk With Thee | This jazz variations on the famous spiritual includes both improvisational sections and cadenzas. | Alto Sax and Piano | |
| 1656 | 175035B4-771A-4EE2-BFA4-CBAB8D711BDB | 52733013 | Step It Up for Cello Quartet with Accompaniment Track | Intended for a high school cello quartet, this piece really rocks! Lots of syncopation and written in the key of C minor, this one is sure to be a hit. Includes a download for synthesized rock accompaniment. | Cello Quartet with Accompaniment Track | |
| 1657 | 17529f9b-9e3b-11f0-a418-0022482c9682 | M266691 | Vocalise, Op. 34, No. 14 | The famous and beautiful Vocalise, Op. 34/14, is expertly arranged here by J. Michael Leonard for Bassoon with piano. | Bassoon and Piano | |
| 1658 | 17585268-58F6-493E-9313-BA6BC5EA78CA | X668501 | Shadow Music | Portions of this work were originally written for the film Evolution of a Shadow, directed by Ken Johnson. | Perc(5), Harp | |
| 1659 | 175E948B-D15C-4E5C-B97F-00990010130F | A198102 | Danse Macabre, Op. 40 | Written in 1874, the orchestral tone poem Danse Macabre Op. 40 by Camille Saint -Saëns (1835-1921) premiered in January of 1875 and was not well received by the audience. 21st century scholar Roger Nichols mentions particularly adverse audience reactions to “the deformed Dies irae” melody and the “horrible screeching from the solo violin.” Drawing thematic material from an old French superstition that Death appears at the stroke of midnight on Halloween to dance with the risen dead, the Danse Macabre is now regarded as one of Saint-Saëns’ masterpieces. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set): Solo Violin in set. Study score. | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set): Solo Violin in set | |
| 1660 | 1761E0AA-024B-477A-82DE-983EAF042CF9 | 60703001 | String Quartet, Op. 3 | Alban Berg's (1885-1935) String Quartet, Op. 3, was written in 1910, though it would remain unpublished for another ten years. In two movements, it is among Berg's most original compositions and is considered to be a foundational work of the Second Viennese School. The final work composed by Berg during his time as a student of Arnold Schoenberg, the teacher said of the quartet that he admired "the fullness and unconstraint of his musical language, the strength and sureness of its presentation, its careful working and significant originality." It was premiered at the Vienna Musikverein on April 24, 1911. Reprint edition. | String Quartet |