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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
156115FB62DC-A1D2-4324-9E11-F4AF6EF7D2B1ST263COVoci Antifonali(not set)Brass Choir
156215FBEB4B-133A-48F4-A16F-28988327F2FCA199190Deux Gymnopedies [Nos. 1 and 3 - orchestrated by Debussy as Nos. 1 and 2]2, 1, 0, 0 - 4, 0, 0, 0, cymb, 2hp, str
156315FD3E29-34E9-4327-ACF9-0C3F9C694172X652514Five Pieces and a Ghost from Children's Corner for Clarinet and String QuartetDavid Schiff created this arrangement for Clarinet (doubling Bass Clarinet) and String Quartet of Debussy's suite of piano pieces entitled "Children's Corner". The work is dedicated to clarinetist David Shifrin, who premiered it with Chamber Music Northwest. Movement titles: 1. Doctor Gradus ad Parnassum, 2. Jimbo's Lullaby (bass clarinet), 3. Serenade of the doll, 4. The snow is dancing, 5. The little shepherd, 6. Golliwogg's GhostClarinet in B flat (doubling Bass Clarinet), String Quartet
156415FF8E76-444E-43CC-B329-6168E2A360E5S642503Secret GroundFl, Cl, Vn, Vc, Piano
156516043561-8BFD-44A1-B901-846789716403R01206Nine - One - One(not set)3+Piccolo.2.3+E-flat Clarinet+Bass Clarinet.2+ContraBassoon: 4.4.3+Euphonium.1: Timpani.Percussion(6)
156616049388-EB21-46EE-8323-B2A7E5FF9A7A10450519Air: If Thou Art Near(not set)Saxophone and Piano
15671605B0C5-B2DE-4963-A70F-F14598148DE510530466Happy SongOffering both clear dynamic, articulation contrasts, and a great melody, all within the playable range of a new student, this work is perfect for a young musician's first recital or contest. The piano accompaniment can also be performed by a one or two year private study middle-school level piano player. And the variety of solo instrument parts makes it possible for one student to accompany many different students. A prepatory "warm-up" exercise for young acccompanists is printed on the last page of the piano part. Instruments available from the publisher: flute, clarinet, bassoon, saxophone (alto and tenor), cornet/trumpet/baritone T.C., horn, trombone, baritone B.C., tuba, and electronic keyboard.Trombone/Baritone B.C. Solo and Piano
1568160732BC-63F8-4FCB-BAD5-E0789C49A7BDB298Melodious and Progressive Studies, Bk. 2This collection of studies includes works by Hause,Nocentini, Gariboldi, Andersen, Terschak, Kummer, Dont, Gambaro, Drouet, and Lazarus in addition to scale, argeggio, and velocity studies, and is compiled and edited by Alan Hawkins. It also includes orchestral excerpts from the standard bassoon repetoire by: Beethoven, Tchaikovsky, Berlioz, Mozart, Mendelsohn, Dvorak, Brahms, Haydn, Franck, and Schubert.Bassoon
156916083665-26C6-4E46-BD3C-11ABEEA50B7BA217702Hamlet: Fantasy Overture, Op. 67Written by Peter Ilyitch Tchaikovsky (1840-1893) in 1888, as he was working on his FIFTH SYMPHONY, HAMLET: FANTASY OVERTURE, Op. 67 is one of two works he based on Shakespeare’s HAMLET, the other being the incidental music Op. 67a. As early as 1876, his brother Modest had suggested he write a symphonic poem based on the material. Eventually approached by actor Lucien Guitry, he agreed to compose music for a stage production of the play. When the performance was cancelled, he went on to craft the material into a concert overture. Dedicated to Edvard Grieg, the work premiered on November 24, 1888 in St. Petersburg under the baton of the composer. Instrumentation: 3(3rd d. Picc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc (4): Str (9.8.7.6.5 in set).3(3rd d. Picc).2+EH.2.2: 4.2+2Crnt.3.1: Timp.Perc (4): Str (9.8.7.6.5 in set)
157016090380-6C87-4449-B7E4-328CE3A06C84ST314Sonata No. 2 for Alto SaxophoneAlto Sax
1571160A4226-5D35-457F-82D5-BF515323750AM175591Serestas, W216 (Nos. 7-12)This is the 2nd book of the collection of Serestas, W216, featuring Nos. 7-12 for voice and piano. Included: 7. Cantiga do viúvo; 8. Canção do carreiro (ou Canção de um crepúsculo caricioso): Sobre themas selvagens dos boiadeiros e carreiros, entre os índios e mamelucos do Brasil; 9. Abril; 10. Desejo; 11. Redondilha; 12. Realejo. Reprint edition.Voice and Piano
1572160A6BF7-F991-4C6B-B792-6C67A3B878B2M261591Four English Folksongs for Saxophone QuartetSATB Sax 4tet
1573160b58c4-9e3b-11f0-a418-0022482c9682M260391Lotus Land, Op. 47, No. 1LOTUS LAND, a slow and fluid piece for piano, was written by Cyril Scott (1879-1970) in 1905 as the first of two works included in his Op. 47. Reprint edition.Solo Piano
157416117D7A-2673-4C1D-83EB-A2B7D6D775FEX530027Kord for Solo Guitar: Calligraphy No. 9Also available for Cello Solo. Kord (Calligraphy No.9) is written for Lily Afshar and completed on March 4, 2008. The musical material of Kord (Calligraphy No.9) is derived from Persian traditional music.Guitar Solo
15751612C45F-A554-48D4-AE56-AFB8C55ED304A466702I Capuletti e i Montecchi, Act I, Cavatina: E serbato a questo acciaro (tenor) (Romeo and Juliet)Composed by Vincenzo Bellini (1801-1835) in 1830, the two-act opera I Capuletti e i Montecchi (The Capulets and the Mantagues) stands as one of only two successful opera adaptations of Shakespeare's Romeo and Juliet, the other being Charles Gounod's. While technically written in only six weeks, much of the score is borrowed from Bellini's recent failure, Zaira. This rendition of the tragic story of star-crossed lovers premiered on March 11, 1830, at Venice's Teatro La Fenice, Pietro Tonassi conducting. The cavatina È serbato a questo acciaro (And reserved for this sword / is the vengeance of your blood) is sung by the tenor Tebaldo at the beginning of the first act. Giulietta (Juliet), a member of the Capuletti family, is betrothed to Tebaldo, and he states his intention in the song to avenge the family by killing Romeo, head of the rival Montecchi family and the person who had killed Giuletti's brother. Instrumentation: 1+Picc.2.2.2: 4.2.3.1: Timp.Perc(1-2): Str (4-4-3-3-3 in set): Solo Tenor: Mix Chorus.1+Picc.2.2.2: 4.2.3.1: Timp.Perc(1-2): Str (4-4-3-3-3 in set): Solo Tenor: Mix Chorus
15761618D0F5-DFA5-4CE1-BBE8-6423C7E259CBR01582Songs of Heaven and Earth for Mezzo-Soprano and SeptetSongs of Heaven and Earth, by award-winning composer Laura Schwendinger, encompasses four settings of Ts’ai Yen’s epic work, "18 Verses from a Tatar Reed Whistle." The composition is scored for mezzo-soprano, flute, clarinet, violin, cello, harp, piano and percussion, and was commissioned by The Theater Chamber Players of The Kennedy Center.Mezzo-Soprano, Flute, Clarinet, Violin, Cello, Harp, Piano and Percussion
1577161a9d6a-9e3b-11f0-a418-0022482c9682M260591Old Masters of the Organ, Book 2This collection for organ of 29 CHORALE PRELUDES BY OLD MASTERS comes in six volumes. Book 2 includes: 1. Toccata Sexta (Georg Muffat); 2. Passacaglia (Georg Muffat); 3. Toccata (Johann Pachelbel); 4. Vater unser im Himmelreich (Johann Pachelbel); 5. Ciaconna (Johann Pachelbel); 6. Ich ruf' zu dir, Herr Jesu Christ (Samuel Scheidt); 7. Lass mich dein sein und bleiben (Delphin Strungk); 8. Meinen Jesum lass nicht (Johann Gottfried Walther). Reprint edition.Organ Solo
1578161BC856-AE03-4456-9322-E9A93F959D94M310991Wandering Clouds, Op.18(not set)Voice and Piano
157916218452-B40C-4E2D-8A10-57471590CC65A540502Concerto for Alto Saxophone in E-flat, Op. 109Alexander Glazunov's (1865-1936) CONCERTO FOR ALTO SAXOPHONE in E-flat, Op. 109 was written in 1934. The Russian composer was exposed to the saxophone late in life while staying in Paris, and he found the new timbre enthralling. This single-movement concerto and a saxophone quartet were the result. The work was completed in part due to the famous German saxophonist Sigurd Raschèr hounding Glazunov to the point where the composer wrote to a colleague that he had started the piece "under the influences of attacks rather than requests from the Danish (sic) saxophonist named Sigurd Raschèr." The work premiered on November 25, 1934, in Nyköping, Sweden, with Raschèr as the soloist. Glazunov probably did not hear the work performed, however, as the Paris premiere took place after his death. Instrumentation: Str (8-8-5-5-5 in set): Solo Alto Saxophone in set. Reprint edition.Str (8-8-5-5-5 in set): Solo Alto Saxophone in set
15801624E206-FC2F-4570-8F1E-A5BCAEF4795352722466Elementary Viola Trios(not set)Viola Trio