Titles
Showing 1,581-1,600 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1581 | 1625A641-A81C-4E37-A533-5531861F9810 | R00734 | Outcries and Consolations | Composed for the Monday Evening Concerts, Los Angeles in memory of Hellmut Wilhelm and Kaisik Wong | 1.2.0.1: 1.0.0.0: Percussion(2).Keyboard: Strings | |
| 1582 | 16280C3A-D49E-4458-85FB-06FC11904CC3 | A464302 | Valurile Dunarii (Donauwellen, Waves of the Danube) | 1, 2, 2, 2 - 2, 2, 3, 0, euphonium, perc, str | ||
| 1583 | 162A4DE5-6C15-49A5-BF18-3DCDB7789BA9 | A013390 | My Fatherland (Ma Vlast), No. 2: The Moldau (Vltava) | Má vlast (My Fatherland or My Country) is a collection of six symphonic poems composed by Bed?ich Smetana (1824-1884) between 1874 and 1879. Conceived as individual works, though commonly presented as a single work in six movements, each symphonic poem reflects the ideals of nationalistic music pioneered in the late nineteenth century, with each depicting an aspect of Bohemia's countryside, history, or legends. The second and most popular of the six symphonic poems, Vltava (The Moldau), describes the course of the Moldau River from its beginnings as two springs to its ends as a majestic and mighty river. Movements: The Two Sources of the Moldau; Forest Hunt; Peasant Wedding; The Moldau at its Greatest Breadth; Vyšehrad Motive. In this edition by Steven Rosenhaus, parts of the fourth and fifth movements (Moonlight: Nymphs' Dance and St. John's Rapids) are included as transitions, although they are not listed as wholly included movements in the music. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set) | |
| 1584 | 162EDD3C-CF74-43CC-83A6-B6DA544D9237 | SC93 | Tell Me No More | Ttbb | ||
| 1585 | 16345081-7EEB-4EDB-9A22-7A8670B4056B | S738CB | Nulli Secundus March | (not set) | Concert Band | |
| 1586 | 16347CE2-C750-4381-A5B5-8547F26A2279 | M183091 | Two Arabesques, CD 74/ L 66 | A violin and piano transcription of one of Claude Debussy's earliest impressionistic works for piano, containing hints of the composer's developing musical style. Reprint edition. | Violin and Piano | |
| 1587 | 163C5254-C5F3-4AF6-89EA-3B8E91C8AEF6 | C47 | Fantaisie | |||
| 1588 | 163CC06C-F50E-4247-A347-535E772E9826 | SJ690508 | Misbehavin' de Haven Sc/Pts | |||
| 1589 | 1646B3E3-582B-47B0-8E84-7E2EBB995E4F | R00259 | Fanfare '84 | (not set) | 4 Horn, 4 Trumpet, pTrumpet, 4 Trombone, Tuba | |
| 1590 | 165A3A8A-2564-4239-BF09-6DB9746B4687 | B320 | Graduate Music Theory Review | Text | ||
| 1591 | 165C2E81-132F-4567-AB70-E90D95387923 | M348191 | Thunderbird Suite for Piano | This piano suite is based on Blackfoot Native American folk songs and dances. It was arranged from incidental music composed for Norman-Bel-Gedde's drama titled "Thunderbird". The suite contains five selections: "From the Village", "Before the Sunrise", "Nuwana's Love Song", "Night Song", and "Wolf Song (War Dance)." Reprint edition. | Solo Piano | |
| 1592 | 1661852E-12EA-4B67-B125-4A88F2DA47BF | SS159 | Sonata in a Minor | This three movement sonata is one of several works by Marcello written for string bass. It is an excellent composition for bass clarinet or Bb contra-bass clarinet in style as well as range. Musically, and technically, this composition is challenging and rewarding for either the young aggressive student or the mature musician who enjoys the special flavor of the Baroque period. Movements: I. Adagio-Allegro, II. Largo, III. Allegro. | Bass Clarinet, Piano | |
| 1593 | 166231A9-F2F7-4844-B163-93E17CA28107 | R01472 | Rhapsody for Oboe and Strings (piano reduction) | Dedicated to Vladimir Lande. Full version with string orchestra available on rental. | Oboe, Piano reduction from oboe with string orchestra. | |
| 1594 | 16691A19-BE5B-431F-9617-5DDCFA5AA6AF | RCST668 | Romanesque for Violin, Viola and Piano | Violin, Viola, Piano | ||
| 1595 | 1669CC87-F3DB-4226-A53A-516D8BBFE416 | M116391 | Molly on the Shore, Irish Reel from British Folk Music Settings, No. 1 for String Quartet | Percy Grainger's (1882-1961) love for music of the simple rural folk of the British Isles led to a series of forty-three pieces that he grouped into a series called "British Folk-Music Settings", including this title as No. 23. Grainger produced at least six versions of this folk tune arrangement of two contrasting Irish Reels ("Temple Hill" and "Molly on the Shore"), of which this version for string orchestra or string quartet, written in 1907, was the first. Reprint edition. | Two Violins, Viola and Violoncello | |
| 1596 | 166C8783-E431-4696-8D5B-D7FCE1252F5C | LV178CB | Brownie's March | This toe-tapping march is bound to get the band and audience alike humming along with this memorable tune. | Concert Band | |
| 1597 | 166CBA87-8D60-4C77-8DD0-8CC12E15C806 | X105002 | Woodwind Quintet: From "The Black Frontier" | Composed 1971; duration ca. 3'. | WoodwindQuintet | |
| 1598 | 166CF8F0-7EE7-4E7B-A458-02340764BB73 | 50250227 | All Through the Night | This beautiful arrangement of the well-known Welsh folk song offers a lyrical and poignant respite in your concert program that audiences and players alike will enjoy! | String Orchestra | |
| 1599 | 16703B42-1FB3-453A-B4E3-8B6EA3ED7AA4 | S748CB | Clarinet Party | |||
| 1600 | 16707280-F1F8-41F9-B1F2-CAC34EF870A0 | 50404004 | (WW 5tet use this number next) |