Titles
Showing 1,621-1,640 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 1621 | 16C9FA7F-0A18-436F-BE31-623666F29169 | SC713 | She Sat and Sang Always | 2004 Texas University Interscholastic League Sightreading for 3A, 2A Non-Varsity Tenor-Bass (TTB) and 3B, 2B, 3C and 2C Varsity Tenor-Bass (TTB) Choirs. Text by Christina Rosetti. Versions for TB and TTB are available from the publisher. | TTB | |
| 1622 | 16CFC8DD-4B37-4198-A54A-9B109080DE72 | EBM0620090 | Symphony for Drums and Wind Orchestra | Commissioned (by William MacLean) and premiered by the American Wind Symphony under conductor Robert Boudreau in 1964, Warren Benson’s Symphony for Drums and Wind Orchestra (1962) has been hailed as "pioneering", "significant", "landmark", and "a tour de force of percussion writing that has been imitated by numerous other composers since." The work has been compared to the music of Edgard Varèse, and is certainly one of the very few musical statements of its time to approach the wind and percussion orchestra with both a radical sense of timbral exploitation and a classical sense of form. Movements: I. Invocation, II. Contemplation, III. Declaration. | 2(+Picc).2(+EH).6(+ECl,+BCl).2(+CBsn): 6.6.4(+2BTbn).1: StrBs.Hp(2).Pno: Timp.Perc(5) | |
| 1623 | 16d2c996-9e3b-11f0-a418-0022482c9682 | M264391 | Two Sonatas for Horn (or English Horn) and Piano | Written in 1802 for English Horn by Luigi Cherubini (1760-1842), these Two Sonatas (Due Sonate) are extremely useful as works of study, since only few solo pieces are available for this instrument. They have also been adopted by hornists as a regular part of their virtuosic repertoire. Both this piano reduction and an edition for soloist and string orchestra (both edited by Johannes Wojciechowski) are available from the LudwigMasters and Kalmus catalogs respectively. Reprint edition. | Horn (or English Horn) and Piano | |
| 1624 | 16D2ED98-1D18-43F4-BA8E-093B62A685EE | M159691 | Piano Works, Vol. 3 | Danish composer and organist Dietrich Buxtehude (1637-1707) is a prime example of the North German baroque school and an influence on Johann Sebastian Bach's style. The works in this three-volume collection were found in a family-book, which for centuries was handed down in the Danish family of Ryge until their discovery in the mid-20th century. The collection of 19 suites, 6 works of variation, and 3 anonymous works (likely by Buxtehude) have been compiled and edited by Emilius Bangert. Vol. 1 includes Suites I-X; Vol. 2 includes Suites XI-XIX; Vol. 3 includes Works of variation and anonymous works. | Piano Solo | |
| 1625 | 16D5FCA3-DDB8-43B2-BB2C-FDBE1A2758EF | 52711002 | Five Duets for Two Violins | Five clever mixed duos of varying styles and keys for intermediate players and above. A substitute viola part is included in the set for part 2. | Two Violins (optional Viola for Violin 2) | |
| 1626 | 16D6BB75-58A2-48F3-B561-3A3CACCF1253 | M912602 | Rienzi Overture | Concert Band | ||
| 1627 | 16D9DEDA-CDD2-4381-AF88-6C38473B5C61 | R01484 | Oborama | Unique concerto for Oboe doubling on four other members of the oboe family including English Horn, Oboe d'Amore, Bass Oboe and Musette. Premiered at FEMUSC Brazil by Oboist Alex Klein. | Solo Oboe(dEnglish Horn, Oboe d'Amore, Bass Oboe, Musette): Hp.Perc(1): Str | |
| 1628 | 16DCB124-66B4-4F92-8FA4-AF11C485336A | SC760 | O Mistress Mine | This largely homophonic piece is a setting of text by William Shakespeare. | Tbb | |
| 1629 | 16DE755D-973C-402E-9C33-72B52770FD4C | B356 | Thomas Flute Method, Bk. 1 | This method book was written to be a source of enjoyment in the study of the flute. Attention to embouchure and hand position details will help make the flute playing experience more satisying and more fun. | Flute | |
| 1630 | 16e34c0f-9e3b-11f0-a418-0022482c9682 | M264591 | Triple Quartet for Low Brass Choir | First edition of this 1995 work for brass. | 4 Trombones, 4 Euphoniums, 4 Tubas | |
| 1631 | 16E42286-7054-4269-BBAE-9ACC0F71721E | X111012 | Persian Suite: Folk Songs: Set No. 12E | (not set) | Flute, Piano | |
| 1632 | 16E881EC-E0D0-4030-9532-7A46E626E1EE | A675702 | Symphony No. 6 in D, Op. 60/B. 112 (critical edition) | Dvorák’s Symphony No. 6 bears many similarities to the symphonies of Brahms and Beethoven, and incorporates several Czech folk tunes. It was first performed in Vienna in 1883 by the Gesellschaft der Musikfreunde, with Wilhelm Gericke conducting. The piece was well received throughout Europe, and enjoyed a special popularity in England. This is a critical edition based on the composer’s manuscript, edited by Frantisek Bartos. The score and the parts have been reformatted with measure numbers and an addition of frequent rehearsal markings to aid in preparation for performance. Reprint edition. | 2(2nd d.Picc).2.2.2: 4.2.3.1: Timp: Str (9.8.7.6.5 in set) | |
| 1633 | 16EB1120-39AF-4C1C-A9A0-CB29F790B1E5 | M985290 | Marche Slav, Op. 31 | This well-known orchestra showpiece is ideal for any concert or contest. With the familiar yet exotic-sounding tune, this arrangement gives all the flavor of the original without putting it out of the reach of the medium advanced orchestra's skills. A crowd pleaser! | 2+Picc.2.2.2: 4.3.3.1: Timp.Perc(4): Str | |
| 1634 | 16F049C8-2B86-4118-9B28-46AC5ED95D75 | R00973 | The Amazing Adventure of Alvin Allegretto: A One-Act Comic Opera for Kids and Their Families | "A delightful work...clever dialogue...complimented by the skillfully composed music." In the town of Harmony, everybody sings... everybody, that is, except Alvin Allegretto. His parents take him to see one expert after another to find a cure for his strange condition but only Alvin, with the help of the audience, can find the answer. Music and story by Bruce Adolphe; libretto by Sarah Schlesinger. Commissioned by the Metropolitan Opera Guild. Premiered by the Chamber Music Society of Lincoln Center & The Metropolitan Opera Guild. | Soprano, Mezzo-Soprano, Tenor, Bass-Baritone, Boy Soprano Soli: Clarinet, Perc(1), Cello, Piano. | |
| 1635 | 16F3D0E6-320E-44B7-AD60-CDC340549BB0 | A013690 | Artist Quadrille, Op. 201 | This new adaptation of the original work has a full orchestral score with two optional added trombones to fill out the full body of the orchestral sound. Some careful editing has been done to simplify certain technical challenges, but the original character is maintained. The quadrille was a lively, stylized dance for four couples, arranged in a square. The dance developed from military parades in which four horsemen performed square-shaped formations or figures. The performances became quite popular, prompting people to perform quadrilles without horses. While Strauss was known as 'The Waltz King,' he wrote music for dances in all of the currently popular forms, including the quadrille. | 1+1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, str | |
| 1636 | 16F896B0-03E6-44D5-9E27-E03F8E05FB3A | S66 | Canzonetta (on-rental-only) | Concert Band | ||
| 1637 | 16FD94D9-9ABA-42AA-8DFD-EA9BC9ABC733 | A267002 | Requiem Mass in D minor, K. 626 | Left unfinished at the time of his death, Wolfgang Amadeus Mozart's (1756-1791) REQUIEM MASS in D minor, K. 626 remains among the composer's most recognizable works and is a major part of the choral repertoire. Clouded by the circumstances of a possible anonymous commission by Count Franz von Walsegg-Stuppach, who likely intended to pass the work off as his own, and the need by Mozart's widow Constanze to collect the full commission fee from the count, the work was believed for some time to be whole and completed by the young composer prior to his death. In truth, the music was secretly completed by Mozart's student Franz Xaver Süssmayr at Constanze's request. At the time of his death, Mozart had completed the "Introit" movement entirely, and he had sketched the "Kyrie," "Sequence," and "Offertorium." The "Benedictus," "Agnus Dei," and "Communio" remained unwritten. Süssmayr's completion (finished in 1792) remains the version most performed today by far, though some few other attempts to complete the mass have been attempted in the 20th century. Instrumentation in set: 0.0.2BstHns(sub2Cls).2: 0.2.3.0: Timp: Org: Str (4-4-3-3-3): Soli SATB.Mix Chor. While the work was written to include two bassett horns, clarinets are frequently substituted for those parts. Both the bassett horn and clarinet parts are included in the set. Study score. | 0.0.2BstHns(sub2Cls).2: 0.2.3.0: Timp: Org: Str (4-4-3-3-3 in set): Soli SATB.Mix Chor | |
| 1638 | 16FE8BC6-F6AA-4A7D-BBDF-3BCEF947B85E | SS512 | Andante and Allegro | Containing both lyrical and technical passages, this arrangement is perfect for contest and recital. | Oboe | |
| 1639 | 1705ADEE-953D-46E8-9664-F085FAD51976 | J89110 | Arma Lucis (The Armour of Light) | An inspiring and powerful a cappella work which explores and combines vocal writing techniques from Gregorian chant to the Twentieth Century. | SATB | |
| 1640 | 170C857F-A3F3-463C-AA90-4EA3A2DAE72E | M124491 | Romance, Op. 23 | (not set) | Violin and Keyboard |