Titles
Showing 17,561-17,576 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 17561 | FFD8A558-8BC9-4F17-AE65-CE8021A96694 | B552 | Ten Duets from Metodo Progressivo | The "Ten Duets" in this edition constitute the third volume of the prize winning "Metod Progressivo per Clarinetto" by Gaetano Labanchi. The Lanbanchi duets, like the studies in the second part of his Method, are representative of the Italianate "bel canto" vocal style. Highly florid, ornate and lyric, they require a superior, easy command of the instrument, extending both tonal and finger/articulation technique to artist levels. | Clarinet | |
| 17562 | FFD9DD5F-EEA1-477E-9A18-3424AD702D17 | 10620489 | Six Poems | These Six Poems composed for Solo Vibraphone by Robert Stright won 1st Prize in the 1990 Percussive Arts Society (PAS) Composition Contest. Compositionally, symmetry is the guiding principle behind the melodic tunes, chord structures and overall form. Technically, the pieces are designed to satisfy the players' desire that the music "feel good under the mallets." | Vibraphone Solo | |
| 17563 | FFDAD761-423C-4DF7-9BC2-0181608EB3FE | M159991 | Nocturne in D Major (Premier Nocturne) | Though alternately titled "Premier Nocturne," this work for solo piano in D major is actually Georges Bizet's 2nd NOCTURNE, the first having been written more than a decade earlier, and in the key of F. Though Chopin is certainly most well-known as a composer of nocturnes in the 19th century, this work by Bizet is also counted among the best written in that era. Reprint edition. | Piano Solo | |
| 17564 | FFDAF802-A8D6-4DAE-900E-92F7BA77A3CD | 50250043 | Minuet from Symphony No. 103 | This is Haydn at his melodic best. The orchestra navigates several tempo changes while evoking the elegance and grace of this dance-like minuet. | String Orchestra | |
| 17565 | FFDF2310-1FE5-4BE4-BB60-BEE4B29BBD1B | MP815201 | Moon Rain and Memory Jane for Soprano and 2 Celli | Movements: 1. Why We Die, 2. Child's Game, 3. To My Father, 4. Dust, 5. Mourning for the Queen of Sunday, 6. Endless Life | Soprano and 2 Celli | |
| 17566 | FFE25B18-1191-412B-BC2A-2D367F86D871 | ST108 | Egyptian Suite, An | Stuart Scott's Egyptian Suite, op. 33, was dedicated to Jane Rowland. This advanced, unaccompanied flute solo references the 4th dynasty of the ancient Egyptian Empire. This dynasty included the great pyramid builders at the zenith of the "Old Kingdom" in power and art. Movement titles: 1. Khufu, 2. Sphinx, 3. Khafra | Flute Unaccompanied | |
| 17567 | FFE34287-07FD-4FF3-A270-BA058FC53C87 | M373991 | Let Freedom Ring | Easily accessible quintets for any group. Includes: The Star Spangled Banner, America the Beautiful, My Country 'Tis of Thee, When Johnny Comes Marching Home and more! | Brass Quintet: 2 Tpt, Hn, Tbn, Tuba or BsTbn | |
| 17568 | FFE69ABB-6296-442E-AC3E-6D7074415B5C | LV121CB | Chorale and Invention | (not set) | Concert Band | |
| 17569 | FFE76101-9DDA-4482-84AA-EABA378E9677 | V74 | Texas My Texas | Piano/vocal | ||
| 17570 | FFEC8B3D-3F9D-4F5C-B94A-B17755E711C5 | 50130008 | Revenge of the Dust Bunnies (flex band arrangment) - Digital Only | Beware the terror that lurks under the bed! In addition to being a very clever selection for your students, this is really great teaching material for your first or second year band. Trombone glissandi, a clever melody, and scary percussion effects, including an electric vacuum cleaner (to get those little 'guys') will make this a real hit. This new arrangement for flexible instrumentation was created by Clarence Barber. | Flex Band | |
| 17571 | FFEDA82E-241B-4D68-934D-3E2A84118D21 | A848502 | The Three Cornered Hat: Three Dances from Part 2 (El Sombrero des Tres Picos) | The Three-Cornered Hat is a two-act ballet by Manuel de Falla that was commissioned by famed ballet impresario Sergei Diaghilev and premiered in 1919. Incorporating Spanish dance rather than classical ballet style, the music uses traditional Andalusian folk music in telling the comedic story of a miller and his wife’s encounter with a dandified, but lecherous, magistrate. The Three Dances in this suite arranged by de Falla are taken from the second act of the ballet. Instrumentation: 3(3rd dPicc).2+EH.2.2: 4.3.3.1: Timp.Perc(5): Hp.Clst.Pno: Str (9-8-7-6-5 in set). | 3(3rd dPicc).2+EH.2.2: 4.3.3.1: Timp.Perc(5): Hp.Clst.Pno: Str (9-8-7-6-5 in set) | |
| 17572 | FFEFBB56-2177-463F-8C31-BFDA1C96AEB6 | ST5 | CANTICLE (OUT-OF-PRINT | |||
| 17573 | FFF04FDD-D82A-40B9-9024-E0255DFDADC7 | SU117 | Alleluja (from Exsultate Jubilate), K165 | (not set) | Flute | |
| 17574 | FFF1F526-4007-4F4B-A66E-D88040B7BD27 | R00058 | Open and Shut No. 5 from Uses of Music in Uttermost Parts | |||
| 17575 | FFF41990-AB1D-41E5-9679-A36DEDF1EF8C | V46 | Lone Star (Noel, Noel) | Piano/vocal | ||
| 17576 | FFFA362A-9DFB-48E3-90FB-DC784D7E5F64 | 10100310 | The Directorate March | Composed after his long stint as director of 'The President's Own,' the United States Marine Band, this Sousa offering was finished following the St. Louis Exposition of 1893. This well-edited edition is an extremely playable rendition, well within the capabilities of groups from high school to professional levels. Rather than challenging technical demands, the well-articulated parts and researched performance style give an accurate road map for a successful Sousa performance. | Concert Band |