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17381FD260CF7-55CD-4A64-B00E-17EB265B1A50A198802Zigeunerweisen (Gypsy Airs), Op. 20Written by Pablo de Sarasate (1844-1908) in 1878, Zigeunerweisen (Gypsy Airs), Op. 20 is a favorite among violin virtuosos, having been recorded many times, including by Sarasate himself. Some of the themes thought to be of Romani (gypsy) origin are actually Hungarian, but this was a common mistake by composers of the time, and the work is no less thrilling for it. Premiered in 1878 in Leipzig, the showpiece is divided into four sections that are performed with no pause. Instrumentation: 2.2.2.2: 2.2.0.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Violin. Study score.2.2.2.2: 2.2.0.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Solo Violin
17382FD2A70D2-2041-41EC-B43D-0054671CCF20A115002Concerto Grosso, Op. 6, No. 1 in G, HWV 319George Frideric Handel's (1685-1759) Concerti Grossi, Op. 6 (also Twelve Grand Concertos, HWV 319-330), are a collection of twelve concerti grossi for two violins and cello with an accompanying four-part string orchestra and harpsichord continuo, and they are among the best examples of the Baroque concerto grosso. Modeled more on Arcangelo Corelli's concerto da chiesa and concerto da camara than on Antonio Vivaldi's three-movement form adopted by J.S. Bach, these 1739 works were composed to be performed during the intermissions of Handel's oratorios. Among the twelve Concerto Grosso can be found a mixture of original music and music borrowed from other works by the composer. No. 1 in G Major, HWV 319, borrows from the overture of Handel's Italian opera Imeneo, reworking it completely for the first movement. The fifth and final movement also quotes liberally from Domenico Scarlatti's Keyboard Sonata in G Major, K. 2. Instrumentation: Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc. (2 oboes were later added by Handel, and those are included in Kalmus number A7858, critical edition.) This urtext edition has been edited by Wilhelm Weismann.Str (2-2-2-1-1 in set): Hpchd (in set): Soli Vn(2).Solo Vc
17383FD2CC7AC-7D9E-4AD6-9D14-D0876785F288X940018Two Harvard MotetsTwo Harvard Motets (2000) for SATB choir unaccompanied were written for and are dedicated to Murray Forbes Somerville (organist and choirmaster at Harvard University) and the Harvard Morning Choir. I. In Thanks of Life is a brief anthem setting of a prayer that focuses on one of the key truths of the Christian faith. The text is by Peter J. Gomes, Plummer Professor of Christian Morals and the Pusey Minister in the Memorial Church. II. The Eternal Dove is a brief anthem setting of a text by Joseph Beaumont (1615–1699). The musical language contrasts the sound of “open” intervals of 4ths and 5ths with the “close” intervals of 2nds, 3rds, 6ths, and 7ths. The text is set in two strophes and a coda based on rising 5ths— harmonic twists appear as it soars harmonically upward.SATB Chorus
17384FD2ED9E4-4BF3-441F-8950-A6BE97EB814ER00919Lyric for StringsLyric for Strings was composed in 1946 and was originally the second movement of my first string quartet. After a brief introduction, the principal theme that permeates the entire work is introduced by the first violins. A static interlude is followed by successive imitations of the theme that lead to an intense climax. The final section of the work presents a somewhat more animated statement of the same thematic material. The coda recalls the quiet interlude that appeared earlier. - George WalkerString Orchestra
17385fd317cf3-9e39-11f0-a418-0022482c9682A717202Concerto for Violin in A minor, Op. 53/B. 108 (Critical Edition)In 1879, Antonín Dvo?ák (1841-1904) was commissioned by Simrock, his publisher, to write a violin concerto. He dedicated his CONCERTO FOR VIOLIN in A Minor, Op. 53/B. 108, to Joseph Joachim, who had provided him with valuable advice on how to write the solo part. It premiered in Prague on October 14, 1883, with František Ond?í?ek as the soloist. Although Joachim remained critical of the work, it has since found a permanent place in the repertoire for its Slavic verve and attractive lyricism. Instrumentation: 2.2.2.2: 4.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Vn not inlcuded. Reprint of the critical edition completed by Dvo?ák expert Otakar Šourek.2.2.2.2: 4.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Vn not inlcuded
17386FD3403C4-4611-490C-A425-A64F6EA44EF2LV448PTSTING RAY
17387FD35552A-1D2F-44E5-A2CB-0D6D5C9DD6F6SO80CNavajo Ceremonial Dance(not set)String Orchestra
17388FD37A5D2-021D-44B5-AC35-BBBD097CDB71A907290Golden Years, TheLeroy Anderson (1908-1975), ever-popular in the concert hall for his light orchestral pieces, found a great musical ally in the Boston Pops Orchestra under its director, Arthur Fiedler. Premiering many of his works, they introduced to the world such gems as SLEIGH RIDE, JAZZ PIZZICATO, and The SYNCOPATED CLOCK. On May 31, 1962, Anderson completed his miniature THE GOLDEN YEARS, creating versions for string orchestra and full orchestra. He conducted the first performance in-studio for his last Decca album on June 19. Shortly after, he transcribed the work for concert band and solo piano. Instrumentation: 2+Picc.2.2.2: (3sax opt.): 4.3.3.1: Timp.Perc(1): Hp.Pno(opt.): Str (9.8.7.6.5 in set).2+Picc.2.2.2: (3sax opt.): 4.3.3.1: Timp.Perc(1): Hp.Pno(opt.): Str (9.8.7.6.5 in set)
17389FD3A281D-3361-42EF-BE80-6E30749FABC6D8140017 Songs: Aria de Bettina from the opera Don ProcopioVoice, Piano
17390FD3C482C-D999-4248-B0CC-CEDDB9B85656S578MBEyes of TexasThis version of the famous song is as played by The University of Texas Longhorn Band, and was arranged for marching band by Vincent R. Di Nino, Glenn A. Richter, and Tom C. Rhodes.Marching Band
17391FD3FCDDB-E83F-4163-92B1-50DFC15EDC66M320591Fanfare De Chasse4 Horns
17392FD415DF8-801D-4C2E-B215-00560C6A1A40R00249Zu Wissen Was Kein Engel Weiss1(d Piccolo, Alto Flute).1.A Clarinet(d Bass Clarinet).0: 2.2(2d Flugelhorn).1.1: Percussion(2).Tape(4-channel).Harp: 2 String Quintets (2.2.2.2.2)
17393FD4485DD-11F2-425F-9C13-8EB931A7C0C4S511029Ernst Hungarian Airs Op. 22 with Sevcik Op. 16 No. 42 Analytical ExercisesHeinrich Wilhelm Ernst was the most famous violinist in the world at the time of Paganini's death. As a composer, he is chiefly known for his virtuoso pieces such as these "Hungarian Airs." His music was in the standard repertoire into the early part of the 20th Century but was forgotten for many decades. With the advent of the cd, the Ernst's compositions have been recorded and have begun re-emerging into the standard repertory. This edition unites a critical urtext violin part by Stephen Shipps with the piano score and Otakar Sevcik exercises specific to this important virtuoso work.Violin, Piano with Analytical Studies
17394FD461DC8-8A99-4164-B6E9-750FBF449B6CM984990Night on Bald Mountain, Critical EditionThis is one of the most dramatic works in the symphonic repertoire! Whether you have seen Fantasia or not, one listen and this music strikes you as frightening and powerful! As true to the original as possible, this arrangement makes this thrilling music playable by your medium advanced level orchestra. A concert closer! Newly engraved and edited edition by Carl Simpson, part of the Concert Masters Series. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set).2+Picc.2.2.2: 4.2.3.1: Timp.Perc(3): Str (9-8-7-6-5 in set)
17395FD4D6B30-CB1E-4E4F-BB53-56F3A9ACBC66WM13140Guitar Album IThe following works have been compiled and arranged by Angelo Musolino for this guitar collection: I. Chanson (P. Certon); II. Galliarde (M. Praetorius); III,. Courante (Anonymous); IV. Bouree (J. P. Kirnberger); V. Gavotta con variazioni (G. F. Handel); VI. Sonatina in C (M. Clementi); VII. Waltz, No. 10 (F. Chopin); VIII. Lento (F. Chopin)Guitar Solo
17396FD551457-C42E-4E8C-967D-CA6FDC265B2ESS497Sonata for Alto Saxophone, Op. 20This is a three movement sonata that is published in the Contemporary Saxophone Series.Alto Sax and Piano
17397FD57AE28-3BC6-420E-B3CB-0E212FBEF0C410540466Happy SongOffering both clear dynamic, artiluation contrasts, and a great melody, all within the playable range of a new student, this work is perfect for a young musician's first recital or contest. The piano accompaniment can also be performed by a one or two year private study middle-school level piano player. And the variety of solo instrument parts makes it possible for one student to accompany many different students. A prepatory "warm-up" exercise for young acccompanists is printed on the last page of the piano part. Instruments available from the publisher: flute, clarinet, bassoon, saxophone (alto and tenor), cornet/trumpet/baritone T.C., horn, trombone, baritone B.C., tuba, and electronic keyboard.Baritone B.C. Solo and Piano
17398FD624A3A-3FEB-4155-A1C0-3D85277D879150100198Birthday FellowWhether the celebration is a solemn, serious event or filled with hilarity and laughter, this arrangement of Happy Birthday and For He's a Jolly Good Fellow is just what the doctor ordered.Concert Band
17399FD6301E1-6D97-41A4-A6E5-A5AE3C4F9F4010470337Dancing Silhouettes for Baritone Saxophone and PianoBaritone Saxophone and Piano
17400FD66BA48-19B6-4352-B7E4-3C29D4F0265DS941CBMill City SketchesThis adventerous tone poem for wind band was inspired by some of America's early entrepreneurs during the Industrial Revolution. It chronicles the bustling beginnings of the flour industry in Minneapolis, the catastrophic explosion of the Washburn A Mill, the rebuilding period, and the final return to productivity.2x6.2.2x6 + 1x2 Bcl.2x1: Saxes 0.2x2.1x2.1x1: 2x4.2x2.2x3.3/2 Euph:6: Timp.5x1 Perc