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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
17461FE80A09F-D252-4B4E-B6E2-8D065E503AEBA769302Gianni Schicchi (original orchestration)2+1, 2+1, 2+1, 2 - 4, 3, 3, 0, timp, perc, hp, cel, str (2.2.1.1.1)
vocal soli (15 roles, SSSAATTBBBBBBBB)
17462FE85F1B6-202E-4B5E-B70B-07D885A0547AA935090Pastoral Symphony (Symphony No. 3)Completed in 1922, Ralph Vaughan Williams' (1872-1958) inspiration for his PASTORAL SYMPHONY (SYMPHONY No. 3) came during World War I after hearing a bugler practicing and accidentally playing an interval of a seventh instead of an octave. Though this symphony is the least performed of Vaughan Williams, it has gained the reputation of being a subtly beautiful elegy for the dead of World War I and a meditation on the sounds of peace. It premiered in London on January 26, 1922 with Adrian Boult conducting. Reprint edition. Instrumentation:3(3rd d.Picc).2+EH.3(3rd d.BCl).2: 4:3:2+BTbn.1: Timp.Perc(2): Clst.Hp: Str (9.8.7.6.5 in set): Solo Sop or Ten. Reprint edition.3(3rd d.Picc).2+EH.3(3rd d.BCl).2: 4:3:2+1(BTbn).1: Timp.Perc(2): Clst.Hp: Str (9.8.7.6.5 in set): Solo Sop or Ten
17463FE86D1F0-8D9E-455D-8B3C-7DFFC518916B52793279Cello Accompaniments 3(not set)Cello Duet
17464FE898E4E-5713-42CE-9807-33BA48A1C28C20548606Four Leaf Clover(not set)Tuba Quartet
17465FE95C260-27FD-4F0E-A55F-B8C887E47560SU197Cinco CancionesFive songs evoking Latin American traditional styles such as the Son, Ranchera and Choro where emphasis is on flute with guitar and other plucked string instruments. Movement titles: 1. El Vaquero (The Cowboy), 2. La Morena (The Cinnamon-Skinned Woman, 3. Las Montanas (The Mountains), 4. Las Olas (Waves), 5. El Pajarito Rojo (The Little Red Bird).Flute Duet and Guitar
17466FE96E23F-5910-451E-968E-7A33D7ECA625M912102Hungarian March (Rakoczy March) for BandConcert Band
17467FE99A4F9-620A-4B28-BA2E-187BE15A2B7110100128King's Musicians, TheConcert Band
17468FEA3E74D-1322-4CEB-BB65-90FB417DCF39A328602Concerto Grosso in A, Op. 2 No. 6While Italian Baroque composer and violinist Francesco Xaverio Geminiani (1687-1762) has now largely been forgotten, during his lifetime he was considered on the same tier as Handel or Corelli, whose contrapuntal style he emulated. Compositionally, he is best known for three sets of 42 concerti grossi (a term made famous by Corelli): Opus 2 (1732), Opus 3 (1733) and Opus 7 (1746). These were written for an English audience excited by the 'Corellian' style, despite the rest of Europe then adopting the fashionable galant style. These concerti grossi proved very popular on performance and were published quickly in London. The collection of Six Concertos (Concerti Grossi), Op. 2 were written first in 1732, but were revised by Geminiani in 1755. This edition of Concerto Grosso in A, Op. 2, No. 6 has been edited by Hans Joachim Moser, and it features combined ripieno and concertante string parts (4-4-3-3-3* in the set) into each instrument part and a realized cembalo/harpsichord continuo. (*The bass was included in the work, but extra violoncello parts are included should orchestras wish to have basses double the cello.)(Ripieno/Concertante parts combined): Str (4-4-3-3-3* in set): Concertante: Vn(2).Va.Vc: Hpchd in set (*The bass was included in the work, but extra violoncello parts are included should orchestras wish to have basses double the cello.)
17469FEA40746-D81D-418A-AB99-8EE4791CF8A9A633702Three Marches, K. 408These Three Marches, K. 408 (K. 383e [No. 1], K. 385a [No. 2], K. 383f [No. 3]) were composed for orchestra by Wolfgang Amadeus Mozart (1756-1791) in 1782. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set).2.2.0.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set)
17470FEA5C32B-E17A-4426-B47C-D9214E265725EBM0610084Sinfonia FilofonicaPlease inquire for more information(not set)
17471FEA8818C-D1E1-4C59-943C-8EFB81620450X245002Taps for Tubas2 Euphoniums, 3 Tubas
17472FEACDB5C-FDDA-4473-9919-B510804778EDSS234Concerto in D, K314This traditional Classical interpretation of the Concerto in D, K. 314 (285d), for flute and orchestra is by Ary van Leeuwen, and also included three cadenzas by Joachim Andersen and three cadenzas by Johannes Donjon.Flute
17473fead4bfb-9e39-11f0-a418-0022482c9682A722402Symphony No. 60 in C ‘Il Distratto’ (Hob. I:60; critical ed.)Franz Joseph Haydn’s (1732-1809) SYMPHONY NO. 60 IN C MAJOR, "IL DISTRATTO" ("THE DISTRACTED"), Hob. I:60, premiered in 1774 as incidental music for the comedic play LE DISTRAIT by Jean-François Regnard. Structured in six movements, the symphony is an inventive blend of theatrical flair and symphonic form, showcasing Haydn’s wit and creativity. It is filled with musical jokes, including abrupt key changes, a mock-serious slow movement, and famously, a false start in the finale where the violins abruptly stop to re-tune. The symphony stands as one of Haydn’s most experimental and theatrical. While not as frequently performed as his later London symphonies, it remains a favorite among orchestras and audiences for its cleverness and charm, embodying Haydn’s role as a pioneer of musical wit. Instrumentation: 0.2.0.1: 2.2.0.0: Timp: Str (4.4.3.3.3 in set). Reprint of the critical edition by H.C. Robbins Landon.0.2.0.1: 2.2.0.0: Timp: Str (4.4.3.3.3 in set)
17474FEAFA8E8-1524-4EBF-B2D4-A353D827967BX511011Nina BluesinaComposed for Nina Beilina.Violin, Piano
17475FEB04706-D207-45CF-AFD4-6CF9AF514CF2S128Band Of Bands (out-of-print)Marching Band
17476FEB0A83B-8002-4441-AF3D-893618603907X410107Variations on Madam I'm AdamThis six minute work can be performed as a four-hands duo or solo. Though conceived by the composer as a companion piece following his short "Three Little Duets" for piano, it can be performed independently as well.Piano
17477FEB80CB2-6973-4D7D-9263-A270DE37EBD852732095Five Renaissance Dances(not set)Cello Trio
17478FEB86735-7D90-4018-B28F-6E605A167B13A889102Don Quixote: Pas De TroisLudwig Minkus (1826-1917) was a Jewish-Austian composer of ballet music, spending most of his career as the official Composer of Ballet Music to the St. Petersburg Imperial Theatres in Russia. Over the course of a long career, one of his most celebrated compositions was the score for DON QUIXOTE, originally written in 1869 with four acts for famed choreographer Marius Petipa, then expanded in 1871 into five acts. This "Pas de Trois" has been orchestrated by William McDermott. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.3.0: Timp.Perc(1-2): Pno(opt.) Str (4-4-3-3-3 in set).2(2nd dPicc).2.2.2: 4.2.3.0: Timp.Perc(1-2): Pno(opt.) Str (4-4-3-3-3 in set)
17479FEB99B7E-D377-429B-B144-47D69820CCCES848CBWinds of Enchantment(not set)Concert Band
17480FEBCF2E2-1985-4ED6-8D14-CF4760DAC338B577Arias for Flute and PianoSir James Galway first came upon Gilbert and Sullivan’s wonderful operettas while playing with Sadler’s Wells Opera orchestra, which later became the English National Opera. His fondness for good tunes, with which the G&S operettas abound, led to this collection, created with longtime collaborator and arranger David Overton.

The Gilbert and Sullivan arrangements are divided into separate albums, as some of the songs are best suited to solo flute and piano, some for two flutes and piano, and some lend themselves to a flute choir.

This volume for flute and piano contains:
• A wand’ring minstrel l (Mikado)
• ""On a tree by a river (Mikado)""
• Poor wand’ring one (Pirates)
• ""Take a pair of sparkling eyes (Gondoliers)""
• The flowers that bloom in the spring (Mikado)
• The sun whose rays (Mikado)
• When a merry maid marries (Gondoliers)		Flute, Piano