Titles
Showing 17,401-17,420 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 17401 | FD673FA3-18CB-41AC-B371-44E71A705704 | M347591 | Four Songs, Op. 56 for High Voice | These four early (1904) songs by the great American composer, Amy Beach (1867-1944), are original compositions (Autumn Song) and settings of texts by Florence Earle Coates (Go not too far, I know not how to find the Spring), and William Black (Shena Van). | High Voice and Piano | |
| 17402 | FD675BA9-FF07-4E46-97BA-59B9CD298B38 | R01036 | A Little Miracle for Mezzo-Soprano and Chamber Ensemble | (not set) | Mezzo-Soprano Solo 1(d Piccolo)+Alto Flute(d Piccolo).1+English Horn.1+Bass Clarinet.2: 2.2.0.0: Percussion.Piano.Harp: Strings | |
| 17403 | FD6DAFB6-F964-4FA4-AA4E-7D6471961F6A | M179591 | Old Organ Masters of the 15th and 16th Century | (not set) | Organ | |
| 17404 | FD76AB30-E7D1-463F-B246-7FBE26A397EE | SC224 | Tho' I Am Young | Satb | ||
| 17405 | FD772268-7AA6-421C-9442-B2B951A73F85 | X077070 | Diluvial from Illuminations: Symphonic Fragments after Rimbaud | 3(2d Piccolo, 1d Alto Flute).2+English Horn.3(1d E-flat Clarinet, 1d Bass Clarinet).2+ContraBassoon: 4.3.3.1: Timpani.Percussion(4).Piano.Celesta.Harp: Strings | ||
| 17406 | FD78AFA4-977E-40BF-8896-E3D75FBBD8F8 | A766702 | Rhapsody-Concerto, H. 337 for Viola and Orchestra | Bohuslav Martinu wrote the RHAPSODY-CONCERTO FOR VIOLA AND ORCHESTRA, H337, as a commission from the Ukrainian-American viola player Jascha Veissi. Composed in the spring of 1952, the concerto marks his final stylistic transition into neo-Romanticism. The work premiered on February 19, 1953, with Veissi as the soloist and George Szell conducting the Cleveland Orchestra. It has since become one of the most frequently performed viola concertos of the last century. Instrumentation: Solo Va: 2.2.2.2: 4.2.0.0: Timp.Perc(1): Str (9.8.7.6.5 in set). | Solo Va: 2.2.2.2: 4.2.0.0: Timp.Perc(1): Str (9.8.7.6.5 in set) | |
| 17407 | FD83F283-0EB0-42E8-A4E4-FFF16B3C2708 | 50100228 | County Line March | Fresh, invigorating, and creative all describe this grade 2 march from Doug Bradley. Ranges and rhythms are conservative and only some chromaticism pushes this to the grade level. It is an excellent opportunity to teach cross fingerings to the clarinets. | Concert Band | |
| 17408 | FD8779F4-2207-4EEA-BF18-4FB9A8E79601 | SU263 | Im Tiefsten Walde | Heinrich Kaspar Schmid (1874-1953) was a German composer (student of Ludwig Thuille), pianist, and educator. A prolific composer of the neo-Romantic style, his works include masses, choral music, piano pieces, chamber music, and lieder. He also concertized on the piano throughout Europe, and became director of several prestigious conservatories. IM TIEFSTEN WALDE (In the Deepest Forest) is one of five tone poems originally written for solo winds that comprise Schmid's Opus 34. It was composed in 1920, and was dedicated to Josef Suttner, solo hornist at the Music opera, and teacher of horn at the Munich Hochschule. Edited by Thomas Bacon, versions for horn, cello, trombone/euphonium/bassoon, tuba, and tenor saxophone are available from the publisher. | Tuba | |
| 17409 | FD8B4437-6DDC-4C31-8BB3-8B9D7A75FAC6 | TC140A | Verbum Caro Factum Est | Much of the so-called "a cappella" music of the late 16th and 17th centuries can be enhanced by the addition of instruments to double the voices or substitute for some of them, a practice suggested by many of the composers themselves. Because of its rhythmic structure and antiphonal effects, Hassler's VERBUM CARO FACTUM EST offers a fine opportunity for the conductor to employ such doublings. The set of instrumental accompaniment parts are available separately from the choral score. | Six-Part Chorus of Mixed Voices (SSATTB) with Insturments (opt.) | |
| 17410 | FD8C3D0A-2402-404F-A6ED-698C1F125571 | SU820 | Swans on the Alpsee for Flute, Alto Flute and Piano | This atmospheric duet with piano accompaniment was commissioned by La Cote Flute Festival. Versions for two flutes and flute and alto flute are available from the publisher. | Flute, Alto Flute and Piano | |
| 17411 | FD9170C5-DBDB-4301-9847-473A3E0F1D0B | M173291 | Young Man's Exhortation | (not set) | Tenor Voice and Piano | |
| 17412 | FD98CB07-33C3-4F3F-93F1-DBFD295AC06A | S106001 | Sextet | Among Poulenc's most enduring and popular works. | Woodwind Quintet, Piano | |
| 17413 | FDA7D4A6-3D9B-4E88-A89F-DD88AEC374DB | M294091 | Cipressi | (not set) | Solo Piano | |
| 17414 | FDA9C186-0066-4D8E-9519-9C1B20FEC80C | 50394004 | Renaissance and Baroque Suites, vol. 1 - Eb | This collection of three suites of flexible quartets, playable on any four instruments, have been arranged from works written by Renaissance and Baroque period composers. Works by the following composers include: William Byrd, Jean M. Hotteterre, Carlo Verardi, Pierre Attaignant, Claude Gervaise, John Playford, Juan del Encina, Francesco Geminiani, and Emmanuel Adriaenssen. Books for all instrument keys and clefs are available from the publisher. This is the first of three volumes of progressive flexible quartets, with ten total suites included across all three volumes. | Flexible Quartet, Eb | |
| 17415 | FDAABCBB-F44D-4A45-BE9D-5B706F834615 | SC317 | Lord, Thou Art Holy | 2 Part | ||
| 17416 | FDAE7382-D78F-408B-A692-915309750E5A | 52710422 | What Wondrous Love for Violin and Piano | (not set) | Violin and Piano | |
| 17417 | FDB29095-1B60-43B7-98E2-4FCD349C9951 | X826201 | Cow Music | KOFOMI Festival, Mittersill, Austria. On KOFOMI #13 CD | Alto Recorder, Violin and Two Men’s Voices | |
| 17418 | FDB6D585-F8B5-4BD9-A365-9A4BFCA1C8D6 | ST878 | Sonata in e Minor, K304 | Originally written for violin. | Viola/Piano Acc. | |
| 17419 | FDB72026-6D98-4A5F-B903-E4E4549ADF44 | 50100331 | Conflict of Wills | Teaching points abound in this exciting work, but technique does not get in the way. Some eighth note/eighth rest counting spices things up and a wider than usual array of percussion instruments adds to the mix. Bold, scintillating, and enjoyable, Conflict of Wills can open or close your concert with a bang! | Concert Band | |
| 17420 | FDC0B5A4-5CEF-4BAD-8DC5-81A6572839EE | EBM220276 | Aphorisms | Dedicatee, Garry Evans, clarinet and Gabriel Bita, piano (World Premiere, March 27, 2007). Movements: 1. Pensively, 2. Liltingly, 3. Furiously, 4. Very Slow and Reflective, 5. Smithville/July (Boisterously) | Clarinet, Piano |