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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
17361FCEF2377-C757-4978-94E8-61401E125117F53Football Worksheet, 8 to 5 (pad of 50 sheets)Drill Design
17362FCF0E5BB-DC68-463C-90B1-9D8365CD5AB110620383Star SteppingStar Stepping by Steve Kastuck is for the intermediate vibraphone player. The name comes from the step movement in the upper notes. This is the perfect piece for your festival or recital.Vibraphone Solo
17363FCF1630B-A3AF-4BDE-89A4-26D37A0E9FEBS283MBImpact(not set)Marching Band
17364fcf4e1ab-9e38-11f0-a418-0022482c968220250032AntarcticaHarmonics evoke an image of the desolate continent of Antarctica. Then a sweeping and majestic melody is used to describe the vast expanses of astounding beauty. Very nice.String Orchestra
17365FCF5BD8A-0E1B-453A-B276-51DE936FFC32M324191Esquisses, Op.63 Suite 2(not set)Solo Piano
17366FCF67974-1E15-4CBC-A401-8923A4C7DF48SC649What Do the Stars Do?(not set)Sa
17367FCF94ED6-D71B-4E2C-BA2F-633EC9F20E33A817902Symphony No. 2 in F-sharp minor, Op. 9 'Antar' (1897 version)First written in 1868 by a young Nikolai Rimsky-Korsakov (1844-1908), this orchestral suite was originally titled his SYMPHONY No. 2 by the composer, though it was always a programmatic telling of the 'Antar' story. After numerous revisions, Rimsky-Korsakov determined to no longer refer to the work as a symphony at all, but rather as a suite, saying, "The term 'suite' was then unfamiliar [when he initially wrote the work] to our circle in general, nor was it in vogue in the musical literature of western Europe. Still, I was wrong in calling 'Antar' a symphony. My 'Antar' was a poem, suite, fairy-tale, story, or anything you like, but not a symphony. Its structure in four separate movements was all that made it approach a symphony." This confusion and arguments with the publisher about revisions to the plates resulted in four different versions. This version from 1897 is the third, though it remained unpublished until 1913. It is thought to be the version most reflective of the composer's final thoughts on the work, referring to it as a "symphonic suite" rather than a symphony for the first time. (The version from 1903 is not considered final as the publisher refused to make significant alterations to the 2nd or 1875 plates with the 1897 revisions, resulting in a compromise between the publisher and composer for the final iteration.) Instrumentation: 3(3dPicc).2(2dEH).2.2: 4.2.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set).3(3dPicc).2(2dEH).2.2: 4.2.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set)
17368FD0A9A91-3184-4D74-A29B-D6770E0D9082M361891Fantaisie, Op.95(not set)Harp
17369FD0AD856-C02B-424A-9F3A-726FFCFB527ASC119Freedom, FreedomTb
17370FD126015-5206-4250-AA2F-EA4C8AF97CF0SS737Cat's Fugue (out-of-print)Trombone
17371FD14369E-FAE2-429E-B4A4-B4A2A4992056X652501At the Still Point, There the Dance Is: Quintet for Clarinet and StringsAmong a series of chamber works paying tribute to T.S. Eliot's "Four Quartets," the titles quoting the enigmatic lines of verse.B-flat Clarinet Solo, String Quartet
17372FD14A764-5138-45F8-9FA7-3B4922A11A72EBM0610220American Rhapsody��American Rhapsody� is a very beautiful, even sublime single movement romance for violin and orchestra�it could easily become standard American repertoire for violinists��

American Record Guide (January-February, 2013)

This 10-minute romance for violin and orchestra is featured on Kenneth Fuchs�s acclaimed 2012 CD, Atlantic Riband. [�5 stars� � BBC Music Magazine] The new publication is the violin solo and piano reduction, which makes for an excellent recital piece.		Solo Violin, 1.EH.1.1: 1.1.1.0: Perc(2): Hp: Str
17373fd1d3fa7-9e39-11f0-a418-0022482c9682A717102Symphonic Variations, Op. 78/B. 70 (critical ed.)Antonín Dvo?ák (1841-1904) composed SYMPHONIC VARIATIONS, Op. 78/ B. 70 in 1877. Written as a challenge set for Dvo?ák by a friend to write variations on theme that seemed impossible, the composer selected a movement from his work for unaccompanied male voices, SBOROVÉ PÍSN? PRO MUŽSKÉ HLASY, B. 66, as the theme - the third from the set titled JÁ JSEM HUSLA? (I am a fiddler). The work includes the theme statement, followed by 27 variations before the Finale. It premiered on December 12, 1877, by the Provisional Theatre Orchestra in Praque, Ludevit Prochazka conducting, and the work is still commonly programmed today. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.3.0: Timp.Perc(1): Str (9.8.7.6.5 in set). Reprint of the critical edition by Otakar Šourek, Ji?í Berkovec, and František Bartoš.2(2nd dPicc).2.2.2: 4.2.3.0: Timp.Perc(1): Str (9.8.7.6.5 in set)
17374FD1D43AA-1288-420D-A268-7B5F59A8ED92E112602Sleeping Beauty, The, Op. 66: Waltz No. 6The Sleeping Beauty ballet in 3 acts, which tells the story of conflicting forces of good and evil, incorporates various fairy-tale characters from the Brothers Grimm and French fairy tales. Tchaikovsky's (1840-1893) longest ballet, the work was met with a favorable response following the January 15th, 1890, premiere at the Imperial Mariinsky Theatre in St. Petersburg, but the composer would not live to see the work become the mainstay of the ballet repertoire that it has enjoyed for over one hundred years. The popular Waltz, No. 6 from Act I, takes place as the introduction to Princess Aurora as a dance on her sixteenth birthday. Instrumentation: 2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set).2+Picc.2+EH.2.2: 4.2+2.3.1: Timp.Perc(1): Str (9-8-7-6-5 in set)
17375FD216676-F691-4FA8-905A-803C7B57F6D6LV118CBCarnival Day OvertureThis piece is part of the Music Your Band Can Play series, a series dedicated to providing familiar folk songs, carefully selected and properly arranged for the elementary band program, in an effort to maintain and increase interest in beginning programs.Concert Band
17376FD218F10-0F44-41F7-BD3F-6C2E1F04F4AASC202God Himself Is With UsSab
17377FD230B24-FC1D-46B7-A2ED-869C953FF3FD60810002Chants D'Auvergne, Vol. 2
17378FD23CDD4-7230-41D1-A379-799B095D1564S449Christmas Cameos (on-rental-only)Concert Band
17379FD24E44C-6B5D-453F-A4DD-AD690B4E9250LV427MBJunior Varsity(not set)Marching Band
17380FD25B810-1E51-47CA-B147-312B65A0BE21A575802Polonaise in A-flat, Op. 53In 1843, Frédéric Chopin (1810-1849) composed the well-loved and technically challenging POLONAISE in A-flat Major, Op. 53. Its subtitle "Heroic" has its origin in a letter by George Sand in which she declared that the spirit evidenced in the work was the same as that of the French Revolution. The Polish-American pianist Arthur Rubinstein glowingly referred to it as the composition that was nearest to his heart. Reprint of this Karl Müller-Berghaus edition. Instruments: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set).2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set)