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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
17421FDC19B4A-056F-4FEE-A01C-C93157B74EB0A641502Rout, T. 14(not set)Full Orchestra
17422FDC2EEA9-C1FD-45E1-95CB-78E614AF3F3C60710001Molly on the Shore for Violin and PianoPercy Grainger's (1882-1961) love for music of the simple rural folk of the British Isles led to a series of forty-three pieces that he grouped into a series called "British Folk-Music Settings", including MOLLY ON THE SHORE, Irish Reel from British Folk Music Settings, No. 1. Grainger produced at least six versions of this folk tune arrangement of two contrasting Irish Reels (TEMPLE HILL and MOLLY ON THE SHORE from "The Complete Petrie Collection of Ancient Irish Music"), starting with the original 1907 version for string quartet or string orchestra. That same year, Grainger also produced a version for violin solo and piano, which is also available from the publisher. This wholly unique version was "freely arranged for violin and piano" by famous early 20th century violinist Fritz Kreisler, offering players already familiar with Grainger's original rendition an opportunity to approach the music in a different way. Reprint edition. Both the original Grainger version for violin and piano and the Fritz Kreisler arrangement are available from the publisher.Violin and Piano
17423FDCBC98C-7766-451A-8831-B307729CB0E2M369091Four Pieces, Ops. 1,2,4Koussevitzky's "Four Pieces" is a compilation of salon-style works written between 1906 and 1936, now commonly performed as a cycle. Movement Titles: I. Andante II. Valse-Miniature III. Mournful Song IV. HumoresqueDouble Bass and Piano
17424FDCC7322-6B08-41E4-94FB-F292886E33D6SS942Romance and ScherzoThis is a perfect recital piece for advanced flutists looking to perform 20th Century repertoire written in a contemporary idiom.Flute and Piano
17425FDE9A544-C70C-4D92-85D0-7DF77227D961SC290Behold a StarSab
17426FDECDCDD-150B-4399-8C1E-873703980115LV420MBGod of Our Fathers(not set)Marching Band
17427FDF10919-F2FD-4046-8109-B237C4B43EFC10100419Scossa Elettrica: The Electric Shock March for BandIn 1899, the Italian city of Como hosted a celebration of scientist Alessandro Volta, for whom the electrical term "volt" is attributed. Renowned opera composer Giacomo Puccini was commissioned to write a celebratory march for the occasion and this work is the result, nicely scored for band by Charles Yates.Symphonic Band
17428FDF69013-2F60-43DD-8107-D7DC3A89BD80S743CBFar Dominion(not set)Concert Band
17429FE011226-A1A6-4CB1-963D-50F8D097B8FCB494First Book Of Flute Trios(not set)Flute Trio
17430FE01511C-7A97-49D1-BEA1-2BAFFC66879BSU063Jesu, Joy of Man's DesiringA beautiful arrangement of one of Bach's most well-known melodies written as a quartet. Versions by Richard Thurston available from the publisher for other instrument quartets include: Flute, Clarinet, Saxophone (AATB), Trumpet, Horn, Tuba, Violin, Viola, and Cello.Flute Quartet
17431FE06A113-3C5F-4AF5-A992-7FD753E41365SO107CHark the Herald Angels SingIf you are looking for a grand closer for your Christmas concerts, this short yet climactic arrangement fits the bill. Following the tutti opening, the main theme enters simply stated as a quartet with one player per part on the upper four voices. Players join as the initial theme builds to a transition and key change mid-piece, now in a broader fashion, it blooms into its grandiose conclusion.String Orchestra
17432FE08A2C7-A19B-4238-8A7E-4DFD212D0FF5M365191Six Trios, Op. 8aThree Horns
17433fe0c387c-9e39-11f0-a418-0022482c9682A720102Water Goblin, The, Op. 107/B. 195 (Vodnik; critical edition)Completed in 1896, THE WATER GOBLIN (VODNÍK), Op. 107/B. 195 is one of four tone poems by Antonin Dvorak (1841-1904) based on Karel Erben’s collection of narrative poetry BOUQUET published in 1853. Written in rondo form, the piece evokes its source material with intricate detail. His method of aligning the music closely with the speech patterns of the verse was praised by Leos Janacek, who would use a similar technique in his opera JENUFA. Antonín Bennewitz conducted the premiere on June 1, 1896 at the Prague Conservatory. The first public performance took place on November 14th of that year in London. This critical edition is completed by Otakar Sourek and Antonin Cubr. Instrumentation: 2+1(Picc).2+1(EH).2(1st d. BCl).2: 4.2.2+BTbn.2(2nd opt.): Timp.Perc(4): Str (9.8.7.6.5 in set).2+1(Picc).2+1(EH).2(1st d. BCl).2: 4.2.2+BTbn.2(2nd opt.): Timp.Perc(4): Str (9.8.7.6.5 in set)
17434FE0C74E9-4AE3-44AB-9C15-7A1E6C52C923MP815102Let Evening Come for Soprano, Viola and PianoBolcom's commission was originally to write a duet piece for Metropolitan Opera stars soprano Benita Valente and mezzo-soprano Tatiana Troyanos. However, while the composition was in development, Troyanos unexpectedly died. The design was then changed, representing the late mezzo-soprano with a viola instead. The composer selected three poems about the acceptance of death for the set: I. Ailey, Baldwin, Floyd, Killens and Mayfield (Maya Angelou), II. 'Tis not that Dying hurts us so (Emily Dickinson), III. Interlude, IV. Let Evening Come (Jane Kenyon). Let Evening Come was recorded by soprano Benita Valenti, pianist Cynthia Raim and violist Michael Tree, and released on Centaur Records.Soprano, Viola and Piano
17435FE1216D7-06EE-4E31-B79A-4B2C54B8ACD9M182691Los Seys Libros del Delphin, Part 3: Romances and Villancicos (with voice); Additional VariationsLuis de Narváez (ca. 1500 - ca. 1550) was a 16th century composer and performer on the vihuela, also notable for being the first composer for vihuela to adapt the contemporary Italian style of lute music. He is best known today for Los seys libros del Delphin, a historically significant collection of polyphonic music for the guitar. Part 3 includes 18 Romances and Villancicos (with voice), plus additional variations. Edited and transcribed for guitar by Emilio Pujol.Guitar Solo
17436FE190C70-F51A-45AE-92E4-0AF10C83247BA228002Divertimento No. 1, Op. 20 (on Hungarian Folk Dances)In 1908, Leó Weiner (1885-1960) accepted a music theory teaching position at Budapest Academy. He retired as emeritus professor in 1949. Antal Doráti, Georg Solti, and János Starker studied with him during the course of his tenure. DIVERTIMENTO NO. 1 ON OLD HUNGARIAN FOLK DANCES, Op. 20 is a five-movement work for string orchestra with optional parts for piccolo, horn, and trumpet, completed in 1923. Dedicated to Fritz Reiner, it is arguably his most popular work, depicting Hungarian dance styles such as the csárdás and the verbunkos. Instrumentation: String Orchestra (8.8.5.5.5 in set): (Picc, Hn, Tpt opt.).String Orchestra (8.8.5.5.5 in set): (Picc, Hn, Tpt opt.)
17437FE1E9D97-FF66-40DE-B77B-1C926142F305SS674Bop StickSnare drum quartet
17438FE29815D-19F3-48A9-8648-48B3C1438B90SC41Geography Isn't HardTtbb
17439FE2A27AC-A343-4487-A959-2C4BAFFF656DSC611As I Was Going to Derby Town2001 TEXAS UNIVERSITY INTERSCHOLASTIC LEAUGUE SIGHTREADING FOR 4A AND 3A VARSITY MIXED (SATB) CHOIRS.Satb
17440FE2AA025-3281-4C6A-90C1-3EFA2283B08C20503228Two SpiritualsOptions include euphonium or F horn for trombone 1 and euphonium for trombone 2. Both TC and BC parts are provided. All in F and all in 2/4, the first movement is lyrical and the second is a march tempo. Contest music for young students. Spirituals include "Let Us Break Bread Together" and "O, Rise and Shine."Bb Trumpet 1 and 2, Trombone 1 (Bar. Or Horn) and 2 (Bar.)