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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
17521FF55E486-764E-4804-B077-E0641D6A730CR00576Alboradas, Op. 56 for SSA Chorus, Harp, Piano and Three Percussion(not set)SSA Chorus:  Harp, Piano, Percussion (3)
17522FF599F5F-12BC-4791-BF34-CCE1DAC6FBB2ST752DialogueWas composed at the request of saxophonists Lawrence Gwozdz and Harry White in honor of the 80th birthday of Sigurd Rascher. The duo premeried the work at a surprise informal concert at the Rascher home in New York the morning of this birthday on May 15, 1987. The brief work is set in two movements and features imitative textures suggestive of a conversation between the two saxophonists.AT Sax Duet
17523ff5d1a8f-9e3a-11f0-a418-0022482c9682M107491Elegies: Seven Pieces for the Piano, BV 249/BV 252This collection of seven ELEGIES (ELEGIEN) by Ferruccio Busoni (1866-1924) was written originally in 1907 with only six pieces as BV 249. The original six piano pieces can be played as a cycle, or played separately. When played as a cycle, the last piece (Erscheinung, Notturno) ends with a motive from the beginning of the first (Nach der Wendung), though when the sixth piece is played separately, it has a different ending. In 1909, Busoni added the seventh piece, Berceuse, BV 252. Movements: 1. Nach der Wendung; 2. All' Italia! In modo napolitano; 3. "Meine Seele bangt hofft zu Dir" Choralvorspiel; 4. Turandots Frauengemach, Intermezzo; 5. Die Nächtlichen, Walzer; 6. Erscheinung, Notturno; 7. Berceuse.Solo Piano
17524FF5E4C45-C469-43A5-97A5-F404CDAE16E5A123002Concerto for Harpsichord in G minor, BWV 1058 [Concerto for Violin No. 1 in A minor, BWV 1041 - composer's arrangement]The CONCERTO FOR HARPSICHORD NO. 7 IN G MINOR, BWV 1058, is a transcription by Johann Sebastian Bach (1685-1750) from his Violin Concerto in A minor, BWV 1041. Composed during the 1730s for one of his coffee house concerts, it is scored a whole step lower to fit the range of the harpsichord. The concerto stands apart from the Italian model in that the soloist and the ensemble, rather than competing against each other, collaborate to provide organic interest. This Kalmus edition was edited by Wilhelm Rust for the Bach-Gesellschaft Ausgabe (Bach Society Edition). Instrumentation: Solo Harpsichord: Str (2.2.2.1.1 in set).Solo Harpsichord: Str (2.2.2.1.1 in set)
17525FF5E5E68-DE15-429A-9D95-57624450A5EF16405122Auriel Variations for Woodwind Septet and Vibraphone<div>&quot;... a welcome addition to the chamber wind repertoire.&quot; (The Instrumentalist)</div>Mixed Woodwind Choir: Flute, Oboe, English Horn, Bassoon, 3 Clarinets, Vibraphone
17526FF616AEF-945E-4484-A570-812EEB7FBF16M142091Le Chant De La Terre(not set)Piano Solo
17527FF61B1B5-9767-4787-ABB3-3B52747D8CBCX505010Angel's Harp: Solo with String QuartetA superb holiday showcase for the lustrous sounds of the harp. Also available for harp and orchestra.Harp solo, String Quartet
17528FF64565F-B412-48BE-BEE5-B2586C4C3710M160991Cottage Album, Part 3: from Peches de Vieillesse (Sins of Old Age), Vol. 7While best known for his operas, Gioachina Rossini (1792-1868) did compose other music, among which is the large collection, PÉCHÉS DE VIEILLESSE ("SINS OF OLD AGE"). Composed of 150 vocal, chamber and solo piano pieces, the collection is grouped into fourteen albums, with the ordering of the works in each album not reflective of the dates or sequence of composition. Written as salon music, intended for performance in the privacy of Rossini's own drawing room, the entire collection was sold by Rossini's widow following his death in 1868. Vol. This edition of Vol. 7, titled ALBUM DE CHAUMIÈRE (COTTAGE ALBUM), is written for solo piano and includes twelve pieces across three books: M160791, M160891 and M160691. Edited by Sergio Cafaro.Solo Piano
17529FF64D59B-3FF5-43F1-A107-E32C21E98FDEA260702Messe Solennelle de Ste. Cecile (St. Cecilia Mass)Charles Gounod (1818-1893) wrote the St. Cecilia Mass (officially named Messe solennelle en l’honneur de Sainte-Cécile) in 1855 as an homage to St. Cecilia, the patron saint of music. It premiered on St. Cecilia's Day (November 22), 1855 at the church of Saint-Eustache, Paris, conducted by Théophile Tilmant, as it was customary to perform a new mass to celebrate the holiday. Camille Saint-Saëns said of the work, "The appearance of the Messe Saint-Cécile caused a kind of shock. This simplicity, this grandeur, this serene light which rose before the musical world like a breaking dawn, troubled people enormously... at first one was dazzled, then charmed, then conquered." Instrumentation: 2+Picc.2.2.4: 4.2+Crnt(2).3.0: Timp.Perc(1-2): Hp(6).Org: Str (4-4-3-3-3 in set): Vocal Soli: Mix Chor.2+Picc.2.2.4: 4.2+Crnt(2).3.0: Timp.Perc(1-2): Hp(6).Org: Str (4-4-3-3-3 in set): Vocal Soli: Mix Chor
17530FF6524B1-4DD9-42F9-82E7-5E13C9FE65FBSO137CNessun Dorma from the Opera TurandotString Orchestra
17531ff65a0ba-9e39-11f0-a418-0022482c9682A725190Molly on the Shore, Irish Reel from British Folk Music Settings, No. 1a (arr.)Percy Grainger's (1882-1961) love for music of the simple rural folk of the British Isles led to a series of forty-three pieces that he grouped into a series called "British Folk-Music Settings", including this title as No. 23. Grainger produced at least six versions of this folk tune arrangement of two contrasting Irish Reels ("Temple Hill" and "Molly on the Shore"), including this version for full orchestra which he completed in 1914. Instrumentation: 2(2nd dPicc).2.2.2: 4.2.3.1: Perc(2): Clst: Str (9-8-7-6-5 in set): Pno Cond. in set. Reprint edition.2(2nd dPicc).2.2.2: 4.2.3.1: Perc(2): Clst: Str (9-8-7-6-5 in set): Pno Cond. in set
17532FF688B5D-E304-4DF3-A93D-98DBF8B4A13CX105001Woodwind Quintet No. 1Composed 1971; duration ca. 3'.Woodwind Quintet
17533FF6D7F67-F891-430F-8410-0112DC18092ERMR7CBThe Bride-Elect SelectionFollowing the success of his operetta El Capitan, John Philip Sousa tried to create another hit with The Bride-Elect. Although it did not find the same popularity as the previous work, Sousa took some of its key melodies and compiled them into a single work for symphonic band.Concert Band
17534FF719E98-AD0B-4491-B387-46791B3FCB7BR01549Danzas for OrchestraDanzas is a suite inspired by the music of Latin America. It is a great choice for a Pops or an outdoor concert, and is playable by amateur and student ensembles, as well as professional orchestras. The work consists of three movements, each devoted to the musical culture of a different country: 1. Argentina 2. Brazil 3. Cuba. It may be performed as a whole, or individual movements may be played instead as an opener/ closer.2.2.2.2: 4.2.3.1: Timp.Perc(2): Str
17535FF7723DC-7108-438E-9493-77AB63231D1CX502005Conversations(not set)Violin, Cello
17536FF7A68ED-B3D3-468B-A26F-A6AFFF64A7FAM170391Six Quartets Vol. 1: Nos. 1-3Frederic Berr, a clarinettist who frequently worked with Rossini, transcribed the six "String Sonatas" which the composer had originally penned when he was only twelve years old. Five of these were published in Milan in 1825 or 1826.Flute, Clarinet, Horn and Bassoon
17537FF7BFCA1-E8F5-48CD-88DA-A51D89A6D8E7R126FOPrimitive Echoes for Timpani and OrchestraA three movement timpani concerto dedicated to former Principal Percussionist/Assistant Principal Timpanist of the San Antonio Symphony Orchestra, Marilyn Rife. Movement titles: I. Spirit Dance II. Ancient Whispers III. Mountain ChantTimpani Solo; 2-2-2-2; 2-2-0-0; Str
17538FF7E27A5-C091-4EEC-A6FC-6FDE185A7BC6A227802Italian (Italianische) SerenadeWritten in 1887 by notable leider composer Hugo Wolf (1860-1903), Italian Serenade was originally written for string quartet and named simply Serenade in G Major. In his ongoing attempt to set the works of poet Joseph Eichendorff to music, Wolf based this piece off of Eichendorff’s novella Der Soldat I. By 1890, Wolf began referring to the work as Italian Serenade, perhaps in reference to a small orchestra that played an Italian serenade in Der Soldat I. The quartet version of Italian Serenade was first performed in May of 1890 in Mannheim. This arrangement for chamber orchestra with an important solo for viola (originally intended for English Horn) has often been attributed to Max Reger, but it is believed that is was actually orchestrated by Wolf himself. It premiered in Vienna in January of 1904, shortly after the composer’s death. Instrumentation: 2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Viola in set. An edition orchestrated for string orchestra by notable bassist Lucas Drew is also available from the publisher.2.2.2.2: 2.0.0.0: Str (9-8-7-6-5 in set): Solo Viola in set
17539FF83C8CC-3D10-4447-A0D1-1DAB1D1F6A7EA570890Chaconne, P. 43 (Mueller-Hartmann)This CHACONNE, PWC 43, by Baroque composer Johann Pachelbel (1653-1706) was originally written for organ in the key of F minor, and it is both one of Pachelbel's six surviving chaconnes and one of his best known works for organ. The piece consists of the theme, followed by 22 variations. This transcription for string orchestra by Robert Müller-Hartmann (1884-1950) includes an optional piano part in the score and has been moved to E minor. String count of 8-8-5-5-5 included in the set.Pno(opt.; in score): Str (8-8-5-5-5 in set)
17540FF8891DA-6D8F-4054-AA8B-918818614BBFSS233Concerto in d MinorBernhard Molique (1802-1869) was German violinist and composer. Though best known for his Cello Concerto, his Concerto for Flute and Orchestra or Piano, Op. 69, has found in the place in the flute repetoire as a fine example of the late Classical period.Flute and Piano