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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
17141FA00FB51-FB2D-4BB3-B85D-CDC2581F95CFX940016O Praise the Lord (Psalm 117)This setting of Psalm CXVII is voiced for SATB choir is written by George Walker and is dedicated to his Uncle J. Organ part included for rehearsal purposes only.SATB Chorus
17142FA0247CD-5157-4D8B-A89F-8AD36FE7FC6FA668502Herbstrosen Waltz(not set)1+1, 2, 2, 2 - 4, 2, 1, 1, timp, perc, hp, pf cond sc in set, str
17143FA0519BF-E3DE-49AD-B2EE-E611EFD5DF36BSMCHM117Hebraic Elegy for Two ViolasWritten by Amy Barlowe as a tribute to her late father, HEBRAIQUE ELEGIE is a hypnotic duo for two violas with a haunting and beautiful melody. This challenging and expressive duet is for advanced violists. Versions for violin duo and viola duo are available from the publlisher.Viola Duo
17144FA05D057-2E02-4CD8-A391-8B804C57ED69B452Tried and Proven Choral Warmups(not set)Choral
17145fa0800fc-9e3b-11f0-a418-0022482c9682SO218CEvery Time I Feel the SpiritDating prior to the Civil War, Every Time I Feel the Spirit is one of the most beloved spirituals. Like many spirituals, this one is both a song and a prayer. This arrangement begins with a driving eighth note rhythm which, after a contrasting middle section, returns to bring the work to an exciting conclusion.String Orchestra
17146FA0882A2-EB23-442D-B4E0-BD3E5A1BC2B2R00234The Charmer: A RagFor experienced amateurs or professionals. This is a real rag -it is not based on a tone row or is it minimal; pleasant listening and fun to play.B-flat Clarinet, Euphonium, Piano
17147FA09DA0F-E0D3-4799-82A6-B614F5B83C73X410103Piano Concerto No. 3 in Solo VersionI have finally decided to re-create the already-daunting "Rach 3" into an even more horrifying but also emotionally satisfying project, which was to make such a large-scale arrangement for solo piano requesting the pianist to combine both the piano and the orchestral accompaniment of Rachmaninoff’s original crowning achievement, thus merging an 80-people orchestral sonority onto one person. The process of this project was one of the most artistically educational experiences for me, as I couldn’t just take the original score and copy and paste it onto the same instrument, which would’ve been meaningless and would simply sound like a mess. One has to really work as a sensitive composer to know the differences between the timbres and colors of the piano and that of the orchestra, which requires me to re-arrange registers, minor shifts of structural obstacles, avoidance of over-toned harmonies, and attempt to make it sound like as if it was conceived originally as a grand solo piano sonata instead of just some crazy transcription for showing off. I hope this new version of the "Rach 3" can achieve a different kind of in-depth virtuosity and emotional scope and that it may attract interest from my comtemporary and future pianists or musicians worldwide.Solo Piano
17148FA105FBC-DE76-4984-8286-AD321EA1E022S337Marcella Overture March (out-of-print)Marching Band
17149FA124C2B-46EA-4DF6-A86B-DC92874778CBSU438Divertimento No. 4Karl Philipp Stamitz (1745-1801) was born into a Bohemian family of musicians dating back to the mid-17th century. Following the example of his renowned father, Karl gained wide recognition as a violinist, violist, and composer. Noted primarily as an orchestral composer, his Four Divertimenti for two clarinets, two horns, and two bassoons are among the few chamber pieces that have not been lost as a result of the bombing of the Berlin Public Library during World War II. These editions by Harry H. Hall have been meticulously researched, documented, and edited to bring this music back to the public. All Four Divertimenti are available from the publisher.Woodwind Sextet
17150FA1998D1-AEC5-47F6-9C40-47CED13EA24BMP814029Concert Songs - Volume 1 (1975-2000): 25 Songs for Medium/Low Voice and Piano
17151FA1AD26F-AB8B-46D8-B4A6-BC8C8057B6B2B105INSTRUMENTAL CONCERTOS
17152fa1b0d11-9e3b-11f0-a418-0022482c9682SO219CClef Club March, TheJames Reese Europe (1881-1919) was an influential New York bandleader and composer during the first two decades of the 20th century. He first came to prominence as one of the founders of The Clef Club, an organization that provided musical support and performance opportunities for the city’s Black musicians. Europe later commanded the U.S. Army regiment during World War I, and was decorated for bravery for his service on the Western Front. While Clef Club March was originally published in several different arrangements, all but a handful of orchestral parts have been lost to history. This arrangement provides the rare opportunity for string players to perform an outstanding march by this historically important American composer.String Orchestra
17153FA1D6759-EC60-4FFD-B1DE-0238631483A2M174491Sheherazade, M. 41Maurice Ravel’s (1875-1937) SHÉHÉRAZADE, M. 41 is a song cycle based on three poems by Tristan Klingsor. Both men belonged to a circle of young artists known as the Hooligans (Les Apaches), and upon hearing Klingsor read some of his poetry to the group, Ravel suggested that he set three of the verses to music. Not to be confused with the 1898 overture of the same name, it is scored for solo soprano and orchestra, but one of Ravel’s acquaintances noted that the composer and poet were contemplating the solo part being sung by a male voice. Alfred Cortot conducted the premiere on May 17, 1904 at the Salle Nouveau Théâter with soprano Jeanne Hatto. Movements: I. Asie (Asia); II. La flûte enchantée (The Enchanted Flute); III. L'indifférent (The Heedless One). Reprint edition.High Voice and Piano
17154FA21EED7-C5C3-4BC5-802C-49E99908CF8ER01264Fuga Eroica2.2.2.2: 3.2.0.0: Timp: Str
17155FA2573B4-6B6E-479F-8E7A-AE0590C64F79AR106Intrigues for ClarinetCl.: Woodwind Solos & EnsClarinet/piano acc.
17156FA2B896D-B219-4982-9E0D-A50BF027E8DBSS514Menuet and Famous AriaThese two challenging pieces by J.S. Bach have been revised for Oboe by Albert J. Andraud. They are a perfect concert or competition selection for the advancing oboist.Oboe
17157FA2D286B-4167-4EB3-AC35-F2E9EB4223ACB391Two-Part American Songs, Bk. 2The bicinia in this collection were inspired by the work of Zoltan Kodaly, Hungarian composer and educator. Using Kodaly educational ideas, this second book in the collection uses American folk songs written in two parts to teach students the musical understanding of each whole composition. Songs included in Book Two: 1. Quaker, Quaker, 2. There Was a Crooked Man, 3. Star Light, Star Bright, 4. Burny Bee, 5. Sleep, Baby Sleep, 6. Old Mister Rabbit, 7. Lucy Locket, 8. Little Sally Rand, 9. I Climbed Up the Apple Tree, 10. Wee Willie Winkie, 11. Grandma Grunts, 12. Frog in the Mudhole, 13. Houn' Dog, 14. Bought Me a Cat, 15. Rocky Mountain, 16. Great Big House in New Orleans, 17. Blue, 18. Oh, Watch the Stars, 19. B'm Bye, 20. Shady Grove, 21. Haul on the Bowlin'Vocal
17158FA2D7CC7-909C-4CA8-93F5-806CE23C8119MP940008Alleluia
17159FA2E3A89-3A43-4261-9CC0-D3A926B76F89A795202Panis AngelicusCésar Franck (1822-1890) wrote his Mass in A Major, Op. 12 in the summer of 1860. It was later revised in 1872, with the then newly composed Panis angelicus replacing the original movement O salutaris. Originally written for voice and orchestral accompaniment, the 1872 arrangement was only scored with organ, harp, cello, and double bass accompaniment. This edition of Panis angelicus was transcribed by Leopold Stokowski for wind instruments and strings. Instrumentation: 4.1.3+BCl.3+CBsn: 4.0.4.1: Str (9-8-7-6-5 in set).4.1.3+BCl.3+CBsn: 4.0.4.1: Str (9-8-7-6-5 in set)
17160FA30B28E-ABCD-48B8-B961-80E7AB6E93C5R00788InvocationsInvocations is a tribute to the rhythms, scales, instruments and musical architectures of a great number of cultures, on the notion of a universal language, perhaps one that, within its many diversities can speak to us of our similarities.2+Picc.2+EH.2+BCl.2+Cbsn: 4.4.4.1: Timp.Perc(6).Pno.Clst.2 Hp: Str