Titles
Showing 17,201-17,220 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 17201 | FAC0E0BC-D76D-4F22-8A7B-7420F6435AC5 | R00720 | In Search of Words | 2.2.2.2: 2.2.0.0: Timpani.Percussion(1).Piano: Strings | ||
| 17202 | FAC2E48D-35E7-404B-B17D-A9899501CC02 | O22JB | Sad Eyes | (not set) | Jazz Band | |
| 17203 | FAC4472E-E58D-47F1-9A89-221D5DB378C9 | ST777 | Nocturne | Dedicated to the memory of the great flautist Paul Taffanel. This tonal nocturne also provides the flautist many opportunities to display their technique. | Flute; Piano | |
| 17204 | FAC53120-1E95-4267-963A-7FD89D63A317 | R00138 | La Voix Reconnue | Tenor, Soprano Soli Flute, Oboe, B-flat Clarinet, Bassoon, Horn, Percussion(2), Celesta, 2 Viola, 2 Cello, Double Bass | ||
| 17205 | FACA9915-9F39-4E69-811A-F796214B2698 | 52733079 | Serenade | (not set) | Cello Quartet | |
| 17206 | FACC8755-928F-43BA-9F84-480AE91A01B8 | LV713CB | Military Tattoo | (not set) | Concert Band | |
| 17207 | FACD4F30-E51F-431B-A982-D5680169AEAB | ST168 | Two Pieces | (not set) | Woodwind Quintet | |
| 17208 | face0150-9e3b-11f0-a418-0022482c9682 | SO227C | Jupiter for Beginning Orchestra | Gustav Holst’s The Planets is one of the most iconic orchestral suites of the 20th century, with each movement representing the astrological character of a different planet. Jupiter, the Bringer of Jollity, is among the most well-known movements of the suite, capturing a feeling of abundance, joy, and grandeur. | String Orchestra | |
| 17209 | FAD04CF7-F1B1-4269-BBBF-C768FFFFBA2B | A545302 | Andante e Rondo Ungarese, J. 158/Op. 35 (version for Bassoon & Orchestra) | The ANDANTE E RONDO UNGARESE, Op 35/J. 158 (also ANDANTE E RONDO ONGARESE; HUNGARIAN ANDANTE AND RONDO) was written in 1813 by Carl Maria von Weber (1786-1826) in response to the success of his BASSOON CONCERT, Op 75, and it was requested by the bassoonist in the Munich Orchestra, Georg Friedrich Brandt. It is a reworking of his earlier 1809 ANDANTE E RONDO UNGARESE, J. 79 for viola and orchestra, written for the composer's brother. Instrumentation: 2.2.0.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Bassoon in set: Condensed Score in set. Reprint edition. | 2.2.0.2: 2.2.0.0: Timp: Str (9.8.7.6.5 in set): Solo Bassoon in set: Condensed Score in set | |
| 17210 | FAD28043-D446-4FF3-ADEB-6A348AC7FF8D | X065030 | Movimiento Concertante, Op. 123 for Alto Saxophone and String Quartet | Dedicated to Miguel Villafruela, this approximately nine-minute quintet was composed by renowned Chilean composer and Latin American Music Center founder, Juan Orrego-Salas. | Alto Saxophone, String Quartet | |
| 17211 | FAD3F54D-DBEE-4286-BE17-681D48B1CD4A | V117 | To Cast a Shadow Again for Voice, Trumpet and Piano | This piece was commissioned by the St. Luke's Chamber Ensemble and premiered in New York in 1992 by William Sharp, baritone, Chris Gekker, trumpet, and Colette Valentine, piano. The poetry, written by Katherine Gekker, forms a cycle in which the excitement, power and mystery of love ultimately leads to the tragic and empty loss of love. The trumpet serves as a type of Greek chorus, commenting upon and highlighting the deelpy felt and emotional words. | Medium Voice, Trumpet, Piano | |
| 17212 | FAD5D132-8871-4852-9CF3-AC4B30B4DB54 | A002190 | POP - See M982190 - Pictures at an Exhibition, Part II | 2+1, 2, 2(+1), 2 - 4, 3, 3, 1, timp, perc, str | ||
| 17213 | FAE0A3B3-D3C5-45AD-8B65-FB810E708728 | X509011 | Chahargah (Calligraphy No. 19) for 10 Solo String Instruments | Châhârgâh (Calligraphy No. 19) for string quartet with optional contrabass may be performed using the Persian Traditional Tuning System. A detailed chart to set the interval measurements is included with the music. Châhârgâh (Calligraphy No. 19) is part of Reza Vali’s "Calligraphies" series, an ongoing cycle of works based on the Persian modal system, the "Dastgâh", which he has been composing since 2000. Versions for string quartet and 10 solo string instruments are available from the publisher. | 10 Solo String Instruments | |
| 17214 | FAE18206-6439-484F-B53B-52D3C6C8A9C9 | M289291 | Symphonie Sacree, Op. 71 | (not set) | Organ | |
| 17215 | fae2ea36-9e3b-11f0-a418-0022482c9682 | SO228C | Sunrise Reflections | Sunrise Reflections was written for the orchestra program at Lane Tech College Prep in Chicago, IL, under the direction of Mrs. Devon Morales. This piece is all about the creation and remembrance of good memories. Imagine the feeling of warmth spreading across your face on a summer afternoon. Have you ever run through a warm evening rain or noticed how hair seems to glow during the low-angled light of a sunrise? Reflect on the feeling of joy as you sit with loved ones on a day full of play and laughter. | String Orchestra | |
| 17216 | FAE7B0EC-1EEC-4814-ADD4-0131E087FAE4 | R01576 | Sinfonietta | A New Juilliard Ensemble commission, "Sinfonietta" was premiered at Alice Tully Hall, Lincoln Center with Joel Sachs, conducting. | 1.1.1.1(dCbn): 1.1.1.1: Perc(1).Pno.Hp: Str | |
| 17217 | FAEE881B-2EE9-4903-9A84-079A6C300366 | M259191 | Introduction Et Rondo | French organist, composer and teacher, Charles-Marie Widor (1844-1937) is predominantly known for his organ symphonies. However, his "Introduction et Rondo for Clarinet and Piano" also remains popular and is still regularly performed today. Widor became Director of Organ Studies at the Paris Conservatoire in 1890 and soon followed this by taking charge of the composition class. His "Introduction et Rondo" was composed in 1898 during his period at the Conservatoire and at the height of his career. The piece exploits the Clarinet to its full potential, creating a challenging yet exciting performance on the instrument. Widor's "Introduction et Rondo" is essential to the repertoire of all advanced clarinetists. | Clarinet and Piano | |
| 17218 | FAF12A5E-D29A-4789-8A5D-7D454202E836 | S324 | Friendship (out-of-print) | Marching Band | ||
| 17219 | FAFCAA18-E09E-4FC8-B1E3-8EBB78BC3CA4 | 52250910 | Mayfair Drive | In a contemporary L.A. swing style, this piece is sophisticated and will promote musical maturity. Your bass players will lay down a swinging foundation, while the rest of the orchestra floats above with thick jazz harmonies. Adding a drummer will make it really shine. | String Orchestra | |
| 17220 | FAFF63E8-F69E-4E6C-810B-80FFF34876E5 | A103290 | Elegy, Op. 58 | Edward Elgar's (1857-1934) ELEGY, Op. 58, written for string orchestra in 1909, was composed at the request of his publisher following the death of Rev. Robert Hadden, a fellow freeman of the Worshipful Company of Musicians. While the work is dedicated to Hadden, it is thought that it might more reflect Elgar's grief at the passing of his close friend August Jaeger less than a month prior. While not formally acknowledged in the dedication, Jaeger did receive an earlier and unsurpassable tribute as the focus of the Nimrod movement from the ENIGMA VARIATIONS. The ELEGY was first performed on July 13, 1909, at a Memorial Concert for the Worshipful Company of Musicians at the Mansion House in London. A string count of 8-8-5-5-5 is included in the set. Reprint edition. | String Orchestra (8-8-5-5-5 in set) |