Titles
Showing 17,241-17,260 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 17241 | FB4FE6A8-15FD-4CB1-8590-36BE04C1C62A | BPFCM | Prelude and Fugue No. 1 in C Major, BMV 846 | Piano | ||
| 17242 | FB58ABF0-7C26-4F4D-99C8-EF06846CC13D | SO103 | Sinfonia for Strings | This piece is a rich and resonant celebration of the world of string orchestra sonorities. Capable of both great virtuosity and smooth as glass legato lyricism, the string orchestra provides the composer with a world of colors and varied musical emotions. The first movement is gutsy and rhythmic, with exciting moments of exciting energy, syncopation and sonorous ringing chords. The second movement, built on a melody which is soft and delicate builds to an heroic climax, returning to the gentle and understated main theme at the end. The final movement opens with rousing and playful themes which pave the way for a joyful fugue and an heroic finale. | String Orchestra | |
| 17243 | FB5BBE00-30FB-421C-AF35-5AF26CD30066 | S154011 | Rondo | (not set) | Saxophone Quartet | |
| 17244 | FB63A8C1-D5EC-4887-BFC8-82B5FA0FDCE0 | SS322 | Andante and Allegro | An early twentieth French composer, Ropartz' music is well regarded for its logic, clarity, and lack of excessive material. | Trumpet, Piano | |
| 17245 | FB65FE84-4D18-47BB-ABAF-DEA70F815B30 | 18800090 | I Don't Believe You | (not set) | SA, Piano | |
| 17246 | FB662FE6-1686-46B6-A7B2-EA4655E2753B | SC109 | To God Be the Glory | Satb | ||
| 17247 | FB666A41-282E-4E17-8275-37BD0ACCF073 | RCSS428 | Whirlwind | Flute, Piano | ||
| 17248 | FB66C18A-B4D1-45B4-AE13-D8B5134C62F6 | X811501 | Five Fables of Aesop for Narrator and Woodwind Quintet | Movement titles: I. The Bear and the Bees II. The Tortoise and the Hare III. The Fox and the Crow IV. The Country Mouse and the City Mouse V. The Lion and the Mouse | Narrator, Woodwind Quintet | |
| 17249 | FB68CB03-8317-4BDE-9203-80F823752C7C | SU536 | Ballade: Tone and Performance Studies No 15 | BALLADE, NO. 15 (op. 9 no. 6) is a unique work in the collection in its folk-like quality. The piano introduction marked Allegretto contrasts with the slower Andante when the bassoon is first introduced. The repeat at the end of the work can be considered optional, but the work is very short without it. The grace notes should all be played before the beat and the trill in m. 17 can be played as a turn. The E to F# mordent in m. 7 can be played by picking up the second and third fingers in the right hand from the full high E fingering, and the F# octave slurs in measures 13 and 14 can be facilitated by fingering the F# using the second finger and Eb key only in the left hand and a Bb fingering in the right hand. | Bassoon, Piano | |
| 17250 | FB6EBAAB-5CB3-45E0-B7D9-5218A4D3D6DC | 20100258 | Of Pilgrims' Pride | Band | ||
| 17251 | FB753BFA-2956-4A7D-913D-BA1C0467AF15 | MP946401 | Brief Mass, A for SATB, Organ, Vibes, Guitar and Bass | Written for the National Meeting of the Catholic Commission on Intellectual and Cultural Affairs held at Rutgers University (New Brunswick, NJ) in May, 1969, on the subject "Music and Liturgy." Movements: Kyrie, Gloria, Credo, Sanctus, Doxology | SATB, Organ, Vibraphone, Guitar, Bass | |
| 17252 | FB75A290-511D-4D06-AA9C-877AD9F48ECE | SC499 | My Lovely Celia | U.I.L. Sight Reading Selection for 3A, 2A, and 1A. Text by George Monro. | TBB | |
| 17253 | FB7A3784-7EDD-43A4-85A9-6253FA0EF9A6 | B419 | 24 Artistic Studies, Op. 15 | (not set) | Flute | |
| 17254 | FB7BAEDC-5C2E-458C-9408-F12676D85A85 | D511023 | L’Alouette | Violin, Piano | ||
| 17255 | FB7CBBC4-1FF0-4116-851B-8DDC7C4E3126 | 50100323 | True Lover's Farewell, The | Based upon an early English ballad brought to Appalachia, this is the work you want to program to show off your band’s ability to play beautiful melodies and rich harmonies. Rewarding for players at any level, the work reflects American adaption of folk songs in admirable fashion. | Concert Band | |
| 17256 | FB7EBA61-1174-4F42-B098-71E1079C278E | MP672101 | Putney Three for Woodwind Quintet, Perpared Piano and Putney Synthesizer or Tape | Commissioned by the Florida State Music Teachers' Association. Premiere Nov. 9, 1971, Ars Nova Quintet (Univ. of South Fla.) with the composer at the piano and synth esizer; FSMTA Convention, Tallahassee. [Ms.] In three movements: 1. Trajectories, 2. Recitatives, 3. Toccata | Woodwind Quintet, Prepared Piano, and Putney Synthesizer or Tape | |
| 17257 | FB8452A9-DB78-4DC6-82C4-344CB1930935 | C5CS | Handy Four ( 4) Set 1 (out-of-print) | |||
| 17258 | FB88E846-06AE-4B5E-9CEA-E7E6E7CD4ED8 | A822290 | Santa Lucia Luntana [orchestration in E] | 2+1, 2+1, 2+1, 2 - 4, 3, 3, 1, timp, perc, hp, str, solo T | ||
| 17259 | FB8E16EF-03A7-402F-867D-947C4E367515 | 10100388 | El Abanico | "El Abanico" (The Fan) is the most famous work of Spanish bandmaster Alfredo Javaloyes. This pasodoble (a quick, Spanish military march) was named after a popular café in Cartagena containing a large, fan-shaped table where artists (including the composer) reportedly gathered daily for discussions and refreshments. | Concert Band | |
| 17260 | FB8FB9E7-49A7-4A0D-9BD3-D22765536B1F | SC708 | Sing With Delight | (not set) | SA |