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Showing 17,181-17,200 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
17181FA82F3B7-8C3C-469C-AEBD-41873D5FA53ASS404Tall Tale for TympaniTimpani Unaccompanied
17182FA8396C6-E6C9-40FB-9309-79BFC4A082F5SU562Three Debussy PiecesThis edition has been painstakingly prepared from music in Harold Wright's studio library. As a clarinetist, Harold Wright epitomized refinement, elegance, impeccable legato, masterful control, and a ravishing beauty of tone. He ws endlessly refining his thinking and approach to the masterworks with which he is most associated. His carefully penciled music, from which the "Harold Wright Legacy Series" is drawn, suggests this subtle evolution. Pieces by Debussy include: I. La Plus Que Lente, II. Arabesque No. 1 (with opt. part for Clarinet in A), III. Arabasque No. 2Clarinet in Bb (optional Clarinet in A) and Piano
17183FA8D044A-D0F0-4C51-BB47-7493DAC6FDEFSS762Suite No. 3This transcription by James Kasprzyk of the Bach cello suites is part of the Fred Hemke Saxophone Series. Movements: I. Predudium, II. Allemande, III. Courante, IV. Sarabande, V. Bourree I, VI. Bourree II, VII. GigueBaritone Sax
17184FA8F4DEF-6293-4150-B21D-E576AB13DB3352711561Let's Duet: Volume 2 - ViolinThe second volume in this series includes intermediate level duets compatible for violin, viola, cello and bass. Learn dotted rhythms and 6/8 meter, chromatic fingerings, facility with pizzicato, varying types of bow strokes, and double stops as students are introduced to shifting with familiar classic tunes. This volume is a technique builder and works best with the more treble of the two instruments on the top line.Violin Duet
17185FA900343-E9F7-41F6-98FD-D532339B2748S407MasqueCommissioned in 1967 by the State College of Arkansas for the dedication of the Fine Arts Center. It was premiered in February of 1968 by the State College of Arkansas band, Homer Brown conducter.Concert Band
17186FA92C2E0-EB27-491A-9470-5AEBAC1212F4ST736COQuadrille(not set)Woodwind Quartet
17187FA9321B8-0608-4968-9002-488823F5298A50250069Revenge of the Dust Bunnies for String OrchestraJust when you thought it was safe to look under the bed, the dust bunnies have returned for their ultimate revenge! Some added percussion and an optional piano make this a real treat for your orchestra, and a vacuum cleaner or two will bring down the house.String Orchestra, Percussion, Optional Piano
17188fa955af2-9e3b-11f0-a418-0022482c9682SO224COn EdgeOn Edge refers to a feeling of nervousness and suspense, and is the opposite of calm and relaxed. This piece conveys the feeling of urgency and anticipation through rapid 8th note passages in all parts and the sound of the minor key. Written in the keys of D minor and E minor, there are 2 main themes intertwined throughout the parts, with portions of them played simultaneously at measure 33. A multitude of teaching skills for reinforcement include 2 note slurs, the note Bb, dotted quarter rhythms, hooked bowings, arpeggios, steady 8th notes, bow placement and distribution, note doubling, and knowing who has the melody! This is a great teaching piece and fun for the player and audience!String Orchestra
17189FA9D4A18-1CA9-4895-8300-E278F3FD98D0SS687Cake Walk for KettlesTimpani Unaccompanied
17190FA9F0D6A-86D7-4562-BD96-A30FFF8F7EABS948CBItalian Wedding Song, Op. 151Italian Wedding Song is a lyric, very romantic song in g minor, reminiscent in some ways of the music of Puccini and Verdi. Like Barnes’ Yorkshire Ballad, it is a brief, solemn work, perfect for teaching students to play in an emotional, legato style. If you have a good Euphonium player, this work is a must; it is an excellent choice for a moment of touching repose on your next concert. Italian Wedding Song is carefully scored and cross-cued, and the ranges are very reasonable for all instruments.Concert Band
17191FAA7EFCD-8C9F-4778-8E70-991324CADD39S427CBCenturion(not set)Concert Band
17192faa84a35-9e3b-11f0-a418-0022482c9682SO225CGalician CarolSituated in the northwest corner of modern Spain, Galicia is an autonomous region and distinct nationality under Spanish law. It was Celtic land for about 1000 years until it was incorporated into the Roman Empire in 19 BC. This carol reflects both the Celtic and Hispanic heritage of the Galician people. While the opening tune fairly resembles an Irish jig, the key change to minor and the accompaniment of castinets and tambourine displays the distinct Hispanic influence. Traditionally the tune is often played on the Galician gaita, the generic term for Spanish bagpipes, which has drone and chanter pipes like its Irish and Scottish cousins. This arrangement includes a part for optional tambourine and castanets which can be performed by a single percussionist. Careful consideration was taken in scoring interesting parts for all players and every instrument in the orchestra plays significant sections of the melody.String Orchestra, Optional Percussion (1)
17193FAAA337D-0AEC-49F2-98D0-EA67B049A1D9R24Concerto for Tenor Saxophone and Band(not set)Tenor Saxophone Solo: Concert Band
17194FAAD7E39-E8AD-427B-B678-A05C626995F218200022Overture for OrchestraA dramatic, exuberant composition, in which even an average junior high school orchestra can achieve a genuine, big symphonic sound. "Written in D minor, Overture for Orchestra ...is a terrific selection for a developing orchestra with less experienced string players than wind players." (Bill Bitter, The Instrumentalist, December 1999).Full Orchestra
17195FAB4DFBF-1FC1-4A71-83DD-D9D825D79CAE52793008POP see 52793016 1, 2, 3, Play! - Cello Part with CDThis collection includes fifteen works in varying styles, keys, moods, and meters, from easy to intermediate level. One, two, or three players may join either a teacher accompaniment part or piano. Books for violin, viola and cello are available in addition to teacher scores and piano accompaniment for each instrument.Cello Trio, Flexible Instrumentation
17196FAB86093-BD8E-4819-A7EC-5B709A1FCF09A908990String Quartet No. 1, Op. 11: Andante Cantabile [composer's transcription]cello / string orchestra
17197faba981d-9e3b-11f0-a418-0022482c9682SO226CCourageThis simple piece attempts to take the audience and the players to a time forgotten, when human values such as chivalry and courage were an integral part of the lives of those who came before us. People weren’t afraid to speak out for fear of retaliation and that took courage. This piece commemorates that courage.String Orchestra
17198FABC2539-AAA0-4115-8AC4-B23D6C90A875S414CBPassacaglia and Fugue in c MinorThough originally composed for the pedal harpsichord, this work has long been associated with the organ. It is the grandeur and colors of that instrument which this arrangement for symphonic band strives to capture. Arranged by hornist, composer and arranger Nicholas Falcone.Concert Band
17199FABC4D8B-F33C-4766-9361-6D1BBA7D1FBEM392091Fiddlers Three(not set)Three Violins
17200FABD61C8-7E3E-4CF6-BC3A-5D3F53F399D1A196902Symphony No. 3 in C minor, Op. 78: Organ SymphonyThe Symphony No. 3 in C minor, popularly known as the "Organ Symphony", was completed in 1886 at what could be considered the artistic peak of Saint-Saëns’ (1835-1921) career. The composer said of the work, "I gave everything to it I was able to give. What I have here accomplished, I will never achieve again." Seeming to recognize that it would be his last attempt at the symphonic form, the composer filled the work with virtuoso piano passages, brilliant Romantic-era orchestral writing, and the sound of a cathedral-sized pipe organ. The composer did note in his own analysis of the symphony that, while it was cast in two movements, "the traditional four-movement structure is maintained." One of the symphony’s outstanding and original features is its use of keyboard instruments, with piano, scored for both two and four hands at various places, and the pipe organ. The work uses its thematic material, derived from fragments of plainsong, as a unifying device as each melody appears in more than one movement. Saint-Saëns also employed a method of thematic variation borrowed from his friend Franz Liszt, to whose memory he dedicated the work. Instrumentation: 3(3dPicc).2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(2): Org.Pno(4hnd): Str (9-8-7-6-5 in set).3(3dPicc).2+EH.2+BCl.2+CBsn: 4.3.3.1: Timp.Perc(2): Org.Pno(4hnd): Str (9-8-7-6-5 in set)