Titles
Showing 17,061-17,080 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 17061 | F8B1F3D4-E74E-47B5-BB41-3B1B3A3D2257 | SO189C | Reel Music | Reel Music for strings uses three old Irish jigs as material for each of the movements. Movement I is based on the Swallowtail Jig. This jig is also known by the alternate title of The Dancing Master, which may possibly refer to the type of coat with tails typically worn by early 19th century dancing masters. Movement II, based on Cooley's Reel, is a traditional Irish tune associated with the accordion player Joe Cooley. In his arrangement, it is played in a slow tempo and it serves as a contrast between the faster first and third movements. Movement III is based on The Devil's Dream also known as The Devil Among the Tailors, an old fiddle tune popular in England as early as 1805 and New England in the 1830s. | String Orchestra | |
| 17062 | F8B76295-BF7E-49D3-83E7-C18CD102B2F0 | 52702183 | Arkansas Traveler Collection | (not set) | Violin 1, Violin 2 /Viola and Cello | |
| 17063 | F8B84FEB-AA39-4EC9-8DD2-E294B8931C66 | S853CB | At the Movies | From the 1915 program note that appeared with the first published edition: "The 'Scenarios for Cinematographers' constitute an effort on [Sousa's] part through music, to elucidate the cinematographer what is usually done by the written word. The opening number, 'The Serenaders' depicts that happy period in the college student's life when he delights in serenading the girl students in a neighborhood university. The happiness and care-free existence of 'The Serenaders' is duly reflected in the music of this number, farily bubbling over with gaiety and joyous spirit. […] The second number essays the harrowing story of 'The Crafty Villian and the Timid Maid.' The timid maid's pleading and the crafty villains's bombast being in evidence throughout the number. The third is a dance on the Village Green - the very name 'Balance All and Swing Partners' telling its own story." This edition by Mark Rogers has been revised to better suit the instrumentation of contemporary bands and also to make the 1st movement more accessible to a wider range of players with a move to a key that allows the soloists a greater chance at success. | Concert Band | |
| 17064 | F8C06460-BC82-4669-ABA8-F1B27D4FE381 | SC703 | Take Me Back to My Prairie Home | (not set) | Sab | |
| 17065 | f8c1d4f7-9e3b-11f0-a418-0022482c9682 | SO201C | Adagio and Allegro | Created for string ensembles working at a level 3.5, ADAGIO AND ALLEGRO offers a wonderful opportunity for developing players to discover the brilliant and dramatic composer that is Ludwig Van Beethoven. This arrangement has been edited and shortened to 4:20, and has been transposed from its original key of Eb major to the more string-friendly key of D major. ADAGIO AND ALLEGRO is scored so that it can be successfully performed if an ensemble is missing a bass section. | String Orchestra | |
| 17066 | F8C47837-DD39-4B42-98A4-5D0EBE0F46ED | B125 | 40 Preludes, Op. 27 | These 40 preludes by Jacques Francois Gallay, Op. 27, bear the subtitle "Without Measures". This edition by Lorenzo Sansone includes time signatures and barlines. They are excellent pieces for study or recital for the intermediate hornist and cover a variety of meters and the most common key signatures. | Horn | |
| 17067 | F8C9C459-57EE-4FC9-A6D3-F65E6DBDCEB5 | A921890 | Radetzky March Orig. | |||
| 17068 | F8CA967B-6B6F-4AAD-9FE9-4683DE45D3F9 | M163291 | Collected Works | (not set) | Piano Solo | |
| 17069 | F8CD2BA3-23AA-43BA-A409-B6BF86F44617 | X511056 | Love Drunk: Folk Songs Set No. 16B | Love Drunk (Folk Songs, Set No. 16B) was commissioned by Thomas Jones and completed in July 2014. This is the sixteenth set of an ongoing cycle of Persian folk songs that Reza Vali has been composing since 1978. The work’s four songs (songs without words) reflect upon different aspects of love. In song No. 1, Longing, the lover is longing for a reunion with the beloved. Song No. 2, In Memory of a Lost Beloved, is a dialogue, across the dimensions, between the deceased beloved and the grieving lover. The song reflects upon the grief of separation-- in this case, separation by death. The sensual and the spiritual aspects of love intersect in song No. 3, The Girl from Shiraz. The melodies of the third song are accompanied by quotes from the Christmas carol Silent Night, Wagner’s Tristan and Isolde, and Messiaen’s Quartet for the End of Time. The final song No. 4, Love Drunk, describes the intoxicating joy when the lovers meet. | Violin, Piano | |
| 17070 | f8d5c006-9e3b-11f0-a418-0022482c9682 | SO202C | Another World | Written at a level 2 in difficulty, ANOTHER WORLD is highly melodic, underpinned with appealing rhythmic interest. The simple original melody is explored and expanded as the piece progresses. A bright section in G major provides an optimistic contrast to the mysterious minor flavor of the beginning. | String Orchestra | |
| 17071 | F8DF219D-0F82-4140-AD2A-9EC47DA81F6A | S153001 | Trio (ST) | Soprano Saxophone, Tenor Saxophone, and Piano. | ||
| 17072 | F8E3DB73-CCDE-45D8-9A70-B913FF784262 | SU347 | When Nod Dreams | "To Nod, who… sailed off… on a river of crystal light. into a sea of dew…" - Eugene Field (1850-1895). About this piece for woodwind trio, the composer says, "Rarely does one come across a spirit epitomizing the life-affirming qualities we admire, and which possesses a vibrancy of beeing reflecting our ideal of pure and positive energy. One rejoices to discover such a spirit… and even more when it takes the form of cat." Movements: I. Nod's Dream, II. Nod at Play, III. Lament for Nod, IV. Danse Macabre. Versions for flute, oboe and clarinet and two oboes and English horn are available from the publisher. | 2 Oboes, English Horn | |
| 17073 | f8e88ced-9e3b-11f0-a418-0022482c9682 | SO203C | White Clouds on a Blue Sky | There is nothing like the beauty of a clear blue sky on a spring or summer day. Lying on a blanket as you look up, whether in soft grass or on a sandy beach, it’s a time to take a deep breath and appreciate how small you are in comparison to everything above you. One might say, however, that a parade of fluffy white clouds floating by is far more interesting and peaceful. Clouds at a higher altitude barely seem to move at all, while clouds nearer to the ground sail past more quickly, all the time changing their relationship to one another as they move. It’s hard not to imagine characters and shapes in the formations. A bear? A dog? A boat? The imagination is sparked... there are WHITE CLOUDS ON A BLUE SKY. | String Orchestra | |
| 17074 | F8EA70CD-509E-41E4-BEBC-10502789253B | 10447441 | Barcarolle and Scherzetto for Bass Clarinet and Piano | BARCAROLLE refers to the song of the Venetian gondolier. It is a quiet, calm song which the soloist plays in a legato style, while the accompanist's lilting 6/8 rhythm is regularly met with a measure in 9/8. SCHERZETTO is a quick, playful, spirited dance-like piece. Versions for horn, bass clarinet, bassoon, baritone saxophone, and mallet percussion are available from the publisher. | Bass Clarinet and Piano | |
| 17075 | F8EE8043-3983-48A2-BB90-C54A9EBDEC38 | M101791 | Belle Excentrique, La | Erik Satie composed LA BELLE EXCENTRIQUE (The Eccentric Beauty) as a choreographed dance suite. Commissioned by Élizabeth Toulemont, it premiered at the Théâtre du Colisée in Paris under the direction of Vladimir Golschmann. The composer later arranged a version for piano four hands, which is available in this LudwigMasters reprint edition. Movements: 1. Grande Ritournelle 1; 2. Marche franco-lunaire; 3. Valse du mystérieux baiser dans l'œil; 4. Cancan Grand-Mondain; 5. Grande Ritournelle 2 (reprise). | Piano Four Hands | |
| 17076 | F8F318DB-681C-4D92-AB3D-A18717321422 | 50250110 | Childgrove | A country-dance tune from Playford's English Dancing Master, this is an excellent introduction to simple cut time. The work contains only a few dotted note rhythms and has interesting parts for all players. | String Orchestra | |
| 17077 | f8fb0fbd-9e38-11f0-a418-0022482c9682 | 20100708 | Whipsaw March, The | A tuneful and solid concert march for young bands. All sections have important parts with exciting interplay between sections; this combined with a lyric trio will display your band in its best light. | Concert Band | |
| 17078 | F8FB1BB1-BD24-47D8-A762-2BD23DEBE701 | ST211 | Wedding Piece | Flute Unaccompanied | ||
| 17079 | f8fb24d4-9e3b-11f0-a418-0022482c9682 | SO205C | In a Mood | Starting with an eight-measure violin solo, this simple but elegant melody weaves its way through the orchestra, providing different sections the opportunity to shine, and play expressively. Written entirely in the key of C with no accidentals, teaching skills include two note slurs, hooked bowing, a few notes in 3rd position in violin 1 part, and expressive playing. Attention to dynamic markings and legato bowing will bring out the best. This piece is a great addition to any concert program and suitable for contest! | String Orchestra | |
| 17080 | F8FC76A8-2EEA-4FDB-8703-47D3BEC31025 | ST99CO | Quintet | (not set) | Woodwind Quintet |