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Showing 17,001-17,020 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
17001F7D85311-C578-4948-AA8E-B46FF9A24E9BSS531AndantinoTenor Sax
17002F7DE3490-DB65-41E2-9BD0-B236D1AAD2A220732103Spiritual Snippets(not set)Violoncello 1,2 and 3
17003F7DE6CB2-D59E-4E08-A128-7A1E630F9216SC264Children Of the Heavenly KingSsa
17004F7E1B8D8-4BB6-467B-B855-CE5ED77E2293SS229Concerto in D MajorThis technically demanding piece was originally composed for flute and string orchestra. This version was revised by Marcel Moyse, while the cadenzas and piano reduction was supplied by Louis Moyse. The string orchestra accompaniment version is available for rent from the publisher.Flute, Piano
17005F7E3726B-00A9-4C21-A9CF-5E8A54CF0BD6M274791Spanish Dances, Book 1The "Spanish Dances" are a collection of 8 pieces for violin and piano composed between 1877 and 1882 and published in four books, each book containing 2 contrasting dances. They alternate between fiery passion and a yearning expressiveness, and are undoubtedly among his most successful compositions. Book 1, Op.21, is dedicated to Hungarian violinist Joseph Joachim. Movements: 1. Malaguena 2.Habanera.Violin and Piano
17006F7E5104A-A706-4E88-B215-DA5225702E9152730281Multimetric Etudes for CelloCello Solo
17007F7E5A43E-B522-41A3-9F91-A07647FB36D5MR00448Toccata for String Orchestra
17008F7ECDB2A-02E0-4655-B6FC-54895A793E68B368Art Songs By Contemporary Texas ComposersThis collection of songs is the 1st in the series "Art Songs by Contemporary Texas Composers." This collection was created in response to requests from many teachers for new repertoire which suits the abilities of the young singer. In addition to writing or selecting suitable texts, the composers created these songs within a modest vocal range, including tonal melodies, and traditional forms, so that the students' musical and vocal abilities would not be burdened while concentrating on correct vocal technique. All of the songs in this series have been placed on the Texas University Interscholastic League prescribed music list. It is the editors' desire to provide this collection for all persons having an interest in the American Art Song.Vocal
17009F7EDB9B7-64F5-4851-A303-443C9F098DF452712466Intermediate Violin TriosSeven trios at the medium-easy level. This collection includes cut-time, 4/4, 2/4 and 6/8 and uses major keys or modal settings with only one or two sharps, some easy slurring and occasional pizzicato. Titles include: The Duck; The Rabbit; The Owl; The Swan; The Chipmunk; The Fox; and The Mouse.Violin Trio
17010F7F88E64-05C1-4864-8BC5-FB14DC444882A229402Lucia di LammermoorLucia di Lammermoor is a dramma tragico in three acts by Gaetano Donizetti. Salvadore Cammarano wrote the Italian-language libretto loosely based upon Sir Walter Scott's 1819 historical novel, The Bride of Lammermoor. Donizetti wrote Lucia di Lammermoor in 1835, shortly after Gioachino Rossini had retired and Vincenzo Bellini had died, leaving him the only Italian opera composer of genius still working. That, coupled with the interest in the culture and history of Scotland that is the focus of the story, led to the steady success that the work received. It premiered on September 26th, 1835 at the Teatro di San Carlo in Naples.2+Picc(dFl).2.2.2: 4.2.3.0: Timp.Perc(3-4): Hp: Str (4-4-3-3-3 in set): Banda: Vocal soli (7 roles SATTTBB): Chorus
17011F807C2AD-FE0D-418D-99F7-1F1E4D0C7C7852703497Dance FeverDance the night away with these original compositions in a wide variety of styles. This work, for the advanced intermediate level and above, includes opportunities for open improvisation (written solos provided) and some swing. Movements: 1. At the Disco; 2. Lindybug; 3. Samba Sunset; 4. Wedding Waltz; 5. Tango Tangerine.String Quartet
17012F80CD549-5996-47A5-B4BB-3812B7FD1EEBA134102Symphony No. 4 in E minor, Op. 98Johannes Brahms (1833-1897) started work on his Symphony No. 4 in E minor, Op. 98 in 1884, a year after finishing the third. It brings a stern, yet majestic conclusion to the cycle, admired for its rich motivic development and the dramatic Bachian formality of its final passacaglia. Brahms introduced a two-piano version of the work with Ignaz Brüll to a gathering of friends, including the critic Eduard Hanslick, in October 1885. The Meiningen Court Orchestra gave the first performance on the 25th of that month under the baton of the composer. Instrumentation: 2(2nd dPicc).2.2.2+CBsn: 4.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set). Reprint edition. Transposed parts for clarinets, horns, trumpets, and trombone (bass clef) are also included.2(2nd dPicc).2.2.2+CBsn: 4.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set)
17013F810983A-2B76-4F6E-849B-7837A69B84BBSU310Triple ValueSnare Drum Trio
17014F810AA16-40B0-4D6D-8C00-3C7CC1214BBCB400402Waltzing Cat, The (Band Version)(not set)Concert Band
17015F8116344-6424-42A5-B64C-0C8A0AB4390FSS574Flim Flam (only-in-b167/futuristic)Snare Drum Unaccompanied
17016F8169007-6817-408D-93CF-1928FDB7B18BMR00460Aragonesa for Orchestra
17017F816BD22-DE3C-4912-A32C-B278DD413A44A217802Hamlet, Incidental Music, Op. 67a (complete)Peter Ilyich Tchaikovsky (1840-1893) first took up the idea of writing an overture to HAMLET in 1876. Twelve years later, the actor Lucien Guitry approached him with a request to write incidental music for a performance of the play, and although it never transpired, he completed the OVERTURE-FANTASIA, Op. 67. At another request from Guitry, he created the Op. 67a INCIDENTAL MUSIC, including a shortened version of the original overture. The premiere took place on February 21, 1891 at the Mikhaylovsky Theatre in Saint Petersburg. Instrumentation: 2.2.2.2: 2.2.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Banda (0.2.2.2: 2.2.1.0: Perc[1]): Solo [Sop. & Bar.].2.2.2.2: 2.2.1.0: Timp.Perc(1): Str (9-8-7-6-5 in set): Banda (0.2.2.2: 2.2.1.0: Perc[1]): Solo [Sop. & Bar.]
17018F81A4D9E-1639-40AC-A677-63DB4E8F4FAB10510263Prelude and Fugue(not set)Cornet Solo and Piano
17019F82206D0-B93C-4896-B9E2-3B12B8C0C6F5X682802Sorna: Folk Songs Set No 17 for Solo Persian Winds and 7 PlayersThis four movement work features Persian wind instruments (sorna, schalmei or shawm, Ney, and optional Ney labak), weaving melodies constructed in both Western equal temperenment and Persian modal systems. Most of the ensemble doubles on one or more instruments, including the pianist and strings playing the chimes in various passages. Premiered (clarinet version) on January 16, 2016 at the Segah Festival of Persian and Turkish Music. Versions for solo clarinet, solo saxophones, and solo Persian Wind instruments are available from the publisher.Solo Persian Winds (sorna, schalmei or shawm, Ney, and optional Ney labak), Flute(dPicc, Afl), Clarinet(dEb Clar, Bcl), 2 Percussion, Piano(dChimes), Violin(dChimes), Cello(dChimes)
17020F8228B2C-05E2-4191-A904-3952C8CABA63A803502Pour les Funerailles d'un SoldatPour les funérailles d’un soldat (For the Funeral of a Soldier) was written by a then nineteen-year-old Lili Boulanger (1893-1918). Her first surviving choral work, it sets to music text from a section of a poem by Louis Charles Alfred de Musset called, "La Couple et le Levres" (The Cup and the Lips). Boulanger sketched her setting to music on August 17, 1912, completing the orchestral score in January of 1913. It was premiered on November 7, 1915 at the Concerts Colonne-Lamoureux, Gabriel Pierné conducting. The set of score and parts, separate full score, and the other choral parts are available separately from the publisher.2.2+EH.2+BCl.2+CBsn: 4.2+2Crnt.3.1: Timp.Perc(2): Hp(2): Str (9-8-7-6-5 in set): Solo Bar.Mx Chor