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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16901F696A024-2B66-4EC4-A218-0ED46DF91AD8EBM0650023Dream Lands, Magic SpacesDREAM LANDS, MAGIC SPACES had its world premiere in 1980 at the Percussive Arts Society International Convention in San Jose, California by the San Francisco Percussion Ensemble directed by Barry Jakowsky, with Daniel and Machiko Kobialka as Violin and Piano soloists.Violin solo, Piano and Percussion Sextet
16902F69771C1-E68F-4232-846E-A77D2634E1F3R00372Concerto for Violin and Orchestra: Auld SwaaraSubtitled "Auld Swaara: Fantasy on a Shetland Fiddle Tune." Commissioned by the Koussevitzky Music Foundation for the Albany Symphony Orchestra. Adds Piccolo doubling, 2 trumpets, and 1 percussion from the reduced orchestration.Violin Solo:  2(2d Picc).2(1d EH).2.2(1d Cbsn): 4.2.3.1: Perc(4): Str
16903F698573F-94C7-457D-BC67-FEF5FBDAAA4DST354Intimate DancesFlute, Guitar
16904F6987A4C-DF83-4A0F-81E9-CCE534E66CBC10160144Immer Kleiner for Solo Clarinet and BandAlso available as a novelty for soloist and orchestra, this is a fun and entertaining piece. The clarinet soloist, after stating the theme, proceeds to take away pieces of the instrument until, eventually, he or she is left playing only the mouthpiece as the work comes to a rousing conclusion.Clarinet Solo with Band
16905F69A1A05-E4F6-4ACD-BBD6-2ED7DF8F74E6X814044Three French Songs for High Voice and PianoSongs: I. L'Ennemi (Baudelaire), II. Epitaphe Pour la Belgique (Baudelaire), III. Chanson d'Automne (Verlaine).High Voice, Piano
16906F69AA840-61E0-4838-8B7E-BD8F70CEA2BEA190102Symphony No. 2 in E minor, Op. 27The premiere of Rachmaninoff’s Symphony No. 2 was conducted by the composer himself in Saint Petersburg on February 8, 1908. The score is dedicated to Sergei Taneyev, a Russian composer, teacher, theorist, author, and pupil of Tchaikovsky. Alongside his Piano Concertos Nos. 2 and 3, this work remains one of the composer’s best-known compositions. Instrumentation: 3(3rd dPicc).3(3rd dEH).2+BCl.2: 4.3.3.1: Timp.Perc(3-4): Str (9-8-7-6-5 in set).3(3rd dPicc).3(3rd dEH).2+BCl.2: 4.3.3.1: Timp.Perc(3-4): Str (9-8-7-6-5 in set)
16907F69D0DD6-5E2F-4A21-A7AA-31C19A1CB526R00120Mystery on the DocksAn Opera in Three Short ActsTenor, Baritone, Soprano Soli: Children's Chorus, Piano, Electric Keyboard, Percussion
16908F69D24F1-6064-4F58-B4B0-2FA9592EEF9952733012Patriot's DreamAccessible to student ensembles (Cello 1 requires tenor clef and uses standard thumb position) and appropriate for any patriotic occasion. Contents: Star-Spangled Banner; National Hymn; America the Beautiful; Navy Hymn; Spirit of '76; Armed Forces Medley; America; Cohan Medley; and Sousa March Medley.Cello Quartet
16909F69E20E4-A50F-4CC7-AA7D-1972BD374A00D103Vocal Connections Female CDBased in part on the “inner hearing,” concepts in Kodaly teaching methods, Vocal Connections is a classroom method designed to teach audiation and music reading in a carefully sequenced approach, and consists of the following components:

AUDIO LESSONS-there are 30 brief (35- 75 second) audio lessons which provide AURAL "immersion" in Major and minor tonalities and movable "do" solfege. Available treble voice CD (3770954), and bass voice CD (3770955).

TONAL GRIDS (3770929 – 5 pack) - audio lessons 5 - 30 are represented graphically on GRIDS. These grids represent a simple and useful transitional stage from the audio lessons to traditional notation.

MUSIC READING EXERCISES (3770930 - 5 pack) - the final step in VOCAL CONNECTIONS is the reading of TRADITIONAL NOTATION.

TEACHER’S KIT (3770928) Contains all the above material, with additional instruction regarding methods and lesson planning.		Cd
16910f6a2ade1-9e39-11f0-a418-0022482c9682A661402Nordseebilder Walzer, Op. 390Johann Strauss II’s (1825-1899) NORDSEEBILDER WALZER (PICTURES OF THE NORTH SEA WALTZ), Op. 390 was composed in 1879, drawing inspiration from the composer’s visit to the island of Föhr. The waltz evokes breezy maritime charm and Strauss’s signature Viennese elegance. His brother Eduard conducted its premiere at the Musikverein on November 16, 1879. It occasionally features in Strauss anniversary concerts and recordings, appreciated for its lyrical appeal and evocative seaside spirit. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Hp: Str (9.8.7.6.5 in set): Pno Cond Sc in set. Reprint edition.1+Picc.2.2.2: 4.2.3.0: Timp.Perc(2): Hp: Str (9.8.7.6.5 in set): Pno Cond Sc in set
16911F6A493BC-765D-43C6-97B3-84AD26F6843FST763Moonlighting (Au Clair De Lune)Flute
16912F6A4AC7E-09D8-41E9-BD9E-6568F1011C35M139391Three Duets, Op.10(not set)Violin and Viola
16913F6A892D6-74DE-4CF5-B7D1-3AAC5B58C4C9R00912Concerto for Trombone and OrchestraOne of the most frequently performed 20th century trombone works. Orchestra and wind ensemble parts available on rental.Trombone Solo:  2+Picc.2.2.2+Cbsn: 4.2.2.1: Timp.Perc(3).Clst.Hp: Str
16914F6AB7223-3686-4A02-9C3E-9EBF9A95D113A573902Edgar3d1, 2, 2, 2 - 4, 2, 4, 0, timp, perc, hp, org, str (2.2.1.1.1)
vocal soli (5 roles, SSTBB), chorus, banda
16915F6AC95F6-9B57-4EAB-B847-9B8E1B8DE030A909490Governor Bradford MarchLeroy Anderson (1908-1975) wrote the original orchestral version of GOVERNOR BRADFORD MARCH in 1948 to honor Robert Fiske Bradford, who served as Governor of Massachusetts (1947-1949). While the work premiered on June 3, 1948, by Arthur Fiedler and the Boston Pops Orchestra, it remained unpublished until after Anderson's death, at which point the BSO gave the original score to the composer's family. Instrumentation: 2+Picc.2.2.2: 4.3.3.1: Perc(2-3): Pno(opt): Str (9-8-7-6-5 in set).2+Picc.2.2.2: 4.3.3.1: Perc(2-3): Pno(opt): Str (9-8-7-6-5 in set)
16916F6B23BD8-7D21-46FB-BE86-2B90E71C5749A786402Concerto Grosso in B-flat, Op. 6, No. 7, HWV 325 (Critical Edition)2 ob, bn, 2 hpchd, string orchestra, soli violin(2), cello (in set)
16917F6B41274-7AFC-43DF-9ED2-857E66279066ST563T.b.a. (Tba)Written with some extra flair in the form of stick twirls and foot stomps and with exciting dynamic contrasts, Louie Bellson's "T.B.A." is sure to delight both the musician and audience! An accessible unaccompanied snare drum solo, perfect for a contest solo.Snare Drum Unaccompanied
16918f6b43c17-9e39-11f0-a418-0022482c9682A661902Concerto for Cello No. 87 in A, GT 1.A28 (Leyden)Italian composer and violinist Giuseppe Tartini (1692-1770), the first known owner of a Stradivarius violin, composed at least 135 violin concerti and at least 100 violin sonatas in his lifetime, among a few other works not for the violin. While the fact that he never dated his manuscripts nor cataloged revisions makes it very difficult to catalog his works, scholars have created systems to at least categorize his output based on the stylistic characteristics of his music. This CONCERTO FOR CELLO No. 87 in A, GT 1.A28 (Canale 1.2.A.01) is among the select works Tartini did not write for violin, and the only known concerto for cello by Tartini, likely written for Antonio Vandini, the first cellist of the Chiesa del Santo (Basilica of Saint Anthony of Padua) where Tartini was first violinist for many years. While the work is, overall, energetic, the solo cello part presents itself more discreetly and almost shyly at times, largely due to being written in the middle range of the instrument. Instrumentation: Hpchd: Str (4.4.4.4.2 in set): Solo Cello in set. Reprint of the edition arranged and edited by Rolf van Leyden (1892-1967).Hpchd: Str (4.4.4.4.2 in set): Solo Cello in set
16919F6BD71D0-BA19-4847-9B40-53D6E7F2549DA541602Six German Dances, K. 571In 1787, Wolfgang Amadeus Mozart (1756-1791) succeeded Christoph Gluck as the chamber composer for Joseph II. One of his principal tasks was to write music for the dances and balls that took place in the Redoutensaal of the Imperial Palace in Vienna. In 1789, he composed his SIX GERMAN DANCES, K. 571, for that year’s carnival. The sixth dance features cymbals and tambourine, representing the Turkish musical style which was exploited as a form of Austrian patriotism during the Austro-Turkish War. Instrumentation: 2+Picc.2.2.2: 2.2.0.0: Timp: Perc(2): Str (4.4.0.3.3 in set).2+Picc.2.2.2: 2.2.0.0: Timp: Perc(2): Str (4.4.0.3.3 in set)
16920F6BDAAA9-8CA1-46CE-9027-F048BED1248BA935390Hary Janos Suite, IZK 26The Háry János Suite is derived from Zoltán Kodály's (1882-1967) 1926 comic opera. The opera tells the fantastical tale of the title character's imagination, from having the wife of Napoleon, Empress Marie Louise, fall in love with him, to his single-handedly defeating Napoleon’s army, to Háry's return home to Hungary on the realization that his happiness can only be found with his village sweetheart, Orzse. The suite, which premiered on March 3, 1927 in Barcelona with the Orquestra Pau Casals under Antal Fleischer, includes six movements depicting many of these outrageous stories from the opera: 1. Prelude. The Fairy Tale Begins, 2. Viennese Musical Clock, 3. Song, 4. The Battle and Defeat of Napoleon, 5. Intermezzo, and 6. Entrance of the Emperor and His Court. Instrumentation: 3(All dPicc).2.2(1st dECl,2nd dASax.2: 4.3+3Crnt.3.1: Timp.Perc(5-6): Clst.Pno.Cimbalon or Pno: Str (9-8-7-6-5 in set).3(All dPicc).2.2(1st dECl,2nd dASax.2: 4.3+3Crnt.3.1: Timp.Perc(5-6): Clst.Pno.Cimbalon or Pno: Str (9-8-7-6-5 in set).