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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16881F64E56FE-CE59-4901-B8A0-094A649E00E3LV719CBSambalita(not set)Concert Band
16882F64F75C5-C599-4C99-8ABC-327C6454ACBALV151CBMini March 'n Swing(not set)Concert Band
16883F650A5D8-850D-4C10-A0EF-E988BE756265SU828Andante Cantabile for Tenor SaxophoneHubert Bauersachs (1882-1964) was an American, violin virtuoso, pianist, transcriber, composer and publisher. He was born in St. Louis, Missouri. He was classically trained receiving violin instruction from Dr. J. P. Nemours and Signor Guido Parisi. This edition of Andante Cantabile, most likely written for violin and piano was transcribed for alto or tenor saxophone solo and piano by Rami El-Farrah.Tenor Sax, Piano
16884F651D8E4-2707-409F-B05E-100B98CC7EF2M322591Sonata in C minor for Viola and PianoWith an autograph on the score dated "d. 14 Febr. 1824," this Sonata for Viola and Piano in C minor would have been composed when Felix Mendelssohn (1809-1847) was fifteen years old, though it was never published in his lifetime. Amongst the most mature of his early chamber works, the sonata benefits from Mendelssohn's own experience as an accomplished violinist and violist, resulting in a welcome addition to the limited viola repertoire from the Classical and Romantic eras.Viola and Piano
16885F651F8E0-8365-4EB9-9A6E-C26FD4FA153CSU486Trio, Op. 87 (Bassoons)Originally scored for two oboes and English horn, Beethoven's Trio Op. 87 has long been one of the composer's most popular works. This edition by Albert Andraud expresses the French romantic tradition of his heritage, providing performers a distinctive approach to this charming classical-style work. Movement titles: 1. Allegro 2. Adagio 3. Menuet and Trio 4. FinaleBassoon Trio
16886F6546738-5F9D-4DC1-865B-5775F7C7063ER00703AgamMusic for a Ballet. Composed for the Pacific Northwest Ballet2.2.2.2(1d ContraBassoon): 2.2.3.1: Timpani.Percussion(2).Harp: Strings
16887F65559F0-E913-4C73-9BE2-20C03B9A6A2FA228402Die Fledermaus (The Bat) (complete opera)The comic operetta DIE FLEDERMAUS (The Bat) by Johann Strauss II (1825-1899) is the composer's best known operetta, though "The Waltz King" is perhaps better remembered yet for his contributions to that uniquely Habsburg Vienna dance with the infectious rhythm. Telling a farcical tale of practical jokes, masked identities, the test of true love, and other shenanigans, the original source is a play by German playwright Julius Roderich Benedix (Das Gefängnis), which was translated into a French vaudeville play, "Le réveillon" by Henri Meilhac and Ludovic Halévy, which was then translated back to German by Karl Haffner, whose translation was finally used as the source for the libretto by Richard Genèe. Written following a couple of less successful efforts to enter the opera world, this light opera premiered at the Theater an der Wien in Vienna on April 5th, 1874, and remains one of the most popular in the contemporary repertoire. Instrumentation: 2(2dPicc).2.2.2: 4.2.3.0: Timp.Perc(3): Hp: Str (4-4-3-3-3 in set): Vocal Soli (9 roles, SSSMezzoTTTBarBar): Chorus. Reprint edition.2(2dPicc).2.2.2: 4.2.3.0: Timp.Perc(3): Hp: Str (4-4-3-3-3 in set): Vocal Soli (9 roles, SSSMezzoTTTBarBar): Chorus
16888F66A33A9-50CD-4356-88B0-77E722C43AFC50250056Not a Cloud in the SkyOn a clear day, you CAN see forever, and life just feels right. David Bobrowitz makes everything feel just perfect with this little gem that will have everyone smiling while you play.Score and Set
16889F66ACAB6-D021-4F61-858F-50E9FD91B2C110200044Little Bit O LatinMaracas and claves help give the Latin feel to this wonderful work for young orchestras. Optional parts for violin and violoncello are provided to help with younger players (in the viola and violoncello sections). The work can even be played by strings alFull Orchestra
16890f66d929c-9e39-11f0-a418-0022482c9682A654002Demolirer, Polka Francaise, Op. 269 (Demolierer-Polka)DEMOLIERER, POLKA FRANCAISE (DEMOLIERER-POLKA), Op. 269 is a polka by Johann Strauss II (1825-1899), composed in 1862 to mark the demolition of Vienna’s medieval city walls following a decree by Franz Josef I to expand its boundaries. The first performance took place in the "Sperl" ballroom on November 22, 1862. Despite its unusual name, it makes no musical reference to that event but retains a lighthearted character so typical for the Viennese polkas of the time. Instrumentation: 1+Picc.2.2.2: 4.2.1.0: Timp.Perc(1): Str (9.8.7.6.5 in set): Pno Cond Sc in set.1+Picc.2.2.2: 4.2.1.0: Timp.Perc(1): Str (9.8.7.6.5 in set): Pno Cond Sc in set
16891F66F1293-3869-41F8-8DEA-156BDDBA5E2AST670Vanguard, TheThis march-tempo rudimental snare drum solo utilizes tone shadings by varying the distance to the center of the drumhead and emphasizes multiple roll techniques, flams, and paradiddles.Snare Drum Unaccompanied
16892F6713593-94B9-4B3E-8A8F-BB0C75D30A2E50394012Renaissance and Baroque Suites, vol. 3 - Bass ClefThis collection of four suites of flexible quartets, playable on any four instruments, have been arranged from works written by Renaissance and Baroque period composers. Works by the following composers included: John Playford, J.S. Bach, Tielman Susato, Claude Gervaise, G.F. Handel, G.P. Telemann, Girolamo Frescobaldi, Guglielmo Ebreo da Pesaro, Fabritio Caroso, Richard Farrant, Pierre Phalese, and Nicolas Chedeville. Books for all instrument keys and clefs are available from the publisher. This is the third of three volumes of progressive flexible quartets, with ten total suites included across all three volumes.Flexible Quartet, BC
16893F671EEB8-CEAA-42DD-8D6D-576EA310687FM806890Adagio from Symphony No. 3 (Organ) Op. 78String Orchestra
16894F67B184C-15B6-4D97-8E41-67569FA139A350130015Snakes! (flex band)This Duffy work by has become a huge hit with bands across the country. While exposing students to some aleatoric elements and unusual sound production, it is a solid piece of music accessible to groups from good middle schools to university and community groups. A solid player and crowd pleaser. This new arrangement for flexible instrumentation is playable by any SSATB combination of instruments with optional percussion, from 5 players through large ensembles.Any SSATB combination of instruments with optional percussion, from 5 players through large ensembles
16895F67DA960-4A9D-49D5-8AF3-A0320B49F350A178002Sinfonia Concertante in Eb, K. Anh. 9/K. 297b (Konzertantes Quartett)In 1778, while in Paris, Wolfgang Amadeus Mozart (1756-1791) wrote to his father that he had written a Sinfonia Concertante for soli flute, oboe, horn, and bassoon with orchestra accompaniment, but that the work was replaced on the program by another at the last minute. Following this, Mozart supposedly left the score in Paris, and the sinfonia concertante was considered lost. Then, in 1869, Mozart biographer Otto Jahn discovered an anonymous manuscript copy in Berlin that Jahn deemed to be the lost Sinfonia Concertante, despite the solo instruments now being oboe, clarinet, horn, and bassoon. He was confident enough to pass the work to Ludwig Ritter von Köchel to be included in his Köchel catalog of Mozart works as K. 297b. And while the work was initially accepted as Mozart's, in part because the woodwind writing sounds so decidedly like Mozart's woodwind writing, the controversy of this work's origin had become a hotly debated topic starting in the early 20th century that continues until today. Regardless of its impenetrable mysteries, it retains wide appeal and remains a regular part of the concert repertoire for its heavenly woodwind sounds, melodiousness, and charm. Instrumentation: 0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Soli Oboe, Clarinet, Bassoon, Horn in set.0.2.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Soli Oboe, Clarinet, Bassoon, Horn in set
16896f67f8656-9e39-11f0-a418-0022482c9682A654502Entweder Oder, Polka Schnell, Op. 403 (based on Der Lustige Krieg)ENTWEDER ODER, POLKA SCHNELL, Op. 403 is a polka by Johann Strauss II (1825-1899), using themes from his 1881 operetta DER LUSTIGE KRIEG (THE FUNNY WAR). One of several short pieces based on this work, it includes music from Act 2, including the introduction, Violetta’s marching song, and the final chorus. It has been suggested that the title, translated "Either...Or," refers to an implied ultimatum made by the composer to his wife Angelika, who was then involved in an affair with the theater director Franz Steiner. His brother Eduard conducted the premiere at the Sofienbad Hall in Vienna on February 14, 1882. Instrumentation: 1+Picc.2.2.2: 4.2.3.0: Timp.Perc(1): Str (9.8.7.6.5 in set): Pno Cond Sc in set.1+Picc.2.2.2: 4.2.3.0: Timp.Perc(1): Str (9.8.7.6.5 in set): Pno Cond Sc in set
16897F689D300-6D95-49FE-AFEE-CD70BA7B867CF705Musidex File Set Solos and Ensembles, 500-numbersForms
16898F68EF306-6646-44B7-9003-77F2CC5D378EA455402Aida: Act I, PreludeAIDA, with music by Giuseppe Verdi (1813-1901) and a libretto by Antonio Ghislanzoni, is a staple of the operatic repertoire. The story, set in the Old Kingdom of Egypt, tells of tragic love challenged by jealousy and loyalty to country and family. Commissioned by Cairo’s Khedivial Opera House, it was premiered there on December 24th, 1871, in a performance conducted by Giovanni Bottesini, although, due to a limited audience, Verdi considered the performance at La Scala in Milan on February 8th, 1872 to be the true premiere. The Prelude (Vorspiel) to the opera begins gently, swells to a powerful peak before returning to the quiet calm of the beginning. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set).2+Picc.2.2.2: 4.2.3.1: Timp: Str (9-8-7-6-5 in set)
16899F68FC9D0-EAE4-4343-B087-C6689A7B47BCSC69Steal AwayA traditional African American Spiritual arranged for men's chorus by renowned choral director and composer Bobby L. Siltman.TTB or TBB
16900F6966EAE-C7D8-4142-8559-976A5B1BDFE1SC400COLord Is King, The