Titles

Create Title

Showing 16,821-16,840 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16821F57FACEA-92D9-46A5-B3F2-F3C0CAE9F326SS736LA DANZA (OUT-OF-PRINT
16822F58178C5-13F8-4CBE-87C1-540FF3FDDFA6A424802Concerto for Piano No. 3(not set)3d1, 2, 2, 2 - 4, 2, 3, 1, timp, str, [solo piano]
16823F588C162-7D67-4296-9BB4-34C59A9CB7A310451139Two Marionettes(not set)Saxophone Trio and Piano
16824F58D94C3-ACC3-4D0A-B847-835248A6DBEEB566Fifty Syncopated Solos for Snare Drum(not set)Snare Drum
16825F592160A-4291-4308-AF81-DD0B9C886051SC177Under the Greenwood TreeTtbb
16826F593C5ED-8576-41A6-854B-E136EFC5F3D3M255691Three Piano Pieces(not set)Solo Piano
16827F59AC558-0BEB-45B1-920E-5933F0CA04D6A278602L'Elisir d'Amore, Act II: Una furtiva lagrima (tenor)Gaetano Donizetti (1797-1848) composed his popular two-act opera buffa L'elisir d'amore hastily over six weeks in 1832 for a premiere that took place on May 12 of that year at the Teatro della Canobbiana in Milan. The comic melodrama tells the story of a simple peasant, Memorino, and his unrequited love for wealthy landowner Adina. While competing for Adina with a soldier named Belcore, Nemorino turns to a charlatan named Dr. Dulcamara to purchase a love potion after hearing the story of Tristan and Isolde, a potion that does not do for Nemorino what it was intended to do. Finally, upon discovering Nemorino's sincerity in his love for her, Adina falls in love with him. The most famous aria in the opera, Una furtiva lagrima (A Furtive Tear), is sung by Nemorino in Act II, Scene 8, after he sees a single tear in Adina's eye. He is convinced that she now loves him, but he had spent all the money he had from joining the army on his love potion, and he will have to leave the next day with his new regiment. In the aria, he pensively reflects on what he saw and Adina's new love for him. The aria is among the best-known for tenors in the repertoire. Instrumentation: 1.2.2.2: 2.0.0.0: Hp: Str (4-4-3-3-3 in set): Solo Tenor.1.2.2.2: 2.0.0.0: Hp: Str (4-4-3-3-3 in set): Solo Tenor
16828F5A51B58-ACBE-4D46-AAFB-D6AF1A6BDA8F10540265Thrice Happy the Monarch for Baritone BC and PianoThis aria, sung by the character Ptolemee, from Handel's oratorio "Alexander Balus" (HWV 65. No. 6) has been arranged for solo brass instrument with piano accompaniment by Winston Morris. In 3/8, while at a reasonably fast tempo, the work offers intermediate players a perfect amount of technical challenge while also offering the opportunity to perform a song from the Baroque era with appropriate phrasing and musicianship. Version for trumpet, trombone, baritone B.C., and tuba are available from the publisher.Baritone B.C. Solo and Piano
16829F5A7BE85-4521-4549-A9E5-7BF6A4B07794MR00509Aragon
16830F5A9D3D8-41BA-4FE6-9439-0CCE0F717438M376791Variations Et Fugue(not set)Solo Piano
16831F5ACA494-5F7F-472F-89C5-B3325B932C8650760017Jazz Grab Bag: Five Original Intermediate Piano PiecesThese five piano pieces--a blues, two rags, a jazz waltz and a Latin-American vignette--offer much variety in the jazz idiom. The music incorporates not only color and variety, but also a playful element of humor for the audience to enjoy. Contents: 1. Wash Rag, 2. Thar She Blues, 3. North of Ninth, 4. Symbols for Three, 5. Caribbean EscapadePiano
16832F5AF9E6C-BF78-4BBA-B47D-D9CC6AA9BE6DMP504011String Quartet No. 4
16833F5B35FCD-311A-42DC-859A-F784CC54605C10622409NocturneThis is a beautiful and mesmerizing arrangement of Chopin's famous NOCTURNE for marimba trio. Fun and challenging, it is an excellent choice for concert or competition.Marimba Trio
16834F5B620C2-AC22-401B-BB5D-0103A3C322D5O2Brahms Jump (out-of-print)Jazz Band
16835F5B66556-0F3B-4CCA-A9D3-24647D52F624ST636COMosaics (no-longer-our-publication)Flute Choir
16836F5B85139-C025-466A-806B-5C4F1E3CEA99A202602Symphony No. 4, Op. 54 (Le Poeme de l'Extase)SYMPHONY NO. 4, known as LE POÈME DE L’EXTASE (THE POEM OF ECSTASY), is a single-movement work for large orchestra by Alexander Scriabin (1872-1915). Composed near Genoa between 1905 and 1908, the piece reflects his fascination with mysticism and Nietzschean philosophy, depicting a soul’s escape to a higher plane of spiritual consciousness. Referencing a connection between the transcendental and the erotic in his own poem upon which the work was based, he originally intended to call it POÈME ORGIAQUE. When the composer performed a piano version for a gathering of several Russian musical figures, they were puzzled by its daring ambiguity. The first performance took place in New York City on December 10, 1908. Instrumentation: 3+Picc.3+EH.3+BCl.3+CBsn: 8.5.3.1: Timp.Perc(5-6): Clst.Org.2Hp: Str (9.8.7.6.5 in set).3+Picc.3+EH.3+BCl.3+CBsn: 8.5.3.1: Timp.Perc(5-6): Clst.Org.2Hp: Str (9.8.7.6.5 in set)
16837F5BA6002-D243-4695-AD20-7C7D0C60251BA776902Concerto for Clarinet in E-flat 'Darmstadt Concerto'This CONCERTO FOR CLARINET in E-flat, referred to as the 'DARMSTADT CONCERTO,' by Carl Philipp Stamitz (1745-1801) has been edited by Helmut Boese. The set of score and parts is available as A7769. The piano reduction of Boese's edition can be found at the publisher number M3521.2.0.0.0: 2.0.0.0: Str (4-4-3-3-3 in set): Solo Clarinet in set
16838F5BAA803-E567-46A6-B884-0BF25E20C580SU785Dagon II for Trombone ChoirSolo Trombone, Trombone Choir
16839F5C055C9-F729-4C51-8A3D-752B53F7A56E10440260CumberlandThis short, intermediate solo clarinet piece with piano accompaniment, in C Major (concert), is a great choice for a recital or competition. It features a simple melody with the feel of a beautiful rustic mountain valley.Clarinet and Piano
16840F5C27A88-DB95-43D0-AD6E-FD6DB5E14DC3M384091Ballade Op. 288(not set)Flute and Piano