Titles
Showing 16,761-16,780 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 16761 | F4E910C0-65D2-463F-9354-405D2F430E12 | R01334 | The Being of Love: Folk Songs Set No. 16 | Four Persian folk songs for Soprano voice and orchestra commissioned by the Pittsburgh Symphony. Songs: I. Longing, II. Love Drunk, III. In Memory of a Lost Beloved, IV. The Girl from Shiraz, V. The Being of Love | Soprano, Piano Reduction from: 2(2d AFl, Picc).1(dEH).2(1dCl in A, 2dBCl).2(2dCbsn): 2.2.2.1: Timp.Perc(4).Pno (d Clst).Hp: Str(10.9.8.7.6) | |
| 16762 | F4EA2D5F-1F24-4464-A737-E341DC8F1E46 | MC4568 | Christmas Music: God Rest Ye Merry Gentlemen | These seven arrangements by Norman Dello Joio for combined mixed voices are the result of many requests that he utilize his successful piano four hand transcriptions as published in “Christmas Music” for choir settings. While the piano four hand accompaniment appears in each choral version, the music in the piano four hand folio Christmas Music,” which contains all these titles, may be readily adapted to facilitate performance by providing a larger note size, minimizing page turns, etc. Mr. Dello Joio has further enhanced the musical enjoyment of these Christmas songs by scoring an accompaniment for orchestra, which is available on rental from the publisher. | SATB, Piano 4 hands | |
| 16763 | F4EB17F8-BB1B-4CDC-96E5-A793F1795A1A | 50345003 | Classical Solos | A full range of contest solo books, featuring Play-Along audio, written for each of the twelve principal wind instruments and mallet percussion. Hear demonstrations by professional soloists on one track and then play along with the piano accompaniment on the next track. A separate piano accompaniment book will work with any solo book of the same title. The Piano Accompaniment book includes some solos in two keys and will work for any instrument in each compilation. | Alto Saxophone | |
| 16764 | F4EB65B2-D36A-4795-AFD7-D1D22A19DEE2 | A214902 | Light Cavalry (Leichte Kavallerie): Overture | The two-act operetta Leichte Kavallerie (Light Cavalry) was written by Franz von Suppè (1819-1895) in 1866 and is set in a 19th-century Austrian village where love intrigues and other relationships intersect with the arrival of a regiment of hussars (a class of light cavalry). While the operetta itself is obscure and very rarely staged, the Overture has taken on a life of its own, practically divorced from the original dramatic work, becoming arguably the best-known composition by von Suppè and a standard work in the orchestral repertoire, quoted in numerous other medias, including cartoons. | 1+1(Picc).2.2.2: 4.2.3.0: Perc: Str | |
| 16765 | F4EBC6B2-C667-412D-969C-A992E5E5424B | M801890 | Ancient Dances and Airs Suite 1 for String Orchestra | Italian Transcriptions Dances Youth/Community Orchestra, StringMasters | String Orchestra | |
| 16766 | F4EC80C7-3BA5-4782-8795-12B20811CF89 | MP652502 | Quiet in the Land: Poem for Mixed Quintet | Originally written for flute, clarinet, English horn, viola, cello in 2003 during the invasion of Iraq, QUIET IN THE LAND asked how quiet the spirit of our land might be with the inconclusive harmony of the piece to suggest an ambiguous answer. Fourteen years later, disquiet in the land has led to a return to this, and the scale of an adequate musical response now demands the expressive and coloristic palette of a fully symphony orchestra. Some of the structure and a few fragments of the original composition survive in the orchestral work of the same title, and the harmonic language remains ambiguous. Composed especially for the Phoenix Symphony, Tito Munoz, Music Director with the generous support of the Phoenix Symphony Commissioning Club. | Flute, English Horn, Clarinet, Viola, and Cello | |
| 16767 | F4ED9297-C95A-4244-A0FE-0CF538A011A2 | X652513 | Borrowed Times for Clarinet and String Quartet | This suite for clarinet and string quartet contains creative arrangements and interpretations of jazz and 20th Century art music in a highly original, contemporary classical idiom. It consists of four movements, one for each season: Les feuiles mortes (Joseph Kosma), The Snow is Dancing (Debussy), It Might As Well Be Spring (Richard Rogers), Variations on "Summertime" (George Gershwin). The movements in this suite may be performed individually or in seasonal order, beginning with any movement. Borrowed Times was written for and dedicated to clarinetist David Shifrin and Chamber Music Northwest. | Clarinet, String Quartet | |
| 16768 | F4EDF0D3-7BEA-4E21-B33B-9BBBE1F54C4F | M409291 | Sonata, Op. 4 | Kodaly's SONATA, Op. 4, except for some transcriptions, was the first work Kodaly wrote for cello while taking some cursory cello lessons. Op. 4 opens with a brooding first movement, primarily lyrical in content, which is followed by a dance-like second movement. The Sonata is strongly romantic in approach and is infused with Kodaly's usual usage of the Hungarian language. -Janos Starker | Violoncello and Piano | |
| 16769 | F4F0772B-A451-47DB-A8FF-5D443CE3589E | EBM0660008 | Morning and Evening Poems for Voice and Quintet | Morning and Evening Poems (1966) by William Bolcum is a musical setting of poems by William Blake for Contralto, Tenor, or Counter-tenor with Alto Flute, Harp, Piano, Viola and Percussion. Duration ca. 8' | Contralto or Tenor or Counter-tenor with Alto Fl, Hp, Pno, Vla, Perc(1) | |
| 16770 | F4F2BC2E-C9FD-4352-ACAB-CB14D5A3AA91 | SO37C | Three Czech Songs | (not set) | String Orchestra | |
| 16771 | F4FD2948-F1A0-494E-9133-65A9DCB83B4D | M226191 | Pieces de Fantasie, St. 4 | (not set) | Organ | |
| 16772 | F4FEBA4E-9967-447E-AF9B-502288CBAF9C | V54 | If I Asked My Heart | Piano/vocal | ||
| 16773 | F4FF9584-F7B5-4CDE-827E-8570EB84EEC3 | X205017 | A Time Apart | A one-movement reverie, and a gentle musical expression of time spent by the sea. The listener might hear the rise and fall of waves, sandpipers running on the beach, the stillness of sunset, and the call of a lone heron standing majestically by the water's edge. | Brass Quintet | |
| 16774 | F500475F-F570-4B52-812B-CBF67E48CBC6 | 50200041 | Legacy for Orchestra | This outstanding new work exists for both band and full orchestra. It is rich, full, and vibrant, with exciting parts for all players. | Full Orchestra | |
| 16775 | F5126461-9527-46D6-BC6B-4AD8CF94BD51 | SS464 | Concerto in f Minor | Originally in G minor for oboe and chamber orchestra, this transcription for trombone is presented in F minor as a more practical key for the trombone. The custom of soloists of the Baroque Period to extemporize and embellish over a sustained line is preserved with an interpolated optional variation on the Sarabande. And and optional cadenza is included. | Trombone (in tenor clef), Piano | |
| 16776 | F513103A-8835-4A5C-A6ED-9CD87D9649F8 | B433 | Six Sonatas | (not set) | (not set) | |
| 16777 | F5131581-5410-43E1-9B80-EADBD5BA86D8 | LV153CB | Morning Bells Overture | (not set) | Concert Band | |
| 16778 | F5172D71-8D20-4709-AD58-290CC0C7467A | A528502 | Otello: Ballabile | 3d1, 2, 2, 4 - 4, 2+2, 4, 0, timp, perc, 2hp, str | ||
| 16779 | F518125A-1584-4F5F-B03F-A77B13A7C76E | LV212CB | Mr. Trombone | |||
| 16780 | F5189485-7A06-445C-A5DA-78BA0866F683 | SC188 | Brave Texans | Tb |