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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16721F45ED9B8-84E5-4E27-B269-D3774B6DE6C0SC406Lord Is My Strength, TheSatb
16722F45F5C93-AC1E-4EC7-BE33-4DCE1AD2CED1ST503Sentimiento IndefinidoFlute Unaccompanied
16723F4608FBC-6617-4DB5-AAEC-3BE33B74555720100316Bingo Take TwoBand
16724F462C518-600F-4959-B16D-1434898BBFE8B234CO20 Solo Studies (accompaniment)Marco Bordogni (1788-1856) of Italy, from whom these studies were adapted, was one of the leading operatic tenors and teachers of his time. These studies have been selected and transcribed from the Bordogni's "Vocalises" for instrumental use, and they have been systematically and progressively arranged to develop technique and musicianship through the interpretation of melody in all its varied forms of expression. The aim is the development of a beautiful, singing tone, and the attainment of the greatest fluency, not as an end in itself, but as a means of achieving artistic interpretation of all music. These Studies develop breath control, articulation (especially legato), a tasteful use of ornaments (which need not be performed by the less experienced student), and a command of the instrument.Trumpet
16725F4640ECA-F20C-47AA-AF91-3BA48D9E8461ST985AdagioOboe
16726f465ac7f-9e39-11f0-a418-0022482c9682A636402Lachian Dances, JW VI/17 (complete)The LACHIAN DANCES (in Czech: LAŠSKÉ TANCE) was the first mature work by the Czech composer Leoš Janá?ek (1854-1928). Originally titled WALLACHIAN DANCES after the Moravian Wallachia region, Janá?ek later changed the title when the region's name also changed, since it reflects folk songs from that specific area. Composing the collection between 1888-1890, the original version saw its premiere on January 11, 1889, in Olomouc, although Janá?ek began to rework the title in 1925, making a new selection and ordering of numbers, along with changes in orchestration. This revised version was published in 1928 and is what is used in this E.F. Kalmus edition. Movements: 1. Starodávný ("the Ancient One"); 2. Požehnaný ("the Blessed"); 3. Dymák (portrays a blacksmith at work); 4. Starodávný II; 5. ?eladenský (probably from Lachian village ?eladná); 6. Pilky (in preperation for winter). Instrumentation: 2+Picc.2+EH(opt.).2+BCl(opt.).2: 4.2.3.0: Timp.Perc(1): Hp.Org(opt.).Lira: Str (9-8-7-6-5 in set). Reprint edition. Editions of just dances 1-2, dances 3-4, and dances 5-6 are also available from the publisher for those that do not wish to perform all six movements.2+Picc.2+EH(opt.).2+BCl(opt.).2: 4.2.3.0: Timp.Perc(1): Hp.Org(opt.).Lira: Str (9-8-7-6-5 in set)
16727F4665F9E-AD6A-415C-A771-4601728C162B50250156A Warrior's Dream: Tone Poem for String OrchestraA tone poem, A Warrior's Dream uses a myriad of special effects and articulations to tell its story. All sections are required to shift, first violins and cellos most frequently. The length and vigorousness of bowing make fatigue a possible factor of difficulty.String Orchestra
16728F469B7AA-E5C3-4022-B9C9-9B1D3D65CC3BSU448Journey Into the LightA four movement work that outlines the stages one passes through during the maturing process and search for inner peace. The work is a portrayal of changing personalities, different moods, and one's self-perception during different moments in one's life, the ever-changing reflection in the mirror.Alto Sax, Piano
16729F46C09A4-87BF-4E11-9E0E-FC0C4123DF4CS32MB99th Division MarchMarching Band
16730F4753CEC-36B4-4024-B2B4-5D3C1940BA3ESC155Gallant MenThis easy piece for TB choir is part of the University of Texas Interscholastic League Music Competition Series. UIL Sight Reading Selection for Class CTb
16731F4758E8E-E075-48E7-A0E7-A24F1DF72366S110007Flying Lessons: European Edition(not set)(not set)
16732F479479B-6FE7-40B7-9DE5-B8C14F437F72B393Fantasies 1 - 12 for Clarinet UnaccompaniedThe "Twelve Fantasies" were written about 1732, during the height of Telemann's career and faithfully depict his movement away from the Baroque into freer forms, giving an improvisatory and somewhat spontaneous feeling to these works. These solo fantasies of Telemann have been beloved late Baroque works by flutists for centuries. Their beauty and incredible interpretive opportunities are offered to clarinetists in this wonderful transcription by Sidney Forrest. The edition includes notes and errata by celebrated clarinetist Kathryne Pirtle, who released the world premiere recording of this transcription in 2017 on her independent solo album, “Teleman Twelve Fantasias Transcribed for Clarinet Solo.”Clarinet Unaccompanied
16733F47CCC2B-DA53-4C44-94E7-B62AA8B170D320537286Air and MarchEasy ranges. Air is in a legato style. March is marcato. Good training and contest piece for young performers. With alternate euphonium TC parts for trombone 2 and euphonium.Trombone 1 and 2, Euphonium (Trombone) and BBb Tuba
16734F485503B-76C2-4550-B7CC-F64857724166S717Apocalyptic DreamsIn 1984, the composer wrote a tone poem for symphonic band centered around the book of Revelation, the concluding book of the bible. After that time, he continued to be interested in describing the events of the Apocalypse through music, but on a much grander scale. This resulting work is structured in the form of a three movement symphony with each movement bearing reference to a portion of the end of time narrative. I. "The Vision"- This first movement sets the general mood for the entire symphony and depicts, through music, the Apostle John's nearly unimaginable propetic vision of the end of the world. II. "Cataclysmic Events"- Marked ferocious, the second movement alludes to the chain of cosmic disasters accompanying the Apocalypse. III. "Messianic Kingdom"- The thried movement begins with the pealing of chimes, annoucing the arrival of the Messianic Kingdom, followed by a chorale and interlude that depicts the second coming of Christ and proclaims the pureness of the new kingdom. A fanfare in faster tempo announces the conclusion of the movement, quoting "Break Forth O Beauteous Heavenly Light, the celebrated hymn tune by Johann Schop. The symphony ends in grandeur, evoking hope for all humanity. Commissioned by the University of Georgia Bands, H. Dwight Satterwhite, Director of Bands.Concert Band
16735F4927666-659B-4541-A8C0-2345B15189DBRMR4CBOverture for Wind Band, Op. 24Felix Mendelssohn composed the first of his two works for wind band in 1824 at the age of 15. This work, originally entitled "Notturno", was scored for eleven winds. It was later rescored for a much larger contingent and published as "Overture for Wind Band." The work is in two main sections, an extended andante introduction and the main body of the overture marked allegro vivace. While not generally considered one of Mendelssohn's masterworks, the "Overture of Band" is nonetheless a valuable part of the band's early repertoire. This edition replaces the obsolete instruments with their modern versions and resolves many inconsistencies that plagued the original score.Concert Band
16736F4947107-96B9-4C8C-9AE1-B2A3C9182E50B23020 Concert StudiesAlthough these studies were not originally composed for the flute, they retain the abundant richness of melodic and harmonic treasure associated with the music of Bach. A variety of transpositions were selected in order to accommodate the flute range in addition to offering technical challenges for the player. This book includes the following studies: Double, Courante, Sarabande, Allemande, from Partita No.1 for Violin; Courante and Sarabande, from Partita No.2 for Violin; Bouree and Gigue from Partita No.3 for Violin; Prelude and Allemande from Suite No. 2 for Cello, Allemande, Bourree I and II, and Gigue, from Suite No. 3 for Cello, Prelude, Allemande and Courante from Suite No. 4 for Cello, Gigue, from Suite No. 6 for Cello, Prelude No. 6 from Vol. 1 Well Tempered Clavichord, Prelude No. 3 from Well Tempered Clavichord.Flute Unaccompanied
16737F49A1F88-A693-45BA-9953-C8614D754C22X531028Sonata for Cello and Piano (new edition)Cello, Piano
16738F4A548AD-4EA4-45C2-A6C0-509EF7A2FD3CR00403Asymptopia I3(1d Piccolo).2.2.1: 2.2.3.1: Percussion(3).Piano: Strings
16739F4AA3313-705F-49CF-8B0E-6A761AD983EBM130491Je te veux Waltz"Je te veux" (I Want You) is a waltz composed by Satie and dedicated to vocalist Paulette Darty. The song, utilizing erotic text by Henry Pacory, was first performed at La Scala cabaret in Paris. Versions for Vocal/Piano and Solo Piano are available from the publisher. Reprint edition.Piano Solo
16740F4AC6E49-29B8-44AD-B314-52FC7DF6914C52723319Take Me Out to the Ball Game(not set)Viola Quartet