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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16641f3470ff6-9e38-11f0-a418-0022482c968210740259Sarabande from Oboe Concerto, HWV 287The SARABANDE is the third movement of George Frideric Handel's (1685-1759) OBOE CONCERTO in G minor, HWV 287, composed around 1704-1705. Robert M. Barr has transposed this movement to the key of F minor. Versions for bassoon, clarinet, alto clarinet, alto saxophone, tenor saxophone, baritone saxophone, cornet/trumpet, trombone, baritone (B.C./T.C.), tuba, and double string bass, all with piano accompaniment, are available from the publisher.Double Bass and Piano
16642F34D50EB-5B5D-46EC-B64E-2DAFEB7A7142S260MBCadet Sergeant March(not set)Marching Band
16643F34DFE99-AA57-44A2-B24B-4018E75E5615LV727CBThree Folk Dances(not set)Concert Band
16644F352E877-AC8E-494A-B0C9-6901D298C9AE10250012Sonatina Op. 36, No. 2A great piece for student ensemble! Sonatinas 36 and 37 are some of the most popular of all student works for the piano, composed by "the father of the modern pianoforte", Muzio Clemente. This Sonatina is an upbeat, beautifully melodic tune comprised of three movements and expertly arranged by Belisario Errante for string orchestra.String Orchestra
16645F356D99B-C375-45B6-A7D5-9DC28F5F8B18X940021Already the Ripening Barberries Are Turning RedSSATB Chorus
16646F3597690-1DE2-454C-869F-2181174793A652200901Christmas MedleyThis thrilling work for your full orchestra includes, Sing We Now Of Christmas; O Come Little Children; and The Wassail song; all done in the inimitable style of Thom Sharp! Instrumentation: 2.2.2.1: 4.2.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set).2.2.2.1: 4.2.3.1: Timp.Perc(2): Str (9-8-7-6-5 in set)
16647F35B197F-5BD6-4A26-AA41-96DB2D3C9B93EBM0630115Drums of Summer for Chorus and WindsThis composition for SATB chamber choir and wind ensemble takes text from four different writers for each of its movements: I. The Walden Pond Parade (Thoreau), II. Hermanitos (Torres), III. Dark Girl (Bontemps), IV. River-bed (Paz). Commissioned by the Meadows Wind Ensemble, Dallas Texas Jack Delaney, director. Premiered and recorded in 1997, and it received a Pulitzer Prize nomination in 1998.SATB chamber choir (4 vcs per part)/ 2(2dPicc).2(2dEH).2(+BCl.+CBCl).2(2dCBsn): 2.2.2.1.+Euph StrBs: Perc(5)
16648F3692478-4EDB-4775-B66B-037BC7B06A5EA170302Capriccio Brillant in B minor, Op. 22Felix Mendelssohn (1809-1847) wrote Capriccio Brillant, Op. 22 during his second vist to England. This charming example of Mendelssohn's writing for piano has two movements: an Andante with a gentle, reflective melody and an Allegro con fuoco that shatters the previous languid mood with a cascade of arpeggios that leads into a march-like principal theme. The solo piano part never lapses into dazzling technique for its own sake. It premiered in London by the Philharmonic Society on May 25th, 1832. Two copies are required for performance.2 Pianos, four hands
16649F369AF38-7FA9-4AED-B166-F65DD68AF06020548605Nobody Knows the Trouble I've Seen(not set)Euphonium 1, 2 and Tuba 1, 2
16650F36C7B6F-66D9-4CAD-8BA4-0022503A5BB0SC78For a ChildSsa
16651f373311a-9e38-11f0-a418-0022482c968210760425Onward MarchErnst Lüthold (1904-1966), known as the "Sousa" of Switzerland, wrote the march ONWARD in 1958, and the work is now the Official March of The City of Calgary, Alberta, Canada. This piano transcription has been completed by Walter Watson.Piano Solo
16652F3733877-5DC9-4E30-8B3C-4211BCEF4DB910100439Glass ReflectionsGlass Reflections is an original and colorful tone poem for band. Appropriate for contest and concert programs, this is a very playable and exciting work. Percussion scoring is particularly original, including a 'cardboard box,' glass jar and brake drum.Concert Band
16653F3736F9C-EB23-4628-8A66-723612077ED152731004Flexible Bach: Duets for CelloFully compatible with the violin and viola books, these cello duos from Bach's Six English Suites use some thumb position and tenor clef, are great for sight reading, and make forming ensembles easy between students. The more treble of the instruments should play part 1 when combining with violin or viola.Cello Duo
16654F3759928-11C8-4B8E-93FA-A2E40F44F26120403001The Half Minute Waltz and MarchThis quartet was written to provide less experienced woodwind players (especially the double reeds) an opportunity to play ensemble literature well within the limits of their technical and tonal development. A variety of instrumental combinations are offered to make the performing ensemble more versatile and more possible. The standard instrumentation would be flute, oboe, clarinet and bassoon, but 2nd flute can be a substitute for the oboe, and a 2nd clarinet, or a bass clarinet for the bassoon. The Half Minute Waltz is of course a 'take-off' comparison to the famous 'Minute Waltz' by Chopin, and since a half minute is rather short for a composition, a march was added. All instruments are kept within practical range for this level and the entire piece is in E-flat major.Flute, Oboe, Bb Clarinet and Bassoon
16655F37A6263-2F1B-477C-BA65-1EEDC22E6619LV229CBWestern Legend(not set)Concert Band
16656F37F3DCD-1092-49E4-99B8-5DC86F5D9A92EBM0660016Violin Sonata No. 2Premiere: Sergiu Luca, violin, William Bolcom, piano, Library of Congress, Washington, DC, January 12, 1979Violin, Piano
16657F3822E12-A4A2-4FFE-AE5D-6EB4E1093B51S1036CBFive Dances for Five Clarinets and Band, Second EditionAlfred Reed composed Five Dances for Five Clarinets in 1956 at the request of the LeBlanc instrument company to introduce the performance capabilities and tone of each instrument of the clarinet family. The five movements are based on musical styles from around the world: 1. Hoe-Down (E-flat Soprano Clarinet), 2. Sarabande (E-flat Alto Clarinet or Basset Horn in F), 3. Guaracha (Bass Clarinet), 4. Afro (E-flat Contra Alto or B-flat Contra Bass Clarinet), and 5. Hora (B-flat Clarinet). Previously, the score and parts for Five Dances for Five Clarinets were only available on a rental basis, and Reed had not included the composition in his own list of published works. Yasuhiro Murakami, author of an annotated list of Reed’s works, created this edition based on Reed’s manuscript. This work may be performed by one soloist on five different clarinets, by five separate soloists, or a smaller number of the movements may be played by one or by multiple soloists. Each of the Five Dances is also published with piano accompaniments which are still in print. The detailed “Master Plan Lesson” written by Donald McCathren of LeBlanc for each movement are available for digital download.Clarinet solo (Eb Soprano, Bb Soprano, Eb Alto, Bb Bass, Eb Contra Alto), Band Accompaniment
16658f38c8506-9e38-11f0-a418-0022482c968210760468The RoosterThis work for the beginning instrumentalist, available for numerous different solo instruments with piano, includes a piano accompaniment that can be performed by a one or two year private study middle-school level piano student. The variety of solo instrument parts makes it possible for one student to accompany many different students. A preparatory "warm-up" exercise for young accompanists is printed on the last page of the piano part. This solo can also be found in all instrument versions of the Competition Solos series, Book 1.Electronic Keyboard and Piano
16659F3905FDA-F02E-4D15-9D1A-9AEE02162633B320702Tulsa: A Symphonic Portrait in OilThe First National Bank of Tulsa, Oklahoma commissioned "Tulsa" to be played at the opening of their new bank building. The piece is a symphonic poem in four sections depicting Westward Expansion, the discovery of oil, and the resulting celebration. "Tulsa" is dedicated to the bank and to conductor H. Arthur Brown who recorded this work with the Vienna Philharmonic. At the time of recording, Vienna was occupied by the USSR, thus preventing the scored "gun shots" from being performed to avoid starting another war.Concert Band
16660F392C9E7-2DEF-4BD4-9B5F-9E3F48C4A5D7S967CBLightning Brigade, TheThe Lightning Brigade celebrates John T. Wilder, an Indiana historical figure in the Civil War, and his unique mounted infantry brigade that proved themselves decisive in several Western Campaign battles. The march begins with dramatic bugle-like fanfares, moving quickly into its menacing main theme, where the minor-key melody is carried in the low brass and winds. The B section by contrast is light and breezy, in the relative major led by the upper voices. The music modulates to an unusual key for the trio, accompanied by the galloping brigade in the percussion.Concert Band