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16621F30DFC78-D20F-427B-8A4C-09494FE25860ST632Sea ChangeThis beautiful piece is a wonderful showcase for an advancing player's lyrical ability, where even the more technical section remains melodic. Versions for flute, alto flute, oboe, alto saxophone, tenor saxophone, and violin are available from the publisher.Alto Flute, Piano
16622F30FA2E8-66B1-46AA-BF88-24568C7F6676R01565Symphony No. 6, Op. 51The inspiration for the Sixth Symphony comes from the composer's twelve years studying in the U.S. It is his very first expressive output that is completely autobiographical. The composer described it as, "a memorial of my years between middle school and college in which I witnessed my own drastic characther development, severe social problems, lacerated friendships, frantic family relationships, and the overall confusion toward my own ethics. Most importantly, it is a realistic portrayal of the many Chinese students studying in the West, spiritually torn between the two cultures. The work is constructed as a single union without movements or breaks and lasts between 40 and 45 minutes."2+1.3.3.3: 4.3.3.1: Timp.Perc(4).Pno.Hp: Str(16.14.12.10.8 min)
16623F313854E-60B3-4374-B24F-BC0B9D59657050351010Easy Original Trumpets Duets and TriosBeautifully written and arranged with the young player in mind, these 33 duets and trios make wonderful concert and festival repertoire for early performance. Several of the titles coordinate with other books in the Easy Original Duets and Trios series and may be played in mixed combinations of instruments. There is even a very nice easier selection that can be performed with snare drum. Teachers looking for new and interesting material will be pleased to find several enjoyable selections in a variety of styles, suitable for players whose performance abilities range from beginner to intermediate levels. We enthusiastically recommend the easier duets and trios as first concert material. The note ranges in these selections are very limited and the writing style encourages independent thought.Trumpet, Euphonium T.C.
16624F31F30D8-9FF7-43E4-9D7D-5035FD4EDCE0S006701Concerto for Violin No. 1 in A minor, BWV 1041The CONCERTO FOR VIOLIN NO. 1 IN A MINOR, BWV 1041 was written by Johann Sebastian Bach (1685-1750) sometime around 1730. The work shows the influence of Italian composers such as Vivaldi, although this concerto stands apart from the Italian model in that the soloist and the ensemble, rather than competing against each other, collaborate to provide organic interest. This Kalmus edition was edited by Wilhelm Rust for the Bach-Gesellschaft Ausgabe (Bach Society Edition). Instrumentation: Hpschrd: Str (4-4-3-3-3 in set): Solo Violin in set. Study score.Hpschrd: Str (4-4-3-3-3 in set): Solo Violin in set
16625F3216F14-F867-4C05-BB47-69A3EBBAEC19A677802Serenade in D minor for Winds, Violoncello and Double Bass in D minor, Op. 44, B. 77 (critical edition)The second of two serenades for a simplified orchestra, this one for winds, violoncello and double bass rank among the most characteristic and also the loveliest expressions of Dvo?ák's creative spirit, with the instrumentation seeming destined to be performed in the evening somewhere in a garden. This work is also the first in a series of works with which, at the beginning of 1878, Dvo?ák was opening a new period in his creative activity, and this Wind Serenade acheives a special charm in its uniquely beautiful sound acheived by seemingly simple means. Instrumentation: 0.2.2.2+CBsn: 3.0.0.0: Vc.Cb. Reprint of the critical edition by Otakar Šourek.0.2.2.2+CBsn: 3.0.0.0: Vc.Cb
16626F3242BC3-C6FA-4FA8-8B70-0F678AC09FC520100767Return of the Dust Bunnies for BandThose pesky dust bunnies are back! Terrifying screams, vacuum cleaners and brooms accompany this frightening look at what lurks under the bed. This work continues the tradition started by Revenge of the Dust Bunnies and includes some hilarious staging ideas for your percussion section. Everyone knows the danger that is just out of sight and only your band can save the day!Concert Band
16627F3244B3F-7789-4598-98D2-2BECEFAAAEF6R00059Sailing Among the Pheromones No. 6 from Uses of Music in Uttermost PartsMarimba, Harp, Guitar, Tape
16628F3250E01-8948-416B-A27D-0A97EADDB06FSS156La Flute De PanA three movement work: I. Pan Et Les Bergers (Pan and the Shepards), II. Pan Et Les Oiseaux (Pan and the Birds), III. Pan Et Les Nymphes (Pan and the Nymphs)Flute, Piano
16629F325A3E7-5A7B-4DEE-B4A4-4F5D14C2EDA1S001501Samson and Delilah, Op. 47: Danse Bacchanale (Samson et Dalila)SAMSON AND DELILAH, originally conceived as an oratoria due to Saint-Saëns’ admiration such works by Handel and Mendelssohn, was converted to an opera when the composer was convinced by a family member to abandon the less-used oratoria, designed to stage works with biblical themes, in favor of the more common and contemporary secular form. While composition began in 1867, consistent rejection by the French music world of any biblical stories used as a libretto caused numerous delays and spurts of abandonment of the project by the Saint-Saëns. And when the work was completed in 1876, the 1877 premiere in Weimar was only able to take place due to the support of Franz Liszt. Further interest around the world, including France, finally started to grow in the 1890s, leaving SAMSON AND DELILAH Saint-Saëns most performed opera today. The “Danse Bacchanale,” which takes place in Scene 2 of the third act, plays after Samson has been betrayed by Delilah and apprehended by his enemies, the Philistines. The Philistines plan a sacrifice to their god Dagon, and the temple priests dance wildly to this savage “Bacchanale” as preparation. This version has been newly engraved and edited by Clinton Nieweg and Nancy Bradburd. Instrumentation: 2+Picc.2+EH.2+BCl.2+CBsn: 4.2+2Crt.3.1: Timp.Perc(3or4): Hp: Str (9-8-7-6-5 in set). Study score.2+Picc.2+EH.2+BCl.2+CBsn: 4.2+2Crt.3.1: Timp.Perc(3or4): Hp: Str (9-8-7-6-5 in set)
16630F325BAD2-470A-432D-A7AE-234515020DDD20250705Turkish MarchThis familiar piece comes from "The Ruins of Athens" and was written in 1811 as a set of incidental music to a play. It's nice to have such a playable Beethoven work at this level for the young musicians!String Orchestra
16631F32B948A-C794-4EC7-B0E9-699A32DD0C80S511025Bazzini La Ronde Des Lutins (Dance of the Goblins) Critical Urtext EditionThis great bravura piece uses many of the innovations the composer learned from his teacher, Niccolo Paganini--ricochet and flying staccato bowings, double harmonics, left hand pizzicato, and repetition of the same pitch on all four strings.
This work remained one of Jascha Heifetz’ favorite encores. He recorded it in 1917 and again in 1937. His bowings, fingerings and his suggestions regarding interpretation are integral part of this edition.		Violin, Piano
16632F32DC409-E099-43AC-804F-2B2558BCA321R00613Behold Spring(not set)3.2.3.3: 4.3.3.1: Timpani.Percussion(3).Harp: Strings
16633F33139FA-D6DD-4D2A-A50D-41BCD392AAD5M110991Four Short Pieces, H. 104FOUR SHORT PIECES, H. 104 for violin and piano was written by Frank Bridge (1879-1941) in 1912. Movements: 1. Meditation; 2. Spring Song; 3. Lullaby; 4. Country Dance. Reprint edition.Violin and Piano
16634F3324A2B-9424-4121-8C56-26D4A892B573M324591Christmas In Sicily(not set)Organ
16635F332BF5C-0777-4F27-888D-349D6304E044SU484Canned Heat1st Place Winner in the Percussive Arts Society Composition Contest Multiple Percussion Solo.Multiple Percussion Solo
16636F338EB6A-F2B5-41BC-B66B-C38C360CDFE7X816205Hope is the Thing with FeathersComposed for Pia Gilbert.Soprano, Violin, Percussion
16637F33E90C8-F6EA-4F5C-9972-214CC4F670CEM35339112 Pieces, Op.c40(not set)Solo Piano
16638F33FF683-1B69-4448-9027-5A1FC37F7157M800590Intermezzo from Cavalleria Rusticana for String Orchestra (Simpson)Here is one of the most beautiful moments in all of opera! This arrangement creates a big, lush sound by writing divisi into every section but the basses with some brief solo passages for the concertmaster. Nothing held back here! Ideal for combined string groups since the divisi passages have simple parts.String Orchestra
16639F3448418-BBF4-49C4-88DF-0BC7F826D465A193902La Scala di Seta: Overture1d1, 2, 2, 1 - 2, 0, 0, 0, str
16640F345B492-1498-4B01-B5EC-9892E10BE9B9M282791Trois MelodiesSatie wrote Trois Mélodies, a lighthearted cycle of three songs, for the mezzo-soprano Jane Bathori, a star of the Parisian opera world. They were first performed by Bathori and pianist Ricardo Viñes at the "Ravel-Satie Festival" in Paris on April 18, 1916. Song titles: 1. La statue de bronze, 2. Dapheneo, 3. Le chapelierVoice and Piano