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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16581F292C9B4-EA1A-4D90-9C9F-C427CF424F4EM388291Novelette in FourthsTranscribed and edited by Richard Dowling. First Edition. As played by George Gershwin on Welte-Mignon Piano Roll #3968, mid-1919. Includes biographical information about the composer and his relationship to the player piano.Solo Piano
16582f2935f34-9e39-11f0-a418-0022482c9682A618602Berceuse Elegiaque, Op. 42/BV 252aBERCEUSE ÉLÉGIAQUE, Op. 42/BV 252a (subtitled DES MANNES WIEGENLIED AM SARGE SEINER MUTTER. POESIE; THE MAN'S CRADLE-SONG AT HIS MOTHER'S BIER. POEM) was originally written in 1909 by Ferruccio Busoni (1866-1924) for piano as an additional seventh piece to be included in his 1907 collection titled ELEGIES, BV 252. Busoni then quickly orchestrated it that same year, and the premiere performance took place on February 21, 1911, by the New York Philharmonic in Carnegie Hall, under Gustav Mahler. The work is dedicated to his mother as "In memoriam Anna Busoni, n. Weiss, m. 3.Oct.MCMIX." Instrumentation: 3.1.2+BCl.0: 4.0.0.0: Perc(1): Hp.Clst: Str (scored for 3Vn, 3Va, 3Vc, 2CB parts; 6-5-5.3-2-2.2-2-2.3-2 in set). Reprint edition.3.1.2+BCl.0: 4.0.0.0: Perc(1): Hp.Clst: Str (scored for 3Vn, 3Va, 3Vc, 2CB parts; 6-5-5.3-2-2.2-2-2.3-2 in set)
16583F29C8E7E-0875-4D96-B1A7-2155FF8A515910100062Athenian Festival(not set)Concert Band
16584F29D5E56-DBC8-4859-A86F-B8AEF77C4FF4LV223CBThree Trumpets in 3/4 Time(not set)Concert Band
16585F29D7F2C-0ECE-4574-9975-F89731FD0650B497SCRhythm Master, Beginning Bk. 1"The band method that teaches music reading." This excellent band method starts new instrumentalists with a focus on counting, subdivision, and rhythm from the very beginning. It offers teachers both the traditional counting and Eastman counting systems for flexibility in instruction while players simultaneously learn new notes and songs. The book also includes a classroom warm-ups, a glossary of terms, and a practice log for the year.Band Method
16586F29F024E-F773-4033-A080-43333D2BFE3DA585390Christmas Carols, Series IIIThis work is one of three in a series of Christmas carol collections arranged for orchestra that encourages audience participation. Carols included in Series I: 1. We Three Kings, 2. O Tannenbaum, 3. Good King Wenceslas, 4. What Child Is This?, 5. The First Noel, 6. Jingle Bells. Instrumentation: 2.2.2.2: 4.3.3.1: Perc(1): Str(9-8-7-6-5).2.2.2.2: 4.3.3.1: Perc(1): Str(9-8-7-6-5) [audience participation, opt.]
16587F2A2F1D4-2413-4796-A591-39405BF57D1FM392691Duo, Op. 7This challenging yet popular duo for violin and cello was composed at the start of World War 1 (1914), but not played in public until a full decade later in Salzburg as part of the 1924 ISCM Festival. Its three movements are traditionally arranged as Allegro, Adagio, and Maestoso/Presto, incorporating rhapsodic folk-music gestures within a captivating and exhilarating duet.Violin and Violoncello
16588F2A3D7D4-4D33-45F5-AD02-B7009248CDA252250914Holiday in RioThis grade 4 piece for string orchestra by Sue Roberts Sharp has lush harmonies and a groovy bassline! Reminescent of a relaxing evening in tropical Rio, each section has a chance to shine in this rewarding piece.String Orchestra
16589F2A7C771-6DFE-4256-B973-8127CA09D99DST762COCathedral Music(not set)Trombone Choir
16590F2AAEFEF-56DC-44CF-A69B-FD43436CC2DFS110006Flying Lessons Vol. 2Collection of etudes including Indian music, quasi-serial, quasi-minimal, and an "electric" Hendrix-style blues.Solo Flute
16591F2B3CE66-A016-42F4-8BC0-4EDB8677E595R01557Samba SpiritsCommissioned by the San Antonio Symphony & Sebastian Lang Lessing in honor of the 75th Anniversary Season.3.3.2+Eb Cl.2: 4.3.3.1: Timp.Perc(4): Strings
16592F2B3E2C5-4265-42F9-9AE6-D7650446CC1BLV708CBDancing Trumpet(not set)Concert Band
16593F2B4C97E-35B4-494F-B3C5-6CCC21268BA3M283491Old Grandmother's Tale(not set)Solo Piano
16594F2B54B6F-8849-4A34-8B1D-867CC46C736452250404Overture to a Shakespeare OdeString Orchestra
16595F2B8EB03-EE33-4A56-A2A2-E9C1579A3141A883502Hungarian Dances Nos. 5, 6 and 7 (WoO 1)Originally written for piano four hands in 1879, this set of 21 lively dance tunes, mostly on Hungarian themes, are among Johannes Brahms’ (1833-1897) most popular works today, and they were the most profitable for him in his own lifetime also. In 1850, Brahms was introduced to “gypsy-style” music through Hungarian violinist Ede Reményi, including the csárdás “Bártfai emlék” (Memories of Bártfa) by Hungarian composer Béla Kéler, which became the basis for Hungarian Dance No. 5. Arranged for many different instruments and ensembles over the years, this orchestration by Martin Schmeling (1864-1943) of Hungarian Dances Nos. 5, 6, and 7 include numerous optional parts permitting great flexibility to ensembles of different sizes. Instrumentation: Large Orchestra: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str(9-8-7-6-5 in set) or Small Orchestra: 2.1.2.1: 2.0.0.0: Timp.Perc(1-3): Str(9-8-7-6-5 in set). Reprint edition.Large Orchestra: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str(9-8-7-6-5 in set) or Small Orchestra: 2.1.2.1: 2.0.0.0: Timp.Perc(1-3): Str(9-8-7-6-5 in set)
16596F2BD9A7A-D14B-4CB1-80CF-A75B72A8AF85S110024Universal Accompaniments: with Flute 2 Parts for Andersen, Berbiguier and MozartThis unique album of universal flute 2 accompaniments is compatible with any standard edition of the following solo repertoire works available:

Anderson 24 Etudes for Flute, Op. 15
Anderson 24 Etudes for Flute, Op. 33
Berbiguier 18 Studies for Flute
Mozart Flute Concerto No. 1 in G
Mozart Flute Concerto No. 2 in D

The idea of creating a second flute part has its foundation in the teachings of the great French flutist Marcel Moyse (a pivotal mentor to Professor Wincenc). In lessons, Moyse would accompany the student on his own instrument, and often vocally improvise melodies and/or lyrics. In adding his second line, Moyse was able to underscore the harmonic, melodic, rhythmic structure and shape of the lines in a way which went far beyond any possible verbal explanation. It intuitivey teaches rhythmic stability, phrasing, intonation, and quality of sound by playing with the master. This collection is an indispensible resource for any flutist learning or teaching the core repertoire.		Flute 2 part
16597F2C3C19B-B6CD-4B79-A021-FE0220FEEF54SS830Der Tag, Der Ist, So Freudenreich (out-of-print)Brass Quartet
16598F2C885FF-4287-4BED-9B34-DE760761C744SS129Two Tunes from Mother GooseTunes: I. Three Blind Mice Go Modern, II. Rock-A-Bye, Swing-A-Bye, Baby: A Nursery Rhyme in RhythmWoodwind Quintet
16599F2CB0B46-EA03-44DB-AE68-C9038EF6194610100241AllerseelenThis classic of the Ludwig Music library is a wonderful reworking of one of Richard Strauss' lovely and haunting early art songs. The wind band arrangement is extremely respectful of the original work and strives to maintain the importance of the beautifuConcert Band
16600F2D0116E-01C0-490D-95BD-1ED3D74A4400B22470 Progressive Studies for the Modern Bass TrombonistA collection designed to assist the player/student in moving from the tenor trombone to the bass trombone including valve positions and development of pedal notes required for today's bass trombone repertoire. Includes: 60 studies in the use of F attachment; 10 studies in pedal notes; circle of keys scale studies.Bass Trombone