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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16481F12F33B0-8902-402A-BA98-5AE28BC3DA55MP944009Mask, The - A Cycle of Five Poems
16482F1321BE1-4688-4002-BF9E-7F05DFF60D69EBM0620036Ballet for Band: Based on the Ballet "Within the Quota"Cole Porter composed the score of a ballet-sketch "Within the Quota" for the Swedish Ballet, which gave the work its premiere at the Theatre des Champs-Elysees, in Paris, October 25, 1923. Its commission was arranged by his friend, composer Darius Milhaud, whose own ballet, "The Creation of the World," had its world premiere on the same program. A satire on American life and the mythology of instant success, Porter's music displayed the influence of Stravinsky, Milhaud and jazz, encompassing parody and exaggeration. In 1969, William Bolcom reconstructed the music from Porter's scoring for three and four pianos and made settings for two pianos and for orchestra. Utilizing Bolcom's reconstruction and adaptation, Phillip J. Lang, arranger of many Broadway shows, such as "My Fair Lady" and "Annie," has created this concert band arrangement.Concert band
16483F13221D2-FCF7-4289-BC8D-7C2C7D06356CM385191Anthology of Spanish Organ Music Bk 4This ANTHOLOGY OF SPANISH ORGANISTS OF THE SEVENTEENTH CENTURY comes in eight volumes, and is transcribed and edited by Higinio Angles.Organ
16484F13557C2-8A6F-43B8-A7FD-CA67160D43D9A589702Koenigskinder: Prelude to Act III3d1, 2+1, 2+1, 2+1 - 4, 2, 3, 1, timp, perc, hp, str
16485F142E66A-6B48-4D35-BB1B-44C3148A057FS801CBEndpiece
16486F143299E-7CB6-471C-B805-EA4D9C12D17CST386Vignettes of a Fable LandAlto Sax
16487F14998FB-1917-41DD-A9C1-C314809E0920SU381Concertino for Oboe and StringsOboe
16488F14BD7AC-D6D8-4BC0-AE41-EDC4128DA7AAA365002Scenes from The Song of Hiawatha, Op. 30; No. 1: Hiawatha's Wedding Feast2+1, 2, 2, 2 - 4, 2, 3, 1, timp, perc, hp, (org), str
16489F14CBF87-522D-4084-B020-43952DA21647B380Melodious and Progressive Studies, Bk. 1 for OboeWithout question one of the finest oboe study collections ever published. Compiled and edited by master teacher David Hite. Includes: 36 Expressive Studies-Demnitz; 24 Melodic Studies-Nocentini; 24 Melodic Etudes-Baermann; Scales and Thirds-Klose.Oboe
16490F14CEF0F-A45F-46A7-B457-5D2B9D3C4F94A258002Te Deum(not set)2, 2, 2, 2 - 4, 3, 3, 1, timp, (org), str (2.2.1.1.1), solo SATB, mx chor
16491F14F9CA0-2E9C-4D24-9D11-868249921672A645302Miroirs, No. 3: Une Barque sur l'Ocean [composer's transcription]A five-movement suite originally written by Maurice Ravel (1875-1937) for solo piano, MIROIRS ("Mirrors") was written between 1904 and 1905, with each movement dedicated to a fellow member of the French avant-garde artist group Les Apaches. Ravel later orchestrated both the third movement called "Une barque sur l'océan" ("A Boat on the Ocean" - dedicated to Paul Sordes) and the fourth movement named "Alborada del gracioso" ("The Jester's Aubade" - dedicated to Michel-Dimitri Calvocoressi) himself. Ernesto Halffter later orchestrated the fifth movement ("La vallée des cloches" - "The Valley of the Bells" - dedicated to Maurice Delage), as did Percy Grainger, while Felix Günther scored movement two ("Oiseaux tristes" - "Sad Birds" - dedicated to Ricardo Viñes). Orchestrations of movement one ("Noctuelles" - "Moths" - dedicated to Léon-Paul Fargue) are more recent. This edition of the composer's transcription of "Une barque sur l'océan" has been edited by Clinton Nieweg and Nancy Bradburd. Instrumentation: 3(2&3dPicc).2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(3): Harp(2).Clst: Str (9-8-7-6-5).3(2&3dPicc).2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(3): Harp(2).Clst: Str (9-8-7-6-5)
16492F1506CF3-EA5F-46C1-95C0-A209227AA18BX111019Signs of Life: A Celebration for Flute and PianoA celebratory suite for flute and piano in three movements. Movements: I. Imagination: A Bird in Flight, II. Gratitude: A Prayer, III. The Fullness of Life: A Celebration.Flute, Piano
16493F158DEF7-1F1F-42A4-A891-F0EED3740AF0M397291Two Pieces Op. 9(not set)Double Bass and Piano
16494F159AFCE-13A8-40CB-B12F-677918D11361S729CBOf Castles and Dreams(not set)Concert Band
16495F15B1CD0-E1A3-4571-AA2A-494DDC0B6E4D20502309Trio for BrassFrom the Festa di Discorsi Concertante, a challenging work in three movements using two trumpets and trombone. This is performance music, though a single movement could be used for contest.Bb Trumpet 1 and 2 and Trombone
16496F1600945-8D17-474E-B6F2-8AAE91264067SU253ElegyClarinet
16497F160F0BB-B4C8-41F4-B170-9D18A9C3C63010440268Immer KleinerIMMER KLEINER (Always Smaller) is a humorous fantasy featuring the clarinet with band, orchestra or piano. The soloist plays the clarinet first in its entire construction and gradually disassembles the instrument as he performs. As the name "lmmer Kleiner" implies, the solo instrument becomes smaller and smaller with each new movement, until the last portion of the solo is played using only the mouthpiece.Clarinet and Piano
16498F161EDEB-2DDE-4EB3-8C69-8C1C8265FA44M907402The WarriorsComposed 1913-16 and dedicated to Frederick Delius, The Warriors: Music to an Imaginary Ballet was originally composed for full orchestra. It is Grainger’s longest single work, nearly 20 minutes of sustained fantasy. “No definite program or plot underlies the music, though certain mind-pictures set it going,” the composer wrote. Grainger valued the clarity and transparency of sound in the pitched percussion, which he found particularly useful for what he called “double-chording,” a sort of pantonality with “unrelated chord-groups passing freely above, below, and through each other, without regard to the harmonic clash resulting therefrom.” Though this transcription for large wind band features a slightly reduced version of the original's considerable percussion battery, a full performance will still require 10 players, plus harp and two pianos. Dedicated to Col. Lowell E. Graham, Commander/Conductor, The United States Air Force Band, Washington, D.C. A 9x12 score comes with the set of parts, but an 11x14 score is also offered separately by the publisher.Concert Band
16499F1664F65-0D3B-4595-8748-BF62978B7DA3SU336Divertimento 2: Music for Nine Wind InstrumentsThe orchestration for Ladislav Kubik's Divertimento II "Music for Nine Wind Instruments" combines two standard quintets: Wind Quintet and Brass Quintet (the F Horn, which belongs to both of these ensembles, is represented only once.) Each of the nine parts is intended for performance by one player. The composition was commissioned by the National Association of College Wind and Percussion Instructors (NACWPI). Recorded by the FSU Faculty Wind Ensemble, Matthew Inskster conducting CD Col Legno/Qualiton (200072 1CD; Ladislav Kubík: Chamber Music II)Flute, Oboe, Clarinet, Bassoon, Horn in F, 2 Trumpets in C, Trombone, Tuba
16500F167DC4D-B2CF-4BD5-B745-C98738EE5235A239802Symphony No. 1 in D "Titan" (revised version)Originally completed in 1888, the original version of this large work differed significantly from the revised and final version offered here. Initially in two parts with five movements, it was described at the premiere as a symphonic poem, though the composer seemed to think it more a symphony still. Over the course of the next eight years, Mahler made numerous major revisions, including removing the additional movement (Blumine), until he finally arrived at the definitive four-movement form we use today. Still commonly referred to as the "Titan", that label was only used by Mahler for the second and third performances and was never applied to the final version of the work. Mahler incorporates German lied as his melodic material throughout this work, one of the innovations he brought to the symphonic form. Study score.4(2nd-4th dPicc).4(3rd dEH).3(3rd dEb; 3rd dBCl)+Eb(dCl). 3(3rd dCBsn): 7.5.4.1: Timp(2).Perc(3-4): Hp: Str (9-8-7-6-5 in set) [additional hns needed to reinforce last mvmt]