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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16421F0573E5F-BAE6-497D-95A9-F223EBAB1768LV125CBConversation Piece(not set)Concert Band
16422F060BB06-AB94-4C34-8F25-FCC51B27033750250229La Folia (for one to eight soloists and string orchestra)Ever popular, now viola, cello, and bass students can join the violins performing this time-honored piece by Corelli. Each variation may be performed by a different student, allowing up to eight students to be featured on your next concert.Solo or Soli Violin/Viola/Violoncello/Double Bass and String Orchestra
16423F0619C2E-9735-4393-9EC4-DF3217DAF40DCP042009Lauren Keiser Music Publishing Print Catalog 2009
16424F0688FD5-C860-470D-A9AB-356FFB5DD10BA935290Concerto for Piano No. 1, Sz.83Despite its greater popularity now, Béla Bartók’s (1881-1945) CONCERTO FOR PIANO NO. 1 was universally panned by critics after its premiere due to its harshness; the innovative use of tone clusters as pioneered by Henry Cowell and Bartók’s use of his characteristic percussive martellato technique stood in stark contrast to Bartók’s earlier Baroque-influenced style. To emphasize the importance of percussion in the piece, Bartók stipulated in a note that percussion instruments were to be placed next to the piano during performances. The concerto premiered in Frankfurt in July 1, 1927 with Bartók himself as the soloist. Instrumentation: Solo Pno: 2 (2nd d.Picc). 2 (2nd d.EH).2 (2nd d.BCl).2: 4.2.3.0: Timp.Perc(5) : Str (9.8.7.6.5 in set). Reprint edition. The solo piano/piano reduction is also available separately from LudwigMasters (60762001).Solo Pno: 2 (2nd d.Picc). 2 (2nd d.EH).2 (2nd d.BCl).2: 4.2.3.0: Timp.Perc(5) : Str (9.8.7.6.5 in set)
16425F07187D0-38CF-4E47-A251-2C2017166F8CSS183FIESTA FLAMENCE (OUT-O
16426F07FC225-5905-4E79-AE40-CB8B09ACE527SS544TWELVE-TONE DUOS FOR C
16427F08F2A5C-5824-4C87-880E-DC65040124C220100532Lento for Band"Complex rhythms with fairly extreme ranges of this composition will challenge ensembles of any level." (The Instrumentalist, May 2003)Concert Band
16428F08FFDB3-ED5A-4B40-9F75-304A2AA6E496X814011StruwwelpeterStruwwelpeter is a cycle of little songs and stories about naughty children and the consequences of their rambunctious behaviors. These old-fashioned poems were written in the 1850s by Heinrich Hoffmann as Christmas gifts for his children and many young nieces and nephews. Schelle dedicated the songs to his parents for their 50th Anniversary, concluding his program notes for the premiere with a wry explanation for the inspiration behind the piece: "(my parents) often read these poems to me in my childhood and, in doing so, may have helped to keep me from being one of the rapscallions included in any new, revised, updated collection...maybe." Poem titles: I. Slovenly Peter, II. The Story of Flying Robert, III. Cry Baby, IV. Fat Augustus Who Wouldn't Eat Any Soup, V. Cruel Frederick, VI. Little Conrad Suck-a-Thumb. Versions for voice and piano and voice and chamber ensemble are available from the publisher.Soprano or Tenor, Piano
16429F0909B11-18DA-4E05-A0E5-00CC10F6F664SS274Andante De ConcertThis expressive transcription for clarinet by Paul Jeanjean of Ferling's andante is wonderful recital or contest piece for intermediate players.Clarinet and Piano
16430F092880B-A2D7-403C-A044-11A8FC55821C20403388Two Irish TunesFolk music from all over the world is one of the greatest sources of music, and a satisfying alternative source for woodwind quartet, when so much of the literature is taken from the classics. People who immigrated years ago from Ireland brought their music with them, and now it is really American music with Irish roots! These two Irish tunes, "The Minstrel Boy" and "The Galway Piper," will be familiar to performers and audiences, making this quartet a good choice for contest and concert.Flute, Oboe, Bb Clarinet and Basson (Opt. Bass Clarinet)
16431F092B4C1-6FCD-4FB5-8330-6D29768CAA4EX241004Celestial KeysThese four movements for Tuba and Organ were composed during a residency by the sea on Monasota Key Island, Florida. The reference to keys pertains both to the location of composition and to the Organ's keyboard.Tuba, Organ
16432F093EB76-CEDE-4558-B612-8252A983A630D410022Three Easy Pieces for piano in three hands 1. MarchPiano Solo
16433F094632E-56EA-41EC-8BC9-C822B84CAB39S357MBSalutation(not set)Marching Band
16434F094C2FF-1D69-4F67-8E9B-A6207D29FB6E51370602String SerenadesFlexible String Ensemble
16435F094DE9A-9A62-4823-82B8-B53497AD6A18SO119CMeditation from the Opera "Thais"This famous melody from the opera Thais has been performed by countless violinists, including Itzhak Perlman and Joshua Bell. Now you can feature a young soloist in the opening section of this new edition for string orchestra by Lauren Keiser.String Orchestra
16436f0a24226-9e39-11f0-a418-0022482c9682A605690Turtle Dove, TheAlso known as "FARE THEE WELL" and "10,000 MILES", THE TURTLE DOVE is an English folk ballad. First published in John Payne Collier’s A Book of Roxburghe Ballads in 1710, the song depicts the farewell of a lover preparing to undertake a long journey and a promise to stay true until everything is accomplished. This arrangement for orchestra by Glenn Winston Cassler (1906-1990) was dedicated to the St. Olaf College Orchestra and conductor Dr. Donald H. Berglund. Instrumentation: 3.2+EH.2+BCl.2: 4.2.2+BTbn.1: Timp: Hp: Str (9-8-7-6-5 in set).3.2+EH.2+BCl.2: 4.2.2+BTbn.1: Timp: Hp: Str (9-8-7-6-5 in set)
16437f0a69ebb-9e38-11f0-a418-0022482c968210620206Sonata, Op. 5, No. 7 in D minorThis SONATA by Arcangelo Corelli (1653-1713) was originally written as part of TWELVE VIOLIN SONATAS, Op. 5. The SONATA in D minor is the 7th in the collection. Three of the four movements (the Preludio as been omitted) have been transcribed by Michael Boo for marimba or xylophone and piano, keeping the original key of D minor. It is a perfect selection for the intermediate to advancing mallet player to take to contest or recital. Movements: I. Courante; II. Sarabande; III. Gigue.Marimba/Xylophone Solo and Piano
16438F0AA8752-5DEB-4C30-8B74-4118C0DF309ASU284Sonata for Clarinet and PianoClarinet, Piano
16439F0AB2D17-FEE6-4992-93F5-BE500930FA55A933590Concerto Grosso No. 1 for String Orchestra and Piano Obbligato, B. 59CONCERTO GROSSO NO. 1 was the first of two concerti grossi by Swiss-American composer Ernest Bloch (1880-1959), who wrote the piece in response to his students’ assertion that such traditional styles were no longer musically relevant. The piece generally follows Baroque structure while adding more modern and personal elements, including harmonies reminiscent of the Romantic era and a Swiss folk melody in the third movement, Pastorale and Rustic Dances, that nods to Bloch’s Jewish heritage. CONCERTO GROSSO NO. 1 premiered in Cleveland, Ohio on May 29, 1925. Instrumentation: String Orchestra (8-8-5-5-5 in set) and Piano Obbligato. Movements: 1. Prelude; 2. Dirge; 3. Pastorale and Rustic Dances; 4. Fugue. Reprint edition.String Orchestra (8-8-5-5-5 in set) and Piano Obbligato
16440F0AF14A0-0905-4852-828E-D9BD4FC301B0A236402Roumanian Rhapsody Op. 11, No. 2(not set)3, 2+1, 2, 2 - 4, 2, 3, 0, timp, perc, 2hp, str