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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16401F01854CC-1185-4DB7-A364-1AE0C77A3D46SC696So, We'll Go No More A-roving(not set)Satb
16402F01AC46C-00A6-4C55-932B-68C25C62072950412001Song and PolkaOriginally written for three trumpets, Song and Polka has become so popular that the composer has written versions of the piece for flutes, clarinets, and saxophones. All versions have been written in the same concert key so virtually your entire band can rehearse at the same time. Some independence in rhythms is required, with each player getting a brief solo passage. The trio opens with a very short and simple eight measures of legato playing, and quickly moves into a moderate polka tempo and style. The polka begins with all playing the same rhythms, but branches into some independent rhythms. This is an excellent choice for a first trio experience in contest.Flute 1, 2 and 3
16403F01C0C3B-8F2B-4984-B5E2-188CCAEFAC4FM217291Scherzo In F(not set)Piano Solo
16404F0244546-F98A-48A2-B931-E50060BEFAB8SC413My Mountain HomeVersions for SA and SSA are available from the publisher.Ssa
16405F02B2FE5-F394-498C-8DA9-FACAFFB78204A285502Samson, HWV 57: Let the bright seraphimSAMSON, HWV 57, is an oratorio in three acts by George Frideric Handel (1685-1759). When he composed it in the autumn of 1741, he had just finished work on The Messiah. The libretto, based on John Milton’s Samson Agonistes, was written by Newburgh Hamilton. The work premiered at Covent Garden in London on February 18, 1743. It achieved so much acclaim that six more performances were presented that season. Originally wanting to end his oratorio on a tragic note, Handel provided a brighter ending with an aria for soprano, "Let the bright Seraphim," which precedes a celebratory final chorus. Instrumentation: (0.0.2.2 Opt.): 0.1.0.0: Str (2.2.2.1.1): Solo Sop.(0.0.2.2 Opt.): 0.1.0.0: Str (2.2.2.1.1): Solo Sop
16406F02C1456-DE65-4000-ADE6-9BF83BB61CDFSC534Turtle Dove, The(not set)Tbb
16407F02D387B-CADB-4949-801B-118524CFA560R00355SolomonSATB Soli, SATB Chorus   2.2.0.2: 2.2.0.0: Timpani: Strings
16408F02DDF9B-4395-4CA1-80BD-ED8985CA145410710230AllegrettoThe third and final movement from his Piano Trio in G Major, K. 564, the main melody of the Allegretto is arranged by Louis Scarmolin for the moderate to advancing musician. Versions for flute, oboe, and violin, all with piano accompaniment, are available from the publisher.Violin and Piano
16409F039D857-A327-44A2-87EB-66D435FD0E13SC149We Are the Music MakersU.I.L. Sight Reading Selection Class CCC (SSA).Ssa
16410F03CDD7E-DA9D-400A-A2C4-088BD72E6653M166991Trio, Op. 71/3(not set)Three Guitars
16411F0448C67-82E5-4E18-A432-A1E11B9483B850250214Gentle WaltzGentle Waltz by Thom Sharp is a grade 2 string orchestra work in C major. There is lots of independence between sections and a fair amount of chromatics, as well as some divisi in the second violins. Some sections have pizzicato work, and the second violins have a couple of short sections of louree? bowing. There is some wide arpeggiated work for the cellos that may require extra attention and, of course, smooth flowing legato phrasing is a must.String Orchestra
16412F04565EA-612E-4ABB-A1E5-C6E9C47319B750100166A Pilot's HymnThe limited ranges and skillful scoring of this original work will help the young ensemble learn how to control tone and intonation. Both of the clarinet parts remain below the break, first trumpet goes briefly to D, and the other brass instruments have nConcert Band
16413F047EF4F-EAC9-4F5A-A6A2-41D81E1B7A9ER01289Homage to TchaikovskyHomage to Tchaikovsky was written for a commission from the Santa Barbara Symphony and its conductor, Gisele Ben-Dor. The work was conceived for a series of concerts whose theme was "Mostly Tchaikovsky." While inspiration is taken from various Tchaikovsky works, the overall effect is a work by a 21st Century composer, rather than a "suite" of Tchaikovsky pieces. Homage to Tchaikovsky uses the same orchestration of the 3rd Symphony and 1st Piano Concerto, a standard orchestra with woodwinds, brass, timpani and strings.2+Piccolo.2.2.2: 4.2.3.1: Timpani: Strings
16414F04A64D7-8BE6-4FA9-AACA-F2DFB9AFF873R225FOToccata Etouffee for Small OrchestraThis is an orchestral version of TOCCATA ÉTOUFFÉE (2013) originally written for flute choir. The title and style of the work celebrates New Orleans culture.2.2.2.2: 0.2.0.0: Perc(2): Str
16415F04AF63A-4D3C-4FF4-9F2E-4C7F632E3565M808590Corcovado (Quiet Night of Quiet Stars)CORCOVADO (Quiet Night of Quiet Stars) will be a standout moment on any concert. The arrangement for strings and jazz rhythm section is an effective contrast to strings alone. Conservative ranges and friendly keys put this in the reach of good high school ensembles.String Orchestra
16416F04F625A-2ED2-408F-902F-C310A3232771W100091A Polka Album(not set)Piano Solo
16417F05451A1-DEBF-401B-BFA6-8123E9E5250FM384691Seven Songs for Medium VoiceNadia Boulanger composed this collection of seven songs in 1915, including "Sunsets", "Elegy", "Prayer", "Hymn", "Versailles", "Song" and "Winter Evening".Medium Voice and Piano
16418F05467C2-D73E-4452-8885-7D87AFAF896CV29I Love a Sousa MarchPiano/vocal
16419F054EB70-16CC-4666-811C-F16044CD496ER29Flute Fresco for Flute and Band(not set)Flute Solo: Concert Band
16420F0554D78-28D9-488F-ADCE-3B0748A9C2E220200308Fantasy on America: My Country, 'Tis of TheeIn this arrangement of the popular tune (AMERICA or GOD SAVE THE QUEEN), Nelhybel begins with fragments of the melody and gradually coalesces them to the final unison strain. The work includes a solo violin feature and also a full section of youth soloists in the violin section. FANTASY ON AMERICA was written to be used as a Festival work, allowing students of many different grade levels to participate. The part labeled "Youth Soloists" is easily accessible to first and second year students.Full Orchestra