Titles
Showing 16,441-16,460 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 16441 | F0B01606-6F47-40A2-B8F1-180FADDFA20D | X814026 | I Got a Letter from Jesus | Based on the eponymous African-American Spiritual song. | medium Voice, Piano | |
| 16442 | F0B10599-2D6D-4970-AC92-07082574BD53 | 50250211 | Tour of Ireland | Take a musical tour of the Emerald Isle. Three popular Irish tunes come to life for string orchestra with melody in all parts. From silky-slow to fiery-fast, Tour of Ireland begins with the stately and poignant, The Wren. Next, the tempo jumps for a buoyant Kerry Polka, followed by a racing The Wind That Shakes the Barley, with a final tempo push to a flying ending. | String Orchestra | |
| 16443 | F0B57975-F240-4F6F-ABA0-8A632FB4378D | B229 | 18 (EIGHTEEN) SHORT CO | |||
| 16444 | F0B82E94-3B5D-4C03-841D-A757D0291FED | R00265 | Januaries | (not set) | 3(1d Piccolo, 1d Alto Flute).3(1d English Horn).3(1d Bass Clarinet).3(1d ContraBassoon): 4.3.3.1: Timpani.Percussion(4).Celesta.Harp: Strings | |
| 16445 | F0B961F9-1BB7-4ECC-897A-1B0ADDFDE7AD | A804202 | Masques et Bergamasques: Suite, Op. 112 | MASQUES ET BERGAMASQUES: SUITE, OP. 112, was arranged by Gabriel Fauré (1845-1924) from incidental music he wrote on commission by Albert I, Prince of Monaco for a theatrical work in 1919. The title takes its name from the opening lines of the poem Clair de lune by Paul Verlaine, which forms the narrative basis for the production. It proved so successful that the Opéra-Comique in Paris saw over 100 performances over a thirty year period. The suite features four out of eight numbers from the original score. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Hp: Str (9.8.7.6.5 in set). | 2.2.2.2: 2.2.0.0: Timp: Hp: Str (9.8.7.6.5 in set) | |
| 16446 | F0C14185-F3AB-4380-9F88-5826C4A31F77 | SC572 | A Winter Snow | Text is by J.C. Kissinger. Versions for SAB and SATB are available from the publisher. | Sab | |
| 16447 | F0C3D8D0-FE78-48A4-B0BC-9A38AC8A0FD4 | A887402 | Jeux d'Enfants, Op. 22 - complete suite [movements not included in composer's suite] | 2d1, 2, 2, 2 - 4, 2, 0, 0, timp, perc, str | ||
| 16448 | F0C7B137-6E18-4A8E-8BFD-DAFF396C4C8F | M380091 | Etude Melodique, Op. 118 | This uplifting and charming etude is a popular selection by Chaminade, with cascading triplets that ripple in a mesmerizing effect. A short but powerful addition to your next concert repertoire! | Solo Piano | |
| 16449 | F0C7DE3C-811D-4892-AB7D-FAA7E107F5F9 | 52702007 | Baroque Masters for String Trio | Perfect for receptions or parties! Most are an easy read. Includes: Balleto No. 6 (Albinoni); Sonata, Op. 2, No. 5 (Handel); Chaconne from "Dioclesian" (Purcell); Sonata No. 7 (Corelli) (sample audio available); Canon from Sonata No. 6 in 3 Parts (Purcell); Sonata (Cazzati); Three-part Invention (Bach); Arioso from Cantata BWV 29, "Wir danken dir, Gott" (Bach); Sonata (Telemann); and Sonata in G minor, Op. 1 (Vivaldi). | Violin 1, Violin 2 /Viola and Cello | |
| 16450 | F0CB9955-5039-4875-A9FB-2A009B803B30 | 10530266 | Revenge! Timotheus Cries! (from Alexander's Feast) | George Frideric Handel (1685-1759) completed the oratorio Alexander's Feast, HWV 75 in 1736, and it was throughout his life and after one of his most consistently successful works. Written to celebrate Saint Cecilia's Day, it describes a banquet held by Alexander the Great in a Persian city where the musician Timotheus sings, arousing various moods in Alexander until he burns down the city in revenge for his dead Greek soldiers. Revenge! Timotheus Cries! from the beginning of Part 2 is a bass aria that begins the incitement for Alexander to take his vengeful action. R. Winston has arranged this for numerous brass instrument solos with piano accompaniment for the developing to intermediate musician, and these are a wonderful selection for recital or contest. Versions for cornet/trumpet/euphonium T.C., trombone/euphonium B.C., and tuba are available from the publisher. | Trombone/Euphonium (B.C.) and Piano | |
| 16451 | F0D2568A-369B-4DF4-9D88-56A3268D73E5 | A900490 | Over There | George M. Cohan (1878-1942), getting an early start in vaudeville with his family act The Four Cohans, soaked up every facet of show business. He acted, composed, sang, danced, produced and wrote plays. One of his most celebrated songs, OVER THERE, became America's most beloved patriotic anthem during World War I. He wrote it on April 6, 1917, immediately upon learning that the United States had declared war on Germany. Charles King first sang it at a Red Cross benefit concert in New York. Enrico Caruso, Billy Murray, and Arthur Fields made vocal recordings, but the most successful, sang by Nora Bayes, sold one and a half million copies. This version has been orchestrated by William Ryden. Instrumentation: 2+Picc.2.2.2: 3Saxes (AAT; opt.): 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set). | 2+Picc.2.2.2: 3Saxes (AAT; opt.): 4.3.3.1: Timp.Perc(4): Str (9-8-7-6-5 in set) | |
| 16452 | F0D662EE-7410-4A45-9363-FD55ECBA589B | M313491 | Declamation on a Hymn Tune | (not set) | Brass Choir (3 Tpts in C or Bb, 4 Hns, 3 Tbns, Tuba, Timp-Tam, 3 Perc) | |
| 16453 | F0DF3493-7CA4-4B7F-8FAB-E2CFDCBBC433 | ST464 | Adagio Ma Non Tanto | From Neubaur's Trio No. 1, this is written in the Classical style. | Flute Trio | |
| 16454 | F0E16D55-066D-4E7F-8140-7039CE8BBFE5 | 52250296 | Gm2 (Greensleeves millennium 2) | This is a rockin' version of this ancient tune. | String Orchestra | |
| 16455 | F0E23E64-4E53-45F3-8543-95091CC45303 | J98401 | Kansas City Jones for Men's Chorus | The tune CASEY JONES (alias K.C.; subtitled IN HOT PURSUIT OF SACREMENTO SIS-JOE!) takes place amidst train whistles and a dramatic spoken history, with a train in the choir! This song is great fun to sing and exciting to hear. Scored for mixed chorus, piano four-hands and train whistle with optional xylophone and marimba. Instrumental parts are available separately from the publisher. A version arranged for SATB chorus is also available. | Men's Chorus | |
| 16456 | F0E4A6B4-D736-46FF-B17E-06E61D405C1C | M406491 | Quartet, Op. 21 | Clarinet, String Trio | ||
| 16457 | F0E8D201-0419-4469-BD6A-31C97D1F45FE | ST32 | Suite For The Victims Of Ap Dong Gi (out-of-print | Percussion Ensemble | ||
| 16458 | F0EB8EBC-3105-4AA7-AF26-5BEC0EF3C68B | M248891 | Three Pieces for Cello and Piano | The following transcriptions for cello are included: Après un rêve (from Trois Mélodies, Op. 7; transcribed by Pablo Casals); Pavane, Op. 50 (transcribed by Henri Büsser); Berceuse, Op. 16 (transcribed by Youro Tkaltchitch). Reprint edition. | Violoncello and Piano | |
| 16459 | F0EC6234-18BF-49AD-A2FE-B01A4E3F8E66 | 50100105 | Navy Blue | Lt. Charles Zimmermann was a legendary commander of the United States Naval Academy Band. He was in the habit of composing a march for each class (in which Anchors Aweigh is included) and this tuneful six-eight offering was his gift to the class of 1902. | Concert Band | |
| 16460 | F0ED296A-9491-474B-9D1D-2DF814F70491 | M158991 | Collected Keyboard Works: Smaller Works, Book 2: Two and Three Part Inventions, BWV 772-801 | These thirty two-part and three-part inventions (also titled "Sinfonias") for harpsichord were written by Johann Sebastian Bach (1685-1750) between 1720 and 1723. This edition by Ferruccio Busoni is part of a larger collection of keyboard works by Bach. Reprint edition. | Harpsichord (or Piano) Solo |