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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16461F0EDAD17-0BD7-4333-8EB7-03FD809711C3O13JBLotsa Rock(not set)Jazz Band
16462F0F38CB9-053B-4080-A8F9-2381A068139ESS25Three Short ConstructionsFlute
16463F0F53BB7-1B27-4EB7-B9FC-458660CB614DM234791Adagio on a Celtic Melody(not set)Violoncello and Piano
16464F0F62891-3C97-4FA7-A292-BD942C4884ACB142Eight DuetsHorn Duet
16465F0F89B79-01C9-4168-83C9-65C2E1D0EBF250410006Women of the West: Cowboy Songs and BalladsThis collection contains intermediate arrangements of cowboy songs and ballads for flute and piano, often invoking the style of Aaron Copland. Contents: Fair Fannie Moore, Belle Starr, Flora Lily of the West, Sweet Betsy from Pike, Oh My Darling Clementine, and The Yellow Rose of Texas.Flute, Piano
16466F0FF0545-A874-4E1A-A13E-FD05A5FD66B352741564Let's Duet: Volume 2 - BassThe second volume in this series includes intermediate level duets compatible for violin, viola, cello and bass. Learn dotted rhythms and 6/8 meter, chromatic fingerings, facility with pizzicato, varying types of bow strokes, and double stops as students are introduced to shifting with familiar classic tunes. This volume is a technique builder and works best with the more treble of the two instruments on the top line.Double Bass Duet
16467F1015462-2D04-4A0F-9954-51390223E39EX094022God's World for Mezzo-Soprano and SATB Chorus(not set)Mezzo/SATB
16468F106EF8C-21BA-47C0-A013-44115105A81910510161TarantelleA light solo work, this classic is very approachable for players gaining increased confidence. A band version allows for solos by tenor saxophone, cornet, trombone, baritone, or tuba, and each instrument also has a version with piano accompaniment.Cornet/Trumpet or Baritone T.C. and Piano
16469F108A79D-DB85-432C-B24C-F4778E381AE5S571CBThematic Variations on Dona Nobis Pacem"Dona nobis pacem" (Latin for "Grant us peace") is a phrase in the Agnus Dei section of the mass that has been appropriated for many musical works. In this composition, the simple theme is introducted by any soloist in the band at the beginning before working through multiple variations, and ending with a rousing finish. Inscribed to Pat Norton and Kyle Friesenhahn, band directors, Luling High School, Luling, Texas.Concert Band
16470F1106308-EA2A-4B10-A8A4-75B0FDDE977FRCB301A30 Virtuoso StudiesFlute
16471F111F1E8-18E4-4DC5-B90B-3961A47C671750504007Suite for Brass Quintet: 3. Scherzo: Zack AttackA suite of five pieces for brass quintet in varying styles, this work has something for nearly every occasion. The tuba is featured in this spirited scherzo.Brass Quintet
16472F114F7E5-4302-4ED9-8BBD-C0B39F8639D3SC127Which Way Did He Go?Ssa
16473F11AED2B-F81E-4745-AD78-8A35AAAD410BST654Two Short PiecesTrumpet
16474F11C0194-D878-4B18-B74A-549DFEDC637DRCSS427Tourbillon: WhirlwindFlute, Piano
16475F11E4559-2D5E-44F1-8EEE-B604E510A133R00850Kickoff(not set)2(2d Piccs)+Picc.2+EH.2(1d Eb Clar)+BCl.2+Cbsn: 4.3.3.1: Perc(4): Str
16476F11E7882-86AF-4471-BFF7-9D628FF567EBRCSS219Allegretto from Suite in Bb for Flute and Orchestra, Op. 116: Also in 24 Short Concert PiecesFlute, Piano
16477F120B5C6-97EE-4525-A027-541788D8239FA635502La Tragedie de Salome, Op. 50 (Suite)French composer Florent Schmitt (1870-1958) originally composed the ballet La tragédie de Salomé in 1907 for a commission from Jacques Rouché for American dancer Loie Fuller and the Théâtre des Arts, based on a poem by Robert d’Humières. The original hour long ballet required only twenty instruments, restricted by the physical limitations of the theater. In 1910, Schmitt prepared this much better-known suite, cutting the length in half and greatly expanding the orchestration. The work is widely regarded as one of the best examples of French tone painting and is Florent Schmitt's most popular composition. Instrumentation: 2+Picc.2+EH.2+BCl.3(3rd opt.)+Sarrus: 4.3.3.1: Timp.Perc(5): 2Hp: Str (9-8-7-6-5 in set): Soprano Voice or Ob Solo: Women's Chours.2+Picc.2+EH.2+BCl.3(3rd opt.)+Sarrus: 4.3.3.1: Timp.Perc(5): 2Hp: Str (9-8-7-6-5 in set): Soprano Voice or Ob Solo: Women's Chours
16478F12B370D-B69A-4E13-B4D4-83F8BAA7F3E1A102802Serenade in E for Strings, Op. 22, B. 52Composed in just two weeks in May 1875, this five-movement suite is one of Dvo?ák's most popular works. The piece combines cantabile style (first movement), a slow waltz (second movement), humorous high spirits (third movement), lyrical beauty (fourth movement) and exuberance (fifth movement). Movements: I. Moderato, II. Tempo di Valse, III. Scherzo: Vivace, IV. Larghetto, V. Finale: Allegro vivace. A count of 8-8-5-5-5 strings included in the set.String orchestra (8-8-5-5-5 in set)
16479F12DF223-A960-465A-BAD4-3F1D0C5279A9SS775Quartet No. 5Woodwind Quartet
16480F12E8BFC-7C03-4611-A60D-0D1E5E5EC990A927490Oh Lady Be Good OvertureThis new concert overture, arranged by Tom Myron, features the famous title song, along with Fascinating Rhythm, Little Jazz Bird, So Am I, I'd Rather Charleston and The Half of it Dearie Blues. The style of orchestration in this concert overture is meant to strongly evoke the sounds of pre-War Broadway and Golden Age Hollywood, as well as the colorful styles of the late Romantic and early 20th century classical composers that Gershwin loved.2+1.2.2+Bcl.2: 4.3.3.1: Timp.Perc(3).Pno(dClst).Hp: Str