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#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
16801F53B03BB-AFE9-405B-9A39-ADD6625F08CBX205009Suite for Brass(not set)Brass Quintet
16802F53D47E3-6303-4595-908B-7C10D7D7A15DM292291Concerto In F, Op. 52Czech/Bohemian composer Franz Krommer (František Vincenc Kramá?; 1759-1831) was among the most popular composers in 19th century Vienna. His Concerto in F, Op. 52 for oboe was written in 1805, during a time when the instrument began to develop its solo potential through several virtuosic players and through technical innovations that improved intonation. The solo sections in this concerto are notably virtuosic, featuring rapid passage-work and wide leaps. This edition includes both Jan Racek and František Suchý as editors.Oboe and Piano
16803F53DD33A-511E-4116-B817-CE5E43C80A5050250040KorobooshkaKnown as "The Peddler" or "The Peddler's Pack," this folk song is in G minor and has an alternate Violoncello parts for reinforcement of the bass line or for younger 'cello sections. The song is often played with a gradually yet incessantly increasing temScore and Set
16804F53E8C11-CBD5-4AD3-85F6-A25FBB029BB352724479Der Erlkoenig(not set)Viola Quintet
16805F5486A39-5B4F-4D8D-8346-E39542A66CC8ST751Duo FantasyCello
16806F54A9353-9D39-4E3B-BD96-8D3D51164B21M128391Four Etudes, Op. 4Karol Szymanowski (1882-1937) wrote these FOUR ETUDES, Op. 4 for piano between 1900-1902. Much like his other early works, these etudes are influenced by Chopin and Scriabin. The most well-known is the lyrical and melancholic No. 3 in B-flat minor. Etudes: No. 1. Allegro moderato (E-flat minor); No. 2. Allegro molto (G-flat Major); No. 3. Andante (B-flat minor); No. 4. Allegro (C Major).Piano Solo
16807F5500BC7-FD64-4DDC-9C07-2786D2ED218EST525The Toy FluteFlute
16808F559D3EE-7015-47B8-80CA-45424FD9F77F10300127Beginner's Guide to the Cello v. 4The objective of the Beginner's Guide to the Cello is to provide interesting material with which the conscientious teacher can "build" a cellistic posture of the hands and body and lay the groundwork for future development. Specific requirements of a technical nature, such as playing in the various parts of the bow and holding the fingers in place, have been omitted for several reasons. First, to present a clear and uncluttered page, which is a primary obligation in writing for the untrained eye; and second, the use of such signs and abbreviations in elementary instruction is considered to be less effective than verbal directions from the teacher. The teacher is free, therefore, to exercise his or her own judgment and impose his or her own requirements in these matters. Careful attention has been given to the selection of material which provides a proper balance between necessary drill and a melodious musical experience. The acquisition of technical facility has been reserved for appropriate supplementary etudes. The entire series of four books is a preliminary step to the author’s Fundamentals of Violoncello Technique. Books Three and Four have as their objective an elementary orientation with the lower positions and a further development of the bow arm through a study of the various parts of the bow.Violoncello
16809F55FF913-C561-4061-A559-5D9E2470D00710410524Habanera(not set)Flute, Piccolo and Piano
16810F5607F17-4324-4BFC-981D-32910B912C66A784902Seid Umschlungen Millionen Walzer, Op. 443 [arrangement]SEID UMSCHLUNGEN, MILLIONEN (BE EMBRACED, YOU MILLIONS), OP. 443, is a waltz composed by Johann Strauss II in 1892. It was originally requested for a journalists’ ball by his friend Julius Stettenheim, but due to a prior commitment to Princess Pauline von Metternich, the scheme was never carried out. His brother Eduard conducted the first performance on March 27, 1893 at the Vienna Musikverein. This edition has been completed by Austrian composer and arranger, Max Schönherr. Instrumentation: 2(2nd d. Picc).2.2.2: 4.2.3.0: Timp.Perc(2): Hp: Accordion: Str (9.8.7.6.5 in set): Pno Cond Sc in Set.2(2nd d. Picc).2.2.2: 4.2.3.0: Timp.Perc(2): Hp: Accordion: Str (9.8.7.6.5 in set): Pno Cond Sc in Set
16811F5648592-A410-4B5F-ADF6-1B88E6E67960B11522 Virtuosity StudiesCovers advanced trumpet technique with an emphasis on articulation (single and multiple tonguing), flexibility and finger facility. Revised by Georges Mager, former principal trumpet of the Boston Symphony and professor at the New England Conservatory of Music.Trumpet
16812F565D363-565B-4E20-AC8A-4A7DEFC2157DST634CODialogues(not set)Piano String Trio
16813F566CF06-A32A-4FD4-A0E1-3BB363EC472110100074An Occasional SuiteThe Aria in this suite is taken from Handel's opera RINALDO, his first work in London (1710), and the March and Chorus are from one of his OCCASIONAL ORATORIOS, which were produced in 1747 - Handel's great period. Since the major part of this Suite is from the OCCASIONAL ORATORIO, it was named AN OCCASIONAL SUITE. This suite for band was arranged by Eric Osterling.Concert Band
16814F56BE251-0968-40C6-9D4B-13C83D0EDF1FR00591Jubilaeus Musicus, Op. 45Ad Honorem Universitatis Sanctae Mariae.2.2.2.2: 4.3.3.1: Timpani.Harp: Strings
16815F56BF481-83B6-430E-95E4-2DA2379C817FM140591Concert Caprice(not set)Two Violins
16816F573A734-3818-4EEC-B087-1A6588681B9810410245Flight of the Bumblebee for Flute and PianoSee also Band arrangement 10160180 and Orchestra arrangement 10260082.Flute and Piano
16817F576DE42-C3DC-40A3-9FC9-3A872E72208F10800234Te Deum LaudamusSATB
16818F579FD00-0FA5-494C-B992-52C77388FF17A302202Die Fledermaus, No. 10 Act II, Czardas: Klange der Heimath (soprano)The comic operetta DIE FLEDERMAUS (THE BAT) by Johann Strauss II (1825-1899) is the composer’s best-known operetta, though "The Waltz King" is perhaps better remembered yet for his contributions to that uniquely Habsburg Vienna dance with the infectious rhythm. Telling a farcical tale of practical jokes, masked identities, the test of true love, and other shenanigans, the original source is a play by German playwright Julius Roderich Benedix (DAS GEFÄNGNIS), which was translated into a French vaudeville play, LE RÉVEILLON by Henri Meilhac and Ludovic Halévy, which was then translated back to German by Karl Haffner, whose translation was finally used as the source for the libretto by Richard Genèe. Written following a couple of less successful efforts to enter the opera world, this light opera premiered at the Theater an der Wien in Vienna on April 5th, 1874, and remains one of the most popular in the contemporary repertoire. Posing as a Hungarian countess at a masked ball in Act 2, Rosalinde sings KLANGE DER HEIMAT (SOUNDS OF MY HOMELAND) in the style of a czàrdàs, a traditional folk dance. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Perc(1): Str (4.4.3.3.3 in set): Solo Sop. Reprint edition.2.2.2.2: 4.2.3.0: Timp: Perc(1): Str (4.4.3.3.3 in set): Solo Sop
16819F579FE18-848D-4CB4-8A23-D626BB4E0A39R00881GenerationsComposed for the Northwest Indiana Symphony Orchestra.3(1d Piccolo).2+English Horn(optional).2+Bass Clarinet.2+ContraBassoon(optional).Baritone Saxophone(optional): 4.3.3.1: Timpani.Percussion(3).Piano: Strings (Double Bass, d Electric Double Bass,)
16820F57C1C4F-9920-4192-A0E8-02FAD056F241SS717Andante and ScherzoJean Dere (1886-1970) was a French music educator and composer who studied at the Paris Conservatory under such composers as Jules Massenet and Charles Marie Widor before becoming a professor there himself from 1937-1956. His Andante and Scherzo for clarinet and piano is here edited and revised by David Hite..Clarinet