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16861F6136139-B038-4EE6-9889-C6BE6F24C3AE52702026Serenade, Op. 8New edition edited by Lynne Latham and Clark McAlister. These classics now have full scores, endings that match, consistent articulations and are bowed, making them perfect additions to contest lists and concert repertoire.Violin 1, Viola and Violincello
16862F614C2EE-B6E3-4AD1-806A-1259DF8448E9ST675RomanceThis composition offers players the opportunity to play expressively on music that borders on atonality. Arrangements for trumpet, alto saxophone, baritone saxophone, baritone, and cello are available from the publisher.Trumpet; Piano
16863F615C51A-4786-4A3B-9D3B-9A6EC276E0A0M983490Nutcracker Three Dances Suite 2Full Orchestra
16864F61AEBD6-6472-45C7-8767-8816A5DA87EAST42Two PiecesTenor Sax
16865F61CAB40-4BF3-4806-92A2-8D0BEE564429SU447Concerto for Flute (reduction)Written for Julius Baker. Recorded by Marya Martin and Czech Philharmonic Chamber Orchestra for Albany Records.),Flute, Piano
16866F6260146-F347-4E61-BA54-123C04410E29A701201Symphony No. 6[2+1, 2+1, 2+1, 2+1 - 4, 2, 3, 1, timp, perc, str]
FULL SCORE ONLY
16867F6296709-ECED-40B5-AF05-67B9CB76D498B397SequencesThese scalic exercises are primarily designed to help familiarize students with simple sequential patterns and modulations. Most of them are easily memorized and should be attempted at a fairly early stage. Reasonably advanced performer can benefit from incorporating one exercise a day into their normal routine.Flute
16868f629fcbc-9e39-11f0-a418-0022482c9682A651502Bauern-Polka (Polka Francaise), Op. 276Uniquely, the BAUERN-POLKA (POLKA FRANÇAISE), Op. 276 by Johann Strauss II (1825-1899) included a singing part for chorus, which was quickly picked up by its first audience. The premiere took place at a Pavlovsk charity concert on August 29, 1863. Its initial popularity led Tsar Alexander II to request a performance. Today, the choral part is generally sung by members of the orchestra. Instrumentation: 1+Picc.2.2.2: 4.2.1.0: Timp.Perc(1): Str (9.8.7.6.5 in set): Mx Chor (opt.): Pno Cond Sc in set.1+Picc.2.2.2: 4.2.1.0: Timp.Perc(1): Str (9.8.7.6.5 in set): Mx Chor (opt.): Pno Cond Sc in set
16869F62AF07D-8402-429F-8F32-E14CDBD77DA4LV304CBChristmas Sing Along Ii(not set)Concert Band
16870F63127BC-03A4-4672-8CF6-A39D0DAFEC1EM981690Pomp and Circumstance March No. 1 for OrchestraElgar dedicated his first Pomp and Circumstance march, written in 1901, "to my friend Alfred E. Rodewald and the members of the Liverpool Orchestral Society". Often performed in graduation ceremonies in America, its premiere took place in Liverpool and it found immediate popularity which has since overshadowed the other five Opus 39 marches. 2.2.2.2: 4.2.3.1: Timp.Perc(4): Str (9.8.7.6.5)2.2.2.2: 4.2.3.1: Timp.Perc(4): Str (9.8.7.6.5)
16871F6323F45-0D39-4D12-A7ED-A7A3540E0142ST306COInterplayThe title of this 3-movement work for percussion quartet indicates the intention. The first movement is contrapuntal (fugal), featuring multi-pitched sets of drums imitating and interacting with each other while supported by a steady rhythmic background which passes about the group. The second movement is coloristic; beginning tentatively with splashes of varying colors, it moves into a gradually rising undulating series of contrapuntal streams before dissolving into the coloristic material of the opening. The third movement features a driving ostinato, which gradually grows in complexity as the movement progresses and against which solo lines develop and combine, all increasing in intensity and accelerating toward the conclusion with it is suddenly interrupted by the coloristic material of the second movement, after which there is a pell-mell rush to the final cadence. This is superb contest choice for an advanced group of percussionists.4 Percussionists
16872F6360EC2-6C86-477A-82FA-DE521DD4D10FSC768Tell Me Why2007 TEXAS UNIVERSITY INTERSCHOLASTIC LEAUGUE SIGHTREADING FOR 3A VARSITY MIXED (SAB) CHOIRSab
16873F63AA9F1-7F59-4545-9354-915F4650A785X303001Circles3 Percussion
16874F63B0373-ED29-43AB-82CA-2E32D34A9C69X509004Concertino for StringsCommissioned by the St. Paul Chamber Orchestra, this concertino was originally conceived as a part of a complete educational concert program. Four concertini, each featuring a different instrumental family within the chamber orchestra, are played in succession to demonstrate the characteristic sounds of those instruments. The music is thematically related but not identical to the Concertino for Chamber Orchestra (parts available on rental from the publisher), which serves as the program's closer, demonstrating all of the orchestral sections playing together. This program is suggested by the composer for orchestra concerts, however each instrumental concertino can be performed individually and stands quite effectively on its own as a short chamber recital piece.String Orchestra (6.5.4.3.2)
16875F63FE05F-A88C-4689-A09D-E15D81B73609A572402Sea Pictures, Op. 37(not set)2, 2, 2, 2+1 - 4, 2, 3, 1, timp, perc, hp, [org], str, solo [alto]
16876F643CFB8-3E78-45B5-9AF9-81092FD5FC1710730404Two Short Pieces for Cello and PianoThese two pieces written for the young musicians include VOCALISE, a singing andante in 4/4, and DANCE, an allegro with opportunities to transition between some easy meter changes. Versions for bass clarinet, bassoon, baritone saxophone, trombone, baritone, mallet percussion (no accompaniment), and cello are available from the publisher.Cello and Piano
16877f6475c64-9e39-11f0-a418-0022482c9682A652502Bartered Bride, The, B. 143: Three Dances (Prodana Nevesta)With THE BARTERED BRIDE (PRODANÁ NEVESTA), B. 143, Bedrich Smetana (1824-1884) put Czech opera on the international map. Composed between 1863 and 1866, it was not immediately successful following its 1866 premiere at the Provisional Theatre in Prague on May 30. Performed in its final version, four years later, it achieved worldwide popularity. Set in a country village, the plot follows Jeník and his lover Marenka, opposing her parents who have a scheme to marry her off to the son of a rich landowner. The folk dances performed during the course of the opera, so vital to its depiction of rustic Bohemia, have been here arranged for this Kalmus edition in a set for orchestra, THREE DANCES, by Hugo Riesenfeld. Instrumentation: 2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Pno(opt): Str (9.8.7.6.5 in set) (winds cross-cued for perf by smaller orchs).2+Picc.2.2.2: 4.2.3.0: Timp.Perc(2-3): Pno(opt): Str (9.8.7.6.5 in set) (winds cross-cued for perf by smaller orchs)
16878F6490939-5248-4005-8B95-900567F42B9AM409691Rondo in D, Op. 94Antonín Dvo?ák (1841-1904) wrote Rondo in D, Op. 94 in 1891 for cello and piano, with the version for cello and orchestra to follow in 1893. This version for flute and piano has been transcribed and edited by Robert Stallman.Flute and Piano
16879F64CB7FD-CB43-42EA-A5DE-578AA5243323SU288IntradaThis piece is a wonderful early intermediate selection for contest or recital.Alto Sax
16880F64D6862-09A8-43DE-9B7E-9FD1541AA697R00207Fanfare for Orchestra1(or 2)+Piccolo.2.2(or 3).2(or 3): 4.3.3.1: Timpani.Percussion(3).Piano(optional).Harp: Strings