Titles

Create Title

Showing 15,821-15,840 of 17,576 items.
#IDTitlecodeTitle NameMarketing CopyInstrumentation 
  
15821E847A22D-FBAC-4AD0-A2FC-4EA4D18D14C0M351391L'Organiste Pratique, Op. 41, Bk. 2French organist and composer Félix-Alexandre Guilmant (1837-1911), served as Professor of Organ at the Paris Conservatoire and served as mentor to a young Marcel Dupré. While accomplished and prolific, Guilmant wrote almost exclusively for the organ, including: "Pièces dans différents styles" (18 books); "L'organiste pratique" (12 books); Eighteen "Pièces Nouvelles;" and "L'Organiste liturgique" (10 books). All 12 books of "L'Organiste Pratique" is available from the publisher.Organ
15822E84B0546-BB9D-40CD-BD46-173859EF6D4910100342Two Selections from ElijahRespectfully and tastefully scored for contemporary bands, master writer Albert Davis presents two movements from Mendelssohn's beautiful oratorio, ELIJAH. Reverential and subtle, this is great concert material that stresses musicality and control.Concert Band
15823E850A4FF-8D26-4AEC-BB84-944735B5D42CSC427Praise the Name Of The Lord!Sab
15824E8522E80-7958-454F-9454-0D23A11E44F9A013990Suite Espania, Op. 47: SevillaSkillfully adapted for full orchestra, this is an excerpt from the composer's most famous work, Suite Espagnole, Opus 47. Originally written for piano, the Suite depicts different regions of Spain and their musical styles. The movement title (Sevilla) refers to the region, while the subtitle (Sevillanas) refers to the musical form or dance.2+1, 2, 2+1, 2 - 4, 3, 3, 1, timp, perc, str
15825E852CB46-87B0-42E9-8DE4-41F010579AC6X104002Concertino for WoodwindsCommissioned by the St. Paul Chamber Orchestra, this concertino was originally conceived as a part of a complete educational concert program. Four concertini, each featuring a different instrumental family within the chamber orchestra, are played in succession to demonstrate the characteristic sounds of those instruments. The music is thematically related but not identical to the Concertino for Chamber Orchestra (parts available on rental from the publisher), which serves as the program's closer, demonstrating all of the orchestral sections playing together. This program is suggested by the composer for orchestra concerts, however each instrumental concertino can be performed individually and stands quite effectively on its own as a short chamber recital piece.Flute, Oboe, Clarinet, Bassoon
15826e854692e-9e39-11f0-a418-0022482c9682A524602Antigone, Op. 55: Incidental MusicANTIGONE, Op. 55 is incidental music composed by Felix Mendelssohn (1809-1847) in 1841 for a German translation of Sophocles’ tragedy by Johann Jakob Christian Donner, commissioned by King Friedrich Wilhelm IV of Prussia. Scored for double male chorus, narrator, and orchestra, the work blends Classical restraint with Romantic expression, using antique-sounding choral writing and modal harmonies to evoke the solemn dignity of ancient Greek drama. The first performance took place at the New Palace in Potsdam on October 28, 1841. Though not often staged today with the full play, the work represents 19th-century interest in classical antiquity, admired for its dignified beauty and innovative dramatic integration. Instrumentation: 2.2.2.2: 2.2.3.0: Timp: Hp: Str (4.4.3.3.3 in set): Double Men's Chorus: Narrator. Reprint edition. The vocal score (W110391), which includes only English text, is also available from the publisher.2.2.2.2: 2.2.3.0: Timp: Hp: Str (4.4.3.3.3 in set): Double Men's Chorus: Narrator
15827E857EF8C-7AEC-420E-8FA7-C430C892A448S550001Variations on a Chant Op. 92Commissioned by the World Harp Congress, Jerusalem 1985.Harp Solo
15828E85990FB-4B66-44B1-80D7-76D944F6E858EBM0660037Synchronisms No. 6Winner of the 1971 Pulitzer PrizePiano, tape
15829e85a691b-9e38-11f0-a418-0022482c968210446259Sarabande from Oboe Concerto, HWV 287The SARABANDE is the third movement of George Frideric Handel's (1685-1759) OBOE CONCERTO in G minor, HWV 287, composed around 1704-1705. Robert M. Barr has transposed this movement to the key of F minor. Versions for bassoon, clarinet, alto clarinet, alto saxophone, tenor saxophone, baritone saxophone, cornet/trumpet, trombone, baritone (B.C./T.C.), tuba, and double string bass, all with piano accompaniment, are available from the publisher.Alto Clarinet and Piano
15830E85A6A50-1568-4E25-B33F-4F037DBCB407S800CBSymphony No. 1
15831E85EB0AE-D176-4900-8FD0-88A91B15ED3CR01027TGV (Train a Grande Vitesse) from Postcards From France(not set)2.2.2.2: 4.2.2.1: Perc(3): Str
15832E8624B23-BD3D-4C69-811C-F34CCEA4AA91EBM220315Little Suite for PianoFour intermediate level piano works inspired by the seasons. Contents: Lake Reflections (Summer) • Melancholy Waltz (Fall) • Frozen Sunset (Winter) • Wedding Music (Spring).Piano solo
15833E86856A9-F87E-4C05-B987-C46597879DFCX814037And Wilt Thou Leave Me ThusFrom Two Songs for Baritone and Piano. Recorded by James Martin, Baritone; George Walker, Piano., Albany CD Troy1082.Baritone, Piano
15834E86C10C8-BC7E-4EC5-8263-9C850FDF530ER00385Fantasia Concertante(not set)Alto Saxophone Solo     2+Piccolo.2(1 d English Horn).2(1 d Bass Clarinet).2: 3.2.1(Bass).0: Percussion(2): Double Bass
15835E86D5849-9E2E-40C2-B66E-3B1DE4B13A20SO184CMontague MinuetIgnatius Sancho wrote Minuet Nos. 9 and 10 for harpsichord as part of a longer published collection of minuets titled Minuets, Cotillions, and Country Dances. This piece explores the Classical style of playing; including bowings, dynamic changes, and phrasing. The consistent 3/4 time signature allows students to perform with a lyrical musical style while maintaining forward movement. The piece uses both D major and A major and requires all sections to use extensions. This refined piece is a great introduction to a lesser-known Classical era composer and is a beautiful addition to your concert repertoire.String Orchestra
15836E87063D5-6671-40CC-87A2-703EC71395D950410002From the Cradle to the GraveFlute, Piano
15837E87220E9-CA10-45CA-93AA-84A06BB369C8EBM0610103Symphony No. 1 in E MinorThe First Symphony (1926 - 27), a work from relatively early in Roger Sessions' career, is often cited as an example of the composer's neoclassical style. The Symphony was premiered in 1927 by Serge Koussevitsky and the Boston Symphony Orchestra; Sessions, however, was dissatisfied with the work and withdrew it for revision. Though far from atonal, this energetic three-movement work employs an extended tonal language characterized by striking chromaticism and freely constructed sonorities. Movements: 1. Giusto, 2. Largo, 3. Allegro Vivace3(3dPicc).3(3dEH).4(ECl;BCl).3(CBsn): 4.4.3(BTbn).1: Timp.Perc(4): Pno: Str
15838E8752D69-32F4-469A-9FC3-564B913396DAX662701Fantasie for Flute, Piano, and String QuartetCommissioned by For The Love of Music, 1987Flute, Piano, 2 Violins, Viola, Cello
15839E8784794-0733-4DF1-81AB-68FBD8A041B650200024CityscapesWith a medley of 'Way Down Yonder in New Orleans, Chicago and Chinatown, My Chinatown, this arrangement swings like nothing you've ever heard. It has lush harmonies, driving rhythms, and the full, robust sound of the orchestra.Full Orchestra
15840E8895189-9094-4417-90BA-D4049C890E0DM153991Waldesruhe Op. 68/5 (critical edition)(not set)Cello & Keyboard