Titles
Showing 15,841-15,860 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15841 | e88bb57b-9e38-11f0-a418-0022482c9682 | 10447455 | Big Jolly Jake | This whimsical, fun piece tells a story, following Jake through his three happy moods in 3 movements. A great piece for intermediate solo Clarinet for competition or recital, with piano accompaniment. | Clarinet and Piano | |
| 15842 | E88CC6CE-0838-4F9D-8ACA-E2C5B4926439 | EBM0630120 | Serenata Notturna for Oboe and String Orchestra | Premiere: Guarneri String Quartet, Richard Woodhams, oboe, Perelman Theater/Kimmel Center, Philadelphia, PA, Oct. 23, 2005. NOTE: The String Quartet version is available for purchase. The string orchestra version is available on rental. Movements: 1. Gently-Allegro, 2. Grazioso, 3. Scherzo di medianotte, 4. Andante-Allegro | Oboe, String Orchestra | |
| 15843 | E88E06A4-DE88-4E17-A34F-579BF730EF91 | 52703527 | Four-Rosin Rock | Thom Sharp's creativity shines again in this collection that features hard rock, Latin rock, and even a rock ballad. Players will get a good rhythmic workout with parts written at an advanced intermediate level. Suggested solos are written in parts that also have changes provided for those who prefer to improvise. Movements: 1. Igneous Rock; 2. Rondo at the Station; 3. Topaz Tears; 4. Obsidian; 5. Cayo Coco. | String Quartet | |
| 15844 | E88F926A-D362-42B8-BB99-C9B28FF79122 | X535001 | Carving an Alphabet | Direct transcriptions on Renaissance madrigals has been part of the SAKURA cello quintet's (for whom this work was commissioned) core repertoire every since they were created. "Carving an Alphabet" was composed with the expressivity, virtuosity and hyper-extended range for which SAKURA is known. The emotional landscape (lovelorn, passionate, miserable, nature-loving, awestruck, etc.) of the late-16th/ early-17th century madrigal composers and their favorite poets is also reflected here. The composer adapted fragments of poetry from two of his favorite poets, Michael Ondaatje and Czeslaw Milsz, which is used as titles and scenarios for this collection of madrigals-without-voices. Songs: I. Carving an Alphabet, II. A Flute from the Throat of a Loon, III. Somersualts (in Protospace), IV. The Night and its Forces, V. Bells of the Sea, VI. Country of Warm Rains, VII. Solitude Is Not an Absolute, VIII. Painting the Variegated World, IX. By Sunrise or the Rising of the Moon, X. The Honey Gatherers, XI. Arcs of the Heart, and XII. Carving an Alphabet II. "Carving an Alphabet" is designed to be performed as a complete book of madrigals in the order presented above; or, selections in any order can be chosen to fit the needs of a given concert program. | Cello Quintet | |
| 15845 | E891D06F-A930-4CE2-9CB2-6270FEE03FEE | R00169 | Zen In Five Strings | String Orchestra | ||
| 15846 | E89342EB-F8DA-4BC1-8114-67FEB139ADE9 | ST574 | A Ruckert Song: Ich bin der Welt abhanden gekommen (I am lost to the world) | "Ruckert-Lieder" is a song cycle by Mahler (1860 - 1911) of five lieder (songs) originally for voice and orchesta or piano and based on poems written by Friedrich Ruckert. This arrangement by Fred Hemke for alto saxophone and piano is of the third song, "Ich bin der Welt abhanden gekommen (I am lost to the world)." It offers intermediate saxophone players a beautiful vehicle for expressive playing. | Alto Sax and Piano | |
| 15847 | E897835C-5291-438E-9AA4-F6E4C824CFF9 | M905102 | Silent Night: A Christmas Carol | The works in the Arthur Harris Christmas Series were originally written for orchestra, with several offering the option to add chorus. These transcriptions for band, both by William Silvester or Arthur Harris himself, retain the quality of the original orchestrations, offering bands the optional opportunity to perform with chorus during the Christmas season. Choral scores for each work are available separately. Band series with chorus includes: Silent Night, Joy to the World, Hark! The Herald Angels Sing, Adeste Fidelis (O Come All Ye Faithful), The First Nowell, O Tannenbaum, and Angels We Have Heard on High. Transcriptions for band alone includes: O Little Town of Bethlehem, God Rest Ye Merry Gentlemen, Joy to the World, Deck the Halls, and We Wish You a Merry Christmas. | SATB Chorus with Concert Band | |
| 15848 | E89925CD-6282-4A5D-869A-7A2BD25AF3D8 | SU262 | Im Tiefsten Walde | Heinrich Kaspar Schmid (1874-1953) was a German composer (student of Ludwig Thuille), pianist, and educator. A prolific composer of the neo-Romantic style, his works include masses, choral music, piano pieces, chamber music, and lieder. He also concertized on the piano throughout Europe, and became director of several prestigious conservatories. IM TIEFSTEN WALDE (In the Deepest Forest) is one of five tone poems originally written for solo winds that comprise Schmid's Opus 34. It was composed in 1920, and was dedicated to Josef Suttner, solo hornist at the Music opera, and teacher of horn at the Munich Hochschule. Edited by Thomas Bacon, versions for horn, cello, trombone/euphonium/bassoon, tuba, and tenor saxophone are available from the publisher. | Trombone (alt Euphonium, Bassoon) and Piano | |
| 15849 | E89A1A4B-071F-493A-A266-90ABB32E18F2 | 50100064 | Air Force Hymn: Lord, Guard and Guide the Men Who Fly | The official hymn of the United States Air Force, this work has been reissued in 9x12 format. This is a full score edition, with edited and corrected parts and playable by just about any band. | Concert Band | |
| 15850 | E89CB882-E779-496B-9420-E2C3459D2FF3 | X094028 | Illuminations (Rimbaud) | Text from three poems by Rimbaud: I. Marine, II. Devotion, III. Depart. It was written for Allan Neustadter, in return for a piece of his sculpture. | SATB acapella chorus | |
| 15851 | E8A06774-26C9-4E46-8266-53D72BA28C34 | R15 | Concerto No. 1 in F for Bassoon and Orchestra | (not set) | Full Orchestra | |
| 15852 | E8A35257-23E2-47F7-85DC-F3D98A1CBAA2 | SU487 | Trio, Op. 87 (Wind trio) | Originally scored for two oboes and English horn, Beethoven's Trio Op. 87 has long been one of the composer's most popular works. This edition by Albert Andraud expresses the French romantic tradition of his heritage, providing performers a distinctive approach to this charming classical-style work. Movement titles: 1. Allegro 2. Adagio 3. Menuet and Trio 4. Finale | Flute, Oboe, Clarinet (or English Horn) | |
| 15853 | E8AC9421-001C-40FB-AD49-4DA8C2245322 | R01612 | Symphony No. 6 | |||
| 15854 | E8B49E40-4AC5-4C96-8505-E44D00E8F1B2 | R76 | Concerto for Flute and Concert Band | (not set) | Flute Solo: Concert Band | |
| 15855 | E8B4F2F2-62FC-49D4-B91A-6998BD691C72 | A361302 | Cosi fan Tutte, K. 588: La Mia Dorabella | (not set) | 0, 2, 0, 2 - 2, 0, 0, 0, str, soli TBarB | |
| 15856 | E8B58B18-AED1-42C5-82C9-1918F6B91F59 | 52711330 | Hymns of Grace | Now includes optional viola and cello parts for 2nd violin. Intermediate level. Amazing Grace; Be Thou My Vision; Come Christians, Join to Sing; Jesus Loves Me; Come, Thou Long Expected Jesus; Kingsfold; Love Divine, All Loves Excelling; O Waly, Waly. | Violin Duet and Piano with optional Viola and Cello | |
| 15857 | E8B9EE9F-0A6C-4EE5-9B9B-EB8F582AECA2 | B221 | 53 Melodious Etudes, Bk. 2 | This progressive collection of advanced etudes for all saxophones or oboes focuses on articulations and major/minor versions of the same key signature. Book 1 includes etudes 1 - 25. Book 2 includes etudes 26 - 53. | Oboe or Saxophone | |
| 15858 | E8B9F428-274E-42CD-A2D1-DF5E29710B0D | M369391 | Three Sonatas Op. 70 | (not set) | Oboe and Piano | |
| 15859 | E8BCBD5A-D2F1-4170-B4BD-418B30CA441A | O6 | Too Late (out-of-print) | Jazz Band | ||
| 15860 | E8C871B0-B15B-4C37-AC08-F426D70BE42A | M178991 | Six Poems after Heinrich Heine, Op. 31 | A set of little-known piano pieces by Edward MacDowell. Each work is preceded by a corresponding Heinrich Heine poem. Reprint of the first edition. | Piano Solo |