Titles
Showing 15,741-15,760 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15741 | E709868B-6678-4703-87FF-FDFE16AD5068 | SC214 | Pretty Saro | The University of Texas Interscholastic League Sight Reading Selection for Class AAAAA (TTBB) | Ttbb | |
| 15742 | E70E6561-2BE1-4756-B93A-333A8336F4B2 | M255791 | Much Ado About Nothing, Suite for Piano, Op. 11 | When Max Reinhardt was engaged to direct a German language production of Shakespeare’s MUCH ADO ABOUT NOTHING at the Vienna Volksbühne in 1918, he asked Korngold to compose the incidental music. The production, under the German title VIEL LÄRMEN UM NICHTS did not open until May 6, 1920 at the Schönbrunn Palace Theater; in the pit the composer led members of the Vienna Philharmonic, performing no less than 18 pieces of music. In the meantime, due to the tardy premiere of the play, Korngold had already extracted this five-movement orchestral suite which garnered much praise when performed three months before the play’s opening night. The five movements included: 1. the Overture; 2. Scene in the Bridal Chamber; 3. Holzapfel und Schlehwein (a mock-serious scene); 4. Intermezzo (Garden Scene); and 5. Hornpipe. When the play moved to Vienna’s Burgtheater (more than 80 performances) and later to the Rezidenz Theater in Munich, the music continued to attract much attention. Demand for the music was such that Korngold arranged the suite into versions for violin and piano (four pieces), and for solo piano (three pieces). German composer-arranger Leo Artok (1885-1935) also arranged the most popular three items (Hornpipe, Garden Scene and In the Bridal Chamber) for small orchestra, which were then published by Schott in 1926. All editions noted above are available from the publisher. This reprint of the original Schott edition for solo piano is the collection of the three pieces most popular movements. | Solo Piano | |
| 15743 | E7127ADB-BEA6-431F-83A4-EC5CBC54F1AE | S1005CB | Risoluto | Risoluto is a music term of Italian derivation, first appearing in the mid-1700s. A great many musical terms such as this are in Italian, because many of the important composers from the Renaissance to the Baroque were from the geographic area known today as Italy and spoke some form of Italian. Consequently, performance markings in their published music, widely disseminated through the rest of Europe, were in the language that they best understood. Music marked in this manner is to be played firmly and decisively with firm resolve and little variance from the marked tempo. It can be seen that while there are several stylistic changes in this piece, the tempo varies not a bit, holding firn at Allegro vivo, quarter note at 120, from first measure to last. | Concert Band | |
| 15744 | E717DA4A-4DAA-4781-9A1C-09C2E13990F5 | R01555 | Metropolitan Overture | Peng-Peng Gong's "Metropolitan Overture" was a joint commission of the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra. The premiere concert on May 22, 2016 was both to open the five-year artistic collaboration between the two orchestras, and also to welcome the grand opening of the Shanghai Disneyland. The work is a jubilant merge of Shanghai folk-music and Disney-style scores, making it an excellent concert opener or encore. | 2+1.3.3.3: 4.3.3.1: Timp.Perc(4): Harp: Str | |
| 15745 | E71A70B7-FAFF-4A0D-A645-81CA96EDC030 | S15 | America Your Torch Burns Yet (out-of-print) | Concert Band | ||
| 15746 | E71CBB31-2758-4A88-814C-2ACE742D5EF6 | M211891 | Suite Bourguignonne | (not set) | Piano Solo | |
| 15747 | E723750D-6453-4DC5-9644-B1B0A13DCC0E | R01191 | The Pirates of Penzance | (not set) | Soprano, 2 Mezzo-Soprano, Contralto, Tenor, 2 Baritone, 2 Bass, Chorus: 2(1d Picc).1.2.1: 2.2.2.0: Timp.Perc(1): Str | |
| 15748 | E727D5F6-BC3E-4AF5-8F0C-96036BE7F371 | R01336 | Symphont for Wind Orchestra in Three Scenes | 2 Picc., 3 Fl., 2 Ob., E. H., Eb Cl., 3 Bb Cl. (2 players each), A. Cl., B. Cl., 2 Bns., Cbsn, 2 A Sax, T Sax, B Sax, 2 Tr. in C, 2 Tr. in Bb, 4 Hns, 4 Tbn, 2 Euphoniums, 2 Tubas, String Bass, Harp, Piano and Woodblock,7 Percussion | ||
| 15749 | E729A85E-CEDD-4F15-AFFC-20CDDE3A9CC8 | R01142 | Professor Felix von Forte's Wonderful Symphony | Variations on a theme by Moritz Hauptmann. | Narrator2.2.2.2: 4.2.2.1: Timpani.Percussion(2): Strings | |
| 15750 | E730CE9C-E36B-493A-B569-2ED1B29754B7 | J93100 | Native American Ambiances | (not set) | Satb | |
| 15751 | E7346E0B-FF2C-473A-9B1B-FA4F39CBDBBE | V99 | Two Songs: Art Songs by American Women Composers v. 4 | This series is the first published collection of art songs set to music exclusively by American women of the 20th century. All of the songs have been selected on the basis of poetic choice, strength in text-setting, and accessibility in performance. This collections includes an inspired melodic clothing of a Shakespearean sonnet and a contracting contemporary view of "October Wind in New York." | Vocal | |
| 15752 | E73A540D-829B-4661-B58E-5E86E309E72C | 10620231 | La Villageoise (The Village Maiden) | La Villageoise (The Village Maiden) is a delicate and evocative piece from the Suite in E minor by Jean-Philippe Rameau (1683-1764). Also available for other instruments using the same piano accompaniment. | Mallet Instrument Solo and Piano | |
| 15753 | E73B8A68-D510-4BD7-8F37-41C60F6E615A | EBM0630125 | Romanza for Violin and String Orchestra | Available in its original form for solo violin and string orchestra, or in piano reduction. It was composed for the famed violinist, Nadja Salerno-Sonnenberg, and the San Francisco-based New Century Chamber Orchestra. Premiere: New Century Chamber Orchestra, Nadja Salerno-Sonnenberg, Violin, First Congregational Church, Berkeley, CA, May 6, 2010 | Violin, String Orchestra | |
| 15754 | E73BA5EF-3D70-4C81-8AA8-3D7C10424568 | 52701192 | Weddings for Two - Viola | This collection is the ideal solution for planning wedding music when you don't have the players for a full string trio or quartet. For Violin I and another player, these beautiful duets make the most of the various string pairings. | Viola | |
| 15755 | E7406531-CDB2-4365-8F37-8C047426A1ED | SU189 | POP: Carnival Of Venice Fantasy | Marimba | ||
| 15756 | e743d34c-9e38-11f0-a418-0022482c9682 | 10440206 | Sonata, Op. 5, No. 7 in D minor | This SONATA by Arcangelo Corelli (1653-1713) was originally written as part of TWELVE VIOLIN SONATAS, Op. 5. The SONATA in D minor is the 7th in the collection. Three of the four movements (the Preludio as been omitted) have been transcribed by Eric Hanson for clarinet and piano, keeping the original key of D minor. It is a perfect selection for the intermediate to advancing clarinetist to take to contest or recital. Movements: I. Courante; II. Sarabande; III. Gigue. | Clarinet and Piano 10% retail. | |
| 15757 | E7467297-47AC-42EA-8EFB-0E3E97E24DA8 | B308602 | Slavonic Rhapsody | (not set) | Concert Band | |
| 15758 | E7497126-16EC-4638-B5DB-A992A8BF1920 | ST370 | Fusions | Alto Flute, Vibraphone | ||
| 15759 | E75565E5-86C3-4850-8223-B75DB9C156A0 | 10200061 | White River Legend | The White River flows very near The Blue Lake Fine Arts Camp and meets Lake Michigan in Muskegan County, Michigan. Many legends can be told about this river and the beautiful region where it is located. This overture is a musical presentation of a legend that the listener may create as the music is heard. 2+Picc.2.2+BCl.2: 4.3.3.1: Timp.Perc(3-4): Str (9.8.7.6.5) | 2+Picc.2.2+BCl.2: 4.3.3.1: Timp.Perc(3-4): Str (9.8.7.6.5) | |
| 15760 | E756A89E-17B6-4AA5-85FC-829A5471909E | 50250204 | Clementine Variations | CLEMENTINE VARIATIONS will work well on any concert program. The arrangement starts with a straightforward version of the well-known folk tune. As the variations unfold, every section gets an opportunity to shine on a variety of melodic material with stylistic and technical variations. | String Orchestra |