Titles
Showing 15,721-15,740 of 17,576 items.
| # | ID | Titlecode | Title Name | Marketing Copy | Instrumentation | |
|---|---|---|---|---|---|---|
| 15721 | E6D9599B-272B-4C90-86F3-95E96E1150A8 | A589202 | The Snowman Overture (Der Schneeman) | 2d1, 2, 2, 2 - 4, 2, 3, 0, timp, perc, hp, str | ||
| 15722 | E6DA6CEB-BAB0-48D5-A6BF-BC97CECB2787 | A934590 | Schwanda, Der Dudelsackpfeifer (Schwanda, the Bagpiper): Bohmische Polka (Bohemian Polka) | |||
| 15723 | E6DA72BA-5B5B-4009-B18F-9E57F09FC5BB | ST204 | Metallic Mystique | 1M, 5P | ||
| 15724 | E6E1C1E7-A8BC-41AB-873A-A397DEA3B863 | EBM0640001 | Inflexions for 14 Players | INFLEXIONS was commissioned by the Fromm Music Foundation, (for the Chicago Chamber Players) and is dedicated to Mr. Paul Fromm, President. Recorded on CRI. | 2*01*0 0110 4Pc Pno/Cel Str [10111] | |
| 15725 | E6E42911-DD6C-493B-AB75-F0AE87FD4517 | A708802 | Concerti Armonici: Concertino No. 5 in B-flat (spuriously attributed to Ricciotti) | The six CONCERTI ARMONICI were long thought to be the work of the violinist-impresario Carlo Ricciotti or composer Giovanni Battista Pergolesi, but more recent research has revealed the composer to be Unico Wilhelm van Wassenauer (1692-1766). Born into a wealthy Dutch family, the diplomat and composer founded a Collegium musicum in The Hague under the oversight of Ricciotti. Composed between 1725 and 1740, the six concertos have been falsely attributed to a variety of contemporaries, Ricciotti and Pergolesi amongst them, since its anonymous publication. Wassenauer's aristocratic background was the reason for his secretiveness. The sentiment of the time ordained that musicians belong to the lower classes. This edition of CONCERTINO No. 5 (also CONCERTO ARMONICO in B-flat Major, CONCERTO II, or just CONCERTINO in B-flat), drawing from the CONCERTO ARMONICO in B-flat Major, was edited by 20th century Baroque expert Johann Philipp Hinnenthal. While Hinnenthal spuriously attributes the work to Ricciotti, he acknowledges that the composer may also be Pergolesi or an unknown third composer. Despite Wassenauer's authorship having since been confirmed, Hinnenthal's original editorial notes have been retained. Instrumentation: Str (4 Vn parts [2.2.2.2].3.2.2): Hpchd. | Str (4 Vn parts [2.2.2.2].3.2.2): Hpchd in set | |
| 15726 | e6e55bea-9e38-11f0-a418-0022482c9682 | 10430555 | Big Jolly Jake | This whimsical, fun piece tells a story, following Jake through his three happy moods in 3 movements. A great piece for intermediate solo Bassoon for competition or recital, with piano accompaniment. | Bassoon and Piano | |
| 15727 | E6E57018-F15D-4DFF-9517-9F5111AE1BF2 | B386602 | Dance Suite | Concert Band | ||
| 15728 | E6E643BA-1A65-4320-8232-1AD8C5573124 | M411891 | Moments Musicaux | (not set) | Solo Piano | |
| 15729 | E6E7A641-7773-4B37-9C4C-6C25EADD232A | LV214CB | Nip and Tuck | (not set) | Concert Band | |
| 15730 | E6E7AC1B-B041-4A62-9733-8EFD249FCC6D | A217302 | Nutcracker, The: Suite No. 1, Op. 71a | The orchestral Suite No. 1 from Tchaikovsky's well-known ballet, THE NUTCRACKER, includes eight movements: I. Ouverture Miniature - Allegro giusto, II. Danses Caracteristiques a) Marche, b) Danse de la Fee-Dragee, c) Danse russe Trepak, d) Danse Arabe, e) Danse Chinoise, f) Danse des Mirlitons, III. Valse des Fleurs. Instrumentation: 3(3rd dPicc).2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(1): Hp.Clst: Str (9-8-7-6-5 in set). | 3(3rd dPicc).2+EH.2+BCl.2: 4.2.3.1: Timp.Perc(1): Hp.Clst: Str (9-8-7-6-5 in set) | |
| 15731 | E6EF8D33-B425-43C2-B10B-B94ABD6C44D6 | A875990 | Girl in Satin, The | Leroy Anderson (1908-1975) wrote four works in 1953, among which is The Girl in Satin. The Girl In Satin is written in a Latin style. Like the better-known Blue Tango, The Girl in Satin is Anderson's other tango. Anderson applied his high standards for composition and scoring equally to each of his compositions. He said that he had no favorites among all his works and that he liked them all equally. The public have their favorites, he said. That is their job. "But as a composer, I do not have any clue why the audience likes it (Blue Tango) so much better than my other tango, The Girl in Satin, which in my opinion is as beautiful." Instrumentation: 2.2.2.2: 3Sax(AAT.opt.): 4.3.3.0: Perc(1): Str (9-8-7-6-5 in set). A piano conductor/condensed score is also available separately, though not included in the set. | 2+Picc.2.2.2: 3Sax(AAT; opt): 4.3.3.1: Perc(1): Str (9-8-7-6-5 in set) | |
| 15732 | E6F09303-73D3-4DBB-A486-54AA89C661FD | 10100457 | Psalm | Symphonic Band | ||
| 15733 | E6F11B60-6BD9-402C-83F7-D2DFB83C72DB | 10100333 | To The Airborne | |||
| 15734 | E6F202A9-9407-4438-9435-9490A6574810 | F605 | Musidex File Set Choral, 500-numbers | Forms | ||
| 15735 | e6f7a63c-9e38-11f0-a418-0022482c9682 | 10440165 | Gay Minuet | This upbeat technical work for the developing student is wonderful opportunity to teach the minuet form and articulations. Versions for oboe solo, clarinet solo, clarinet duo, and violin solo are available from the publisher. | Clarinet and Piano | |
| 15736 | E6F7F751-FCB8-47F1-9BCC-5B0EC3D96E8C | 10100127 | Ave Verum Corpus | This motette of Mozart's became one of his most beloved short works. It is a remarkable piece of music, well scored for Junior High, advanced Grade School, and High School Bands. | Concert Band | |
| 15737 | E6FEAF1B-F3B2-45E3-A39C-BF32F31BA157 | R00636 | String Symphony | Commissioned by Hazel Cheilek for the Northern Virginia Junior Regional Orchestra. | String Orchestra | |
| 15738 | E701C3FA-D723-4A08-AC01-F016223FF601 | X502002 | Entre Nous | Violin, Viola | ||
| 15739 | E7063A79-067D-4117-9791-C299379176BB | ST251 | Concerto in D | (not set) | Oboe | |
| 15740 | E70951AC-27C9-451E-93DF-6FD86339F717 | R00057 | Island Earth, No. 8 from Uses of Music In Uttermost Parts | SATB Chorus 3(1d Piccolo).2.2(1d Bass Clarinet).2(1d ContraBassoon): 4.2.3.1: Percussion(3).Piano.Harp: Strings |